- Actors: Gary Cooper, Audrey Hepburn, Maurice Chevalier, John McGiver, Van Doude
- Directors: Billy Wilder
- Writers: Billy Wilder, Claude Anet, I.A.L. Diamond
- Producers: Billy Wilder, Doane Harrison, Lee Katz, William Schorr
- Format: Color, Black & White, Closed-captioned, DVD-Video, Subtitled, Widescreen, NTSC
- Language: English
- Subtitles: English, Spanish, French, Portuguese
- Region: (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
- Aspect Ratio: 1.85:1
- Number of discs: 1
- MPAA Rating:
- Studio: Warner Home Video
- Release Date: Jan 29 2002
- Run Time: 130 minutes
- Average Customer Review: 4.4 out of 5 stars See all reviews (43 customer reviews)
- ASIN: B00005RRK0
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Amazon Bestsellers Rank:
#11,882 in DVD (See Top 100 in DVD)
- #4 in DVD > Classics > Classic Directors > Billy Wilder
- #6 in DVD > Classics > Classic Stars > Gary Cooper
- #7 in DVD > Comedy > Comedy Stars > Audrey Hepburn
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Product Description
From Amazon.com
Fairy-tale Paris doesn't get more enchanting than Billy Wilder's Love in the Afternoon, an ode to picnics on the grass and champagne at the Ritz. Audrey Hepburn (who had already made Sabrina with Wilder) is at her best as the inexperienced cellist with a fascination for millionaire American playboy Gary Cooper. Maurice Chevalier (who else?) is Hepburn's father, a private detective with ample evidence of Cooper's crowded history of l'amour. Alongside the sheen of the romance is Wilder's unerring sense of craftsmanship; watch how inanimate objects such as a liquor tray, a white carnation, or the little dog in the suite next door are developed into sublime running gags. The age difference between the two leads has often been questioned, but perhaps this is what gives the gossamer material the whiff of welcome melancholy. The final three minutes leave no doubt that Wilder hatched the best endings in Hollywood history. --Robert Horton
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Customer Reviews
Most helpful customer reviews
3 of 3 people found the following review helpful
Billy Wilder's Off-Centre Romance Classic
May 29 2005
Format:DVD
Billy Wilder was not one of those "slice of life" Directors. In all his films he favours the eccentric, or at least a very unconventional situations. In LOVE IN THE AFTERNOON he focuses on a type of romance not exactly promoted by Guidance Councellors in any High School programmes.
His Arienne is quite probably slightly mad. Not an unlikely result from having a Maurice Chevalier as your sole parent. There can be no other reasons why she should pursue a very old and somewhat unbending Gary Cooper. But no matter that. Wilder is no moralist and instead focuses his attention on the comic elements arising out of the situation.
This is the most musical non Musical I know off, and not just because of the frequent appearance of a String Quartet. Hepburn, Chevalier and Cooper themselves are like a musical Trio. No one could deliver her lines like Audrey Hepburn and here she is at her lilting best, almost like a songbird. In fact, all the visual embellishments of this film, such as the little dog, the cello, the fur coat weave their way in and out of the plot like melodic strands in some piece of Chamber Music.
Every time I see this film I like it more and more. The black and white cinematography is superb and comes out well on DVD. The scenes between Hepburn and Chevalier are priceless. The choice of Gary Cooper has been critizised in some quarters, but his Rock of Gibralter solidness and his All-American masculinity provide the perfect counterfoil to the flighty feminity of the Chevalier character.
It may well be as Hepburn and Cooper elope in the train in the final scene that she is abandoning the Mother figure (Chevalier) for a life with a Father she longs for but never knew. It's a terrific ending, but not one designed to cater to the sentiments of the Moral Majority.
His Arienne is quite probably slightly mad. Not an unlikely result from having a Maurice Chevalier as your sole parent. There can be no other reasons why she should pursue a very old and somewhat unbending Gary Cooper. But no matter that. Wilder is no moralist and instead focuses his attention on the comic elements arising out of the situation.
This is the most musical non Musical I know off, and not just because of the frequent appearance of a String Quartet. Hepburn, Chevalier and Cooper themselves are like a musical Trio. No one could deliver her lines like Audrey Hepburn and here she is at her lilting best, almost like a songbird. In fact, all the visual embellishments of this film, such as the little dog, the cello, the fur coat weave their way in and out of the plot like melodic strands in some piece of Chamber Music.
Every time I see this film I like it more and more. The black and white cinematography is superb and comes out well on DVD. The scenes between Hepburn and Chevalier are priceless. The choice of Gary Cooper has been critizised in some quarters, but his Rock of Gibralter solidness and his All-American masculinity provide the perfect counterfoil to the flighty feminity of the Chevalier character.
It may well be as Hepburn and Cooper elope in the train in the final scene that she is abandoning the Mother figure (Chevalier) for a life with a Father she longs for but never knew. It's a terrific ending, but not one designed to cater to the sentiments of the Moral Majority.
1 of 1 people found the following review helpful
Just adorable
July 22 2008
Format:DVD
Well I read all of the Amazon reviews before I watched this movie, and really, they were pretty justified. But the only thing I disagree with that some people feel so strongly about was the age difference between Gary Cooper and Audrey Hepburn.
This was the 50's. That wasn't unusual, and the thing is 'they' had to place Audrey with the hottest actors of the time. I mean, compare this movie to 'Funny Face', Fred Astaire, well he was WAY older then her, but no, it didn't matter. Enough about that...
This movie was so adorable- probably my favourite Audrey Hepburn film. The little thing that are said and done in this movie have the potential to make you cry. It's just a great movie all around!
This was the 50's. That wasn't unusual, and the thing is 'they' had to place Audrey with the hottest actors of the time. I mean, compare this movie to 'Funny Face', Fred Astaire, well he was WAY older then her, but no, it didn't matter. Enough about that...
This movie was so adorable- probably my favourite Audrey Hepburn film. The little thing that are said and done in this movie have the potential to make you cry. It's just a great movie all around!
1 of 1 people found the following review helpful
Wilder