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Loser's Town: A David Spandau Novel
 
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Loser's Town: A David Spandau Novel [Hardcover]


4.0 out of 5 stars  See all reviews (2 customer reviews)

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4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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4.0 out of 5 stars Good Vacation Read, April 13 2009
By 
Titus Ferguson (London, ON) - See all my reviews
(REAL NAME)   
This review is from: Loser's Town (Paperback)
You will like this book though if you are into gritty, dark, crime and mystery novels.

I can't say that this is a genre that I am completely familiar with, at least the more modern offers of such. I grew up reading mystery novels of the Rex Stout variety, so this novel was a bit of a change.

That being said I did enjoy reading it. It was the perfect type of book for a long weekend. I can see it being very popular vacation reading.

Loser's Town appears to be the first in a new series featuring the main character, David Spandau. He's an interesting character, and I look forward to seeing him developed further.

My one criticism is with the author's opinion that the reader needs to be shocked into seeing how gritty the book's setting is. With gratuitous sex scenes, that seem to serve no purpose, and language thatattempts to be "street" but just comes across as stilted and forced, Depp would do better to work on his prose then pure shock.
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4.0 out of 5 stars "A thousand square miles of man-made griddle on which to fry our sins.", Mar 16 2009
By 
Michael Leonard "MikeonAlpha" (Silver Lake, Los Angeles, USA) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
This review is from: Loser's Town: A David Spandau Novel (Hardcover)
This edgy and irreverent crime thriller skewers the perpetual Hollywood movie machine, offering up a punch-drunk journey into the industry and its possible connection to organized crime. At the center of this tale is David Spandau, a washed-up beaten down ex-stuntman with a broken nose and tired eyes, who is being employed by as a private investigator. Forced to cut his vacation two days short, David is summoned to the Beverly Hills office of his boss Walter Coren. The shiny teethed Walter, "one of the best kept secrets in LA society" tells David that he's been expressly requested for a case. His important client is the up-and-coming young hotshot Bobby Dye.

Bobby is achieving a great deal of notoriety around town for his starring role in Wildfire. This is his one big breakthrough. Even his foul mouthed agent Annie Michaels, says there's even a possibility that Bobby can make the A-list if he can prove his acting mettle. Yet Bobbie is increasingly frustrated. A dark secret is threatening to derail his starry rise in the form of a death threat on a sheet of paper with a message in cutout letters glued onto it: "You're going to Die, Dye!" While Bobby is truly flummoxed at the note, suspecting it could be a pissed-off boyfriend of one of his muses, David is sure that the threat is somehow linked the evil machinations of local crime and drug king Ritchie Stella.

Owner of the notorious Voodoo Club on Sunset strip, Ritchie desperately wants to be a movie producer and wants Bobby for one of his movies. The script and financing are all in place and Ritchie, with a razor sharp brain that is always calculating the odds, will even resort to blackmailing Bobby with a series of incriminating photos to get him to star in the film. Bobby's Ritchie's meal ticket. But when the spoilt and neurotic Bobby threatens to go ballistic, David brings in his best friend, Irishman Terry McGuinn to go undercover, mining Ritchie's employee Allison Graff for information on Ritche's illegal maneuverings and any possible evidence that may connect Ritchie to Bobby.

As Depp moves is through the Los Angeles criminal underworld, all his characters come across as emotional and spiritual wrecks, tossed out and spun around by the vast Hollywood machine. While David drinks too much and is plagued by memories of his marriage to the beautiful Dee, his thoughts are constantly filled with the hope that she might want him again. Terry courts Allison with false promises that he can get Ritchie off her back, seeking comfort in the world of Middle Earth. Meanwhile, the author's other flawed protagonist, Dobbs, along with the huge pale and dumb Squires, is hired to clean up some mess, in this case an underage junkie girl with a needle in her arm found in the bathroom of Bobby's palatial glass-fronted Hollywood hilltop mansion. Even Potts, however, is not without his demons, having spent five years in a Texas prison, the man is mired in the burdens of self-deception.

An exercise on the price of duplicity and hypocrisy with dialogue that crackles with total irreverence, Loser's Town is all about people with such twisted world-views and high opinions that appear to be drunk on a vision of their own self-importance, especially the spoilt and transparent Bobby with his over-inflated ego. As the stifling heat of an LA summer shimmers and wavers, the western horizon turning a lovely but unnatural smoggy orange, Depp's city glides past like an overexposed film. In the end, three people are dead - "four if you count the poor stupid girl who started it all." In this fast-paced, entertaining and devilish expose on the ramifications unbridled power and money, crime bosses are star struck to the Hollywood A-list and innocence gets people in trouble, even getting them killed. Throughout it all, Depp's new hero David Spandau is determined as ever to follow his gut and instinct even as he roots out the bad guys, while eventually left to ponder the collateral damage of the price of fame in this big city of broken dreams. Mike Leonard 2009.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.5 out of 5 stars (42 customer reviews)

9 of 9 people found the following review helpful
4.0 out of 5 stars Looks like Johnny isn't the only talent in the Depp family, Feb 25 2009
By Susan Tunis - Published on Amazon.com
This review is from: Loser's Town: A David Spandau Novel (Hardcover)
Pre-release customer review from the Amazon Vine™ Program
I guess when you're the half-brother of an A-list actor and your debut novel is an LA noir/Hollywood satire, you open the book with an author's note that starts:

They are not They.
He, She, or It, is not You.

