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Lost in the Forest: A Novel [Paperback]

Sue Miller
5.0 out of 5 stars  See all reviews (1 customer review)
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Book Description

July 25 2006 Ballantine Reader's Circle
For nearly two decades, since the publication of her iconic first novel, The Good Mother, Sue Miller has distinguished herself as one of our most elegant and widely celebrated chroniclers of family life, with a singular gift for laying bare the interior lives of her characters. In each of her novels, Miller has written with exquisite precision about the experience of grace in daily life–the sudden, epiphanic recognition of the extraordinary amid the ordinary–as well as the sharp and unexpected motions of the human heart away from it, toward an unruly netherworld of upheaval and desire. But never before have Miller’s powers been keener or more transfixing than they are in Lost in the Forest, a novel set in the vineyards of Northern California that tells the story of a young girl who, in the wake of a tragic accident, seeks solace in a damaging love affair with a much older man.

Eva, a divorced and happily remarried mother of three, runs a small bookstore in a town north of San Francisco. When her second husband, John, is killed in a car accident, her family’s fragile peace is once again overtaken by loss. Emily, the eldest, must grapple with newfound independence and responsibility. Theo, the youngest, can only begin to fathom his father’s death. But for Daisy, the middle child, John’s absence opens up a world of bewilderment, exposing her at the onset of adolescence to the chaos and instability that hover just beyond the safety of parental love. In her sorrow, Daisy embarks on a harrowing sexual odyssey, a journey that will cast her even farther out onto the harsh promontory of adulthood and lost hope.

With astonishing sensuality and immediacy, Lost in the Forest moves through the most intimate realms of domestic life, from grief and sex to adolescence and marriage. It is a stunning, kaleidoscopic evocation of a family in crisis, written with delicacy and masterful care. For her lifelong fans and those just discovering Sue Miller for the first time, here is a rich and gorgeously layered tale of a family breaking apart and coming back together again: Sue Miller at her inimitable best.


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From Publishers Weekly

Bestseller Miller (The Good Mother; While I Was Gone; etc.) examines love and betrayal in idyllic wine country in another minutely observed, finely paced exploration of domestic relationships. Idealistic California converts Eva and Mark had a solid marriage until Mark's affair; "bumps in matrimony" is what one of Eva's friends, Gracie, calls such difficulties, and as Miller presents them it's not a question of whether they'll appear but how to deal with them when they do. Some years later, Mark and Eva's two adolescent daughters, Emily and Daisy, are living with Eva and her second husband, John, and their young son, Theo. After John's death in a freak accident, Mark rescues the children from their mother's anguish and, in the process, realizes he is still in love with her. John's death becomes the locus of an elegant and careful investigation of loss—loss of love, loss of innocence—and the conflicts between men and women, parents and children, friends and lovers. As Eva grieves and Mark acknowledges his feelings for her, their quiet younger daughter, 15-year-old Daisy (who "had loved [John] the best!"), enters into an affair with an older man. The backdrop of California vineyards is ideal for the growth and life-cycle themes that Miller so carefully cultivates. As Daisy tries her first glass of wine, has her first taste of sex and experiments with her sense of power and voice, she develops into the heroine of the tale—one of the next generation of women learning to navigate the complex familiar waters of love and domesticity.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Booklist

*Starred Review* In her riveting new novel, Miller once again demonstrates her singular gift for capturing the rhythms of daily family life with laserlike clarity while also summoning the turbulent emotions swirling just beneath the surface. Eva, the divorced and happily remarried mother of three, has finally put the disaster of her first marriage behind her and has even become good friends with her ex. Then her second husband is killed in a tragic accident, and the peace Eva has worked so hard to attain is instantly shattered as she succumbs to an overwhelming grief. Her middle child, Daisy, was extremely close to her stepfather and is emotionally paralyzed by the sudden turn of events, unable to process or even speak of her grief. While her older sister, Emily, pretty and popular, is able to reach outside the family for support, and her brother, Theo, is too young to understand what happened, Daisy feels utterly trapped by her own misery and abruptly embarks on an ill-advised affair with a much older, married man. In one of her shortest yet richest novels, Miller insightfully explores the shifting dynamics between parent and child, a married couple, ex-spouses, and siblings. And as in The Good Mother (1986), she takes a volatile sexual dynamic--in this case, an inappropriate relationship, bordering on pedophilia--and explores it from all sides. It's easy to underestimate Miller's artistry because her writing is never showy. All she does in this fluidly written, perfectly paced novel is to show us what being a family really means. Joanne Wilkinson
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

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3 of 3 people found the following review helpful
By Donald Mitchell #1 HALL OF FAME TOP 10 REVIEWER
Format:Paperback
Lost in the Forest was a constantly pleasant surprise for me. The writing is great, the story is engaging, the characters are interesting and the book exudes better taste than the jacket photograph and copy suggest. While reading the book, I felt like I was watching the seasons change by looking at reflections through the changing and intersecting ripples on a pond.

