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Lost Highway (Sous-titres français) [Import]


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Frequently Bought Together

Lost Highway (Sous-titres français) [Import] + Mulholland Drive + Blue Velvet (Special Edition)
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Product Details

  • Actors: Bill Pullman, Patricia Arquette, John Roselius, Louis Eppolito, Jenna Maetlind
  • Directors: David Lynch
  • Writers: David Lynch, Barry Gifford
  • Producers: Mary Sweeney, Deepak Nayar, Tom Sternberg
  • Format: Color, DVD-Video, Widescreen, NTSC, Import
  • Language: English
  • Subtitles: Spanish, French, English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • MPAA Rating: R
  • Studio: Universal Studios
  • Release Date: March 25 2008
  • Run Time: 134 minutes
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (205 customer reviews)
  • ASIN: B001152TL6

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Customer Reviews

3.8 out of 5 stars

Most helpful customer reviews

11 of 11 people found the following review helpful By eduardo-ricardo de la falcone on April 6 2008
Format: DVD
Long have fans of Lynch waited for a proper release of Lost Highway, and finally here's a good one. I won't go into what it's about or discuss why I think it's good. It's a Lynch movie so you'll either love it or you won't. This review is for those who're wondering whether or not to get this version. This version is far superior to its notoriously awful predecessor. The image quality on the original was so bad, it was barely watchable. The new release boasts a gorgeous print and it's finally in widescreen. There's no bonus material on the DVD, but who cares really if it looks this good now? Bottom line, if you don't own it, get this release. If you own the original, throw it out! Get this one.
I almost never write reviews, just thought people should know the deal with this DVD seeing as how it hasn't really been reviewed anywhere.
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Format: VHS Tape
Lynch's film starts in a typically bizarre way. Jazz musician Fred Madison hears a voice on his Beverly hills house intercom, tellign him that one of his acquantiances is dead. When he goes to the door to see who is speakng, he finds a video...of him and his wife, in bad, sleeping, filmed by a stranger with access to their house.
Lynch's film follows Madison as he pursues this bizarre revelation, fearing that his wife, Renee, is having an affair. Then the film-- in Lynch's new signature twsit-- transforms Madison into a young man who works for a Mafiosi, whose wife devlops an interest in this young man.
Lynch's film has been called a Mobius strip, where following one side of it will gradually take you around so the opposite surface, looking at thigns from an entirely different point of view. Here, Lynch uses his transformation device to examine sexual jealousy, transgression, revenge and evil. The film has the usual Lynch hallmarks-- a subtle and perfect musical score (co-writtten with Trent Reznor), languid pacing, oddly comic moments, and a few sections of sheer, gut-wrentching terror. The scene where Madison meets a Devil figure at a cocktail party has to be the weirdest thign ever done in cinema-- Lynch is in the company of Bunuel here.
The film is ulteimately a loop, bringing its iewer back to its beginning. As such, it is an intense, and terrifying experience, but, since its sens of horror stems from its claustrophobic structure, viewers may miss the final sense of transcendence that his earlier Blue Velvet offers. Nevertheless, this is a fine outing from Lynch, and much superior to the throwaway play of Wild At Heart.
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Format: VHS Tape
The title, Lost Highway, by itself lays ground for cognitive dissonance as Lynch presents a puzzling cinematic journey into a vivid nightmare. In this nightmare the audience is to follow Fred Madison (Bill Pullman) who is coerced through visual hints into jealousy and suspicion as his wife acts peculiarly and mysterious videotapes of his home appear on his door step. The nightmare intensifies as Lynch presents further suggestive indications that Fred's wife, Renee (Patricia Arquette), is having an affair with a friend of hers. However, as soon as the audience feels somewhat comfortable with the story Lynch throws a wrench into the cerebral machinery by adding a new idea. An idea that drives the story in a different direction that generates further confusion as the nightmare snowballs. Lynch tells a bizarre story about envy, love, jealousy, and revenge that reminds more of a painting than a film as the cinematography and mise-en-scene are extremely suggestive. Lastly, the soundtrack is exceptionally well selected as it complements the dark theme of the film and helps to provide a terrific cinematic experience.
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By Vagabond77 on May 19 2004
Format: DVD
This is my theory on David Lynch. He is either the greatest filmmaking genius of our time, or he is completly insane. Take your pick. "Lost Highway" is a very deep movie that relies almost completly on the moment, what is happening now. As a whole coherent story, it would be hopeless to try to give a synopsis. I think it is basicly a nightmare caught on film. It is not logical; the concept of time is meaningless; and characters are literally interchangeable. It is hard to say if the actors did a good job or not because a lot of what they do makes no sense, but it was designed that way. I remember reading an article where Bill Pullman said that no one knew what the story meant. I believe it. Patricia Arquette plays two women who are the same soul (I think). Bill Pullman is her husband, a paranoid man who is caught up in a mental breakdown. He literally transforms into a 19 year old mechanic in his prison cell (he was arrested for murdering his wife). Then the movie shifts over to the kid's story. He is involved with a mobster (played by Robert Loggia, who actually makes me thing he's related to Frank, the crazy Dennis Hopper character from David Lynch's "Blue Velvet"). And finally Robert Blake plays...um, well, some guy who can literally be in two places at once. He is really creepy in this movie, we're a long way from "Beretta". All I can say is that this movie is all about atmosphere and style over content, and that isn't a good thing at all. I keep thinking that Lynch will make the movie that will make all his other movies make sense. But, good luck trying to guess what it means.
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