Daniel Depp has written a sharp and stylish mystery. It opens with thugs Potts and Squiers running an errand for their boss, Ritchie Stella. Stella's a night club owner, drug dealer, organized criminal, and wanna-be motion picture producer. He's sent Potts and Squiers to remove a body from the home of newly-minted film star Bobby Dye. Just in case Bobby doesn't realize that he owes Stella big time, some highly incriminating photos are taken at the scene.

Armed with these, Stella asks Bobby to star in a film he wants to produce. The script's a stinker, and if he knows anything, Bobby knows that doing Stella's film will kill his burgeoning career. He needs help.

It is at this point that we meet our protagonist, David Spandau, a private eye we've been promised to see in future novels. Spandau's a former Hollywood stuntman and a part-time rodeo performer. He wears Armani suits with cowboy boots. His philosophy: "When all else fails, just be taller." What else do you need to know about the guy? He's good at his job, still hung up on his ex, and doesn't suffer fools gladly. Spandau decides he's going to solve the Stella problem, despite being hired, fired, and quitting the job any number of times throughout the book.

There's nothing really special or unusual about the plot of the novel, and I don't know that plotting is Depp's strength. I'm torn when it comes to the characters. Spandau's entertaining enough. And Potts turned out to be a pretty interesting character. A thug with a rich internal life, he's a good guy at heart, but he does some very bad things. Then there's Terry McGuinn, an associate of Spandau's. He's five foot six, a martial arts genius, catnip for the ladies, and has an Irish brogue you could cut with a knife. I guess that's it. Depp has gone a bit overboard making all of his characters... characters. They're all so special and idiosyncratic. It's a bit much, but they really are entertaining.

Where Depp really shines is with his prose and his dialog, both of which are wonderfully witty and fun to read aloud. The banter is fast-paced and humorous, and yes, the language is salty. I find myself amazed by how many people are deeply offended by a little cussing. The irony is, even Spandau doesn't appreciate the language, repeatedly telling other characters, "I've got better things to do... than sit around and be verbally abused." Anyway, if you're easily offended, you probably won't appreciate the dialog--but I enjoyed the hell out of it.

Depp's other strength is just knowing the world he's writing about. Insights into the privileges and pitfalls of fame ring true. His working knowledge of the film industry and the characters therein provide plenty of material for his satirical eye. Depp's got a fine sense of humor, but not everything in this novel is a joke, and there's a good blend of comic and more serious elements. I didn't have tremendous expectations going into this novel, but I liked it enough that I'll definitely be checking out the next in the series.

3 of 3 people found the following review helpful
4.0 out of 5 stars Entertaining but disjointed in places.., July 16 2009
By AZ Mutley - Published on Amazon.com
This review is from: Loser's Town: A David Spandau Novel (Hardcover)
Pre-release customer review from the Amazon Vine™ Program
In brief, PI hired to help movie star out of a sticky situation with low level mafia drug dealer/club owner.

I found the plot a little simple in this crime novel. Not that is was by any means unreadable, I'd finished it in a week, just that there was not an awful lot of story. There was ample character building, a lot of chit chat between characters.. I say chit chat as it was often simply that. There was also the annoying traditional back talk between the good guy and the bad guys, better off left in the 50's that stuff.

Judging by the title there will be a series following Spandau's antics so perhaps that explains the focus on charaters. I did enjoy the book, but I can't give it 5 stars as it needed a little more polish. Nice start though.

7 of 9 people found the following review helpful
4.0 out of 5 stars The Wastelands, Feb 12 2009
By Gary Griffiths - Published on Amazon.com
This review is from: Loser's Town: A David Spandau Novel (Hardcover)
Pre-release customer review from the Amazon Vine™ Program
Think of Andrew Dice Clay in the days he was good - not simply vulgar. And picture Clay waking up one on one of those good old creative days and deciding he was going to be Robert Crais. That will give you some idea of Daniel Depp and his debut novel, "Loser's Town." This snappy and edgy little gem had me chuckling out loud more than once in the first twenty pages - the opening scene with loser thugs Potts and Squiers is a classic, vaguely reminiscent of the brilliance of Steve Buscemi and Peter Stormare in "Fargo." Not long after these hapless hit men remove the corpse of an overdosed co-ed from an exclusive Hollywood mansion, we meet David Spandau, a part time rodeo cowboy and former stuntman doing time as a private detective. Where could this be but Hollywood?

Spandau reluctantly accepts the assignment to play bodyguard for Bobby Dye, a spoiled and naive, but talented young actor who bears more than coincidental parallels, I suspect, to Owen Wilson. Dye has gotten in over his head with second class gangster Richie Stella, and needs Spandau's help. What follows runs the gambit from predictable to "wow, where'd that come from", with all solidly mired in Hollywood's deep muck and shallow character. For the crime fiction junky, Depp offers enough grit, sleaze, and mayhem to keep it interesting, spiced with clever dialog and a deliciously annoying cast - exactly the types of LA stereotypes that we'd expect - parodies of themselves.

Depp is at his best when sticking to the banter and the people - squishier in plot and substance. Towards the end, some razor sharp editing could have left some moralizing on the cutting room floor, and helped even out a sometimes jerky pace. And Spandau - in a genre that's running out of templates, scores some points as Depp tries to roll Elvis Cole and Joe Pike into one - with only moderate success. But all things considered, a fresh new face in crime fiction, and an initial effort that definitely deserves a sequel.
 Go to Amazon.com to see all 42 reviews  3.5 out of 5 stars 
 
 
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