From Amazon
Erna Paris is a writer "hooked on the ambiguities of history" who finds "nothing more compelling than to hunt down the ways that the past is managed to suit the perception of our present needs." In
Long Shadows, Paris explores the often bewildering patterns of national memory: how "the effects of war and its approximations" have been remembered, obscured, or not remembered at all; and the implications for ordinary people whose experiences may or may not have been represented in the official narratives of their nations.
Paris begins with the legacy of the Second World War, examining how memory and neglect inform Germany's reckoning with its "unmasterable" past. In France, she investigates official and private reactions to the crumbling post-war myth of valiant nationwide resistance against the Germans. In Japan, she probes the attitude of denial that has shrouded the truth regarding that nation's war crimes. Paris then turns to the continuing conflict between the black and white races, focusing on the ongoing struggle over the legacy of slavery in the United States, as well as the role and the efficacy of South Africa's Truth and Reconciliation hearings in the wake of the fall of apartheid. In the book's final sections, she first explores "the way war can be used as a catalyst for national identity," choosing the Jews and the Serbs as examples. Then Paris looks at the role of justice in coming to terms with unreconciled national historical memory through the recent United Nations courts created in response to war crimes committed in Bosnia, Croatia, Rwanda, and Kosovo.
Long Shadows is a complex and timely work, thoroughly researched and animated by gripping human detail. Paris's sobering journey through "the stricken lands of unresolved past" is a poignant reminder that alongside the relentless falsification of "official" national history lies the fierce struggle of ordinary people to chronicle their personal and collective experience. "Ordinary people will remember," Paris writes, "even when they are ordered not to." --Svenja Soldovieri
From Publishers Weekly
Paris makes an argument that psychologists and anyone who's spent any time on the couch will recognize: countries must confront painful historical episodes in order to resolve them. After completing several books on the aftermath of the Holocaust, including Unhealed Wounds, about the trial of Klaus Barbie, head of the Gestapo in Lyons, the author visited Hiroshima and Nagasaki in 1996, engendering her interest in the worldwide phenomenon of national tragedy, collective memory and its frequent partner in crime, national amnesia. She covers Japan's reckoning with its WWII atrocities, the burgeoning debate over slavery reparations in the U.S., South Africa's post-apartheid reconciliation process and the recent violence in post-Communist Yugoslavia; the Holocaust's legacy comprises the largest section. Paris, a Canadian Jew, offers no easy answers as she examines how "the past is managed to suit the perception of our present needs. The question is, Whose perception and whose needs?" Focusing on the victims and their heirs as well as on the perpetrators and theirs, she explores, among other things, the psychology of shame, guilt, power and disenfranchisement. Paris too often repeats her point that history is "unmasterable," the book's only shortcoming. But after attending trials and interviewing survivors of atrocities around the world, Paris concludes that the painful process of justice is necessary. Otherwise, as in Japan, where the confrontation has been haphazard at best, "Pandora's untamed Furies have been known to wait, forever if necessary, for their next release." Agent, Bruce Westwood. (June)Forecast: This book has recently been awarded a prestigious Canadian prize, the Pearson Writers' Trust for a work "of the highest literary merit." Part of a growing literature on the aftermath of the 20th century's worst tragedies, it should sell well among readers interested in history and memory.
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--This text refers to an alternate
Hardcover
edition.