As the book opens, divorced father Mark finds his evening plans for a hot date disrupted when his older daughter calls to say there's an emergency and he must come over immediately. His two daughters, Emily and Daisy, troop out with their tiny half brother, Theo, and announce they're moving in. Their step-father has just been killed in front of Eva, their mother, and Theo, and Eva is distraught. Mark has to step in. With that event, the trajectory of all their lives is permanently changed.

Mark finds himself drawn into a closer relationship with his ex-wife, Eva, and daughters and into playing a surrogate father role for Theo. Eva grieves and gradually recovers . . . and begins to reach for a new balance. Emily grieves and is gradually swept up by friends, activities and college. Daisy had given up on Mark and had taken on John as her father. Her grief is boundless . . . and unexpressed. She's also 15 and at a gawky stage. Her loneliness and unhappiness grow, and she becomes a victim of a family friend who abuses her sexually. Theo doesn't really know what's happened but draws close to everyone.

The interactions between the lives of the characters are delicately done and expose more than the clich's that we've come to expect in books about families in crisis. If you are like me, you'll race to end to find out how it all turns out for each of the characters.

The book's title refers to a family practice of telling stories at the dinner table to entertain Theo. The story opens with Theo lost in the forest. Each person adds to the story until it ends . . . with Theo back at home and safe.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.5 out of 5 stars  61 reviews
26 of 26 people found the following review helpful
4.0 out of 5 stars Warped, Compelling Coming Of Age Tale Aug 19 2005
By Ellie Reasoner - Published on Amazon.com
Format:Hardcover
First, this confession: it was the beautiful cover of this book that first caught my eye. If ever a book was served by what lies on its cover, it is this one.

Set in the California wine country in the late 1980's, this Sue Miller novel begins in straightforward fashion with the accidental death of a man, then lets the effects of that death cascade downward to set the entire story in motion. This novel tells of fifteen-year-old Daisy and her extended family, and how the life of Daisy and her relatives is changed with the loss of Daisy's stepfather. Ill-healed wounds from the recent past are split open once more amid a plethora of present-day anguish. Daisy and all around her are, to state it simply, changed.

If Lost In The Forest were merely this, it would be an entirely different type of novel, but as most everyone now knows, Miller turns it into something more. What she accomplishes via Daisy's eventual erotic affair with a man nearly forty years her elder, is to explicitly turn out the most daring, taboo-breaking work of fiction since Lolita half a century ago. I avidly followed along behind Daisy in her descent into what is probably best described, even in 2005, as a plummet from grace.

I really feel uncomfortable saying more than this, because there is much lying under the surface of this work and I am afraid of giving details away when you can gain so much more by discovering this story for yourself. What I will conclude with here is that Miller, in this tale of pain and reaction, coming of age, and the making of mistakes, has given us her best work since Family Pictures, and showed not only courage in the story she created, but in making this barely more than a novella, when so many other writers might have yielded to the temptation to bloat this by an unnecessary couple hundred extra pages.
18 of 20 people found the following review helpful
3.0 out of 5 stars Disturbing Aug 16 2005
By Marron - Published on Amazon.com
Format:Hardcover
SPOILER ALERT!!

This book was well written, as all Sue Miller's books are. It had interesting (but not terrbly appealing) characters, and great, realistic dialogue, but it contained highly disturbing and erotically written sex scenes between a lonely, hard edged teenaged girl and a completely narcissistic, sleazy older man that left me quite queasy. To me this was sexual abuse, but it was never defined that way. All in all the book left me with an empty feeling, despite the girl's father more or less stepping up to the protective plate.
42 of 51 people found the following review helpful
5.0 out of 5 stars Recommended with reservations.. April 30 2005
By sb-lynn - Published on Amazon.com
Format:Hardcover
IMHO, this is one of Miller's better books. The characters are all ring true, and the tale is told in an interesting way.

Summary, no spoilers:

Eva and Mark had two children, named Emily and Daisy. When the girls were small, Mark has an affair, and the marriage ends.

Eva remarries John ("a nice guy"), and has a son, Theo, with him.

When the book opens, we discover that John has been killed in a car accident (he was a pedestrian), and everyone is feeling enormous grief.

The book tells the story of that grief, and how each character deals with life without John.

Mark now becomes a more vital part of the family's life, Eva deals with loneliness, and Daisy, 14 years old and the most troubled, deals with her grief, her alienation from other kids, and her burgeoning sexuality.

This is a quick read. As usual, Miller is entertaining, and in particular, in this novel she has created a realistic group of characters.

The only reservation I have is with the ending of this book. Miller's last chapter takes place well after the events of the book, and it does resolve a lot of questions as to what happens to the various characters. It is just my opinion, but I would have preferred a different ending. It was a bit of a letdown for me, and I felt like I was meeting different characters than the ones I had come to know intimately throughout the novel.

Despite this, Lost in the Forest is a very good book, and I highly recommended it.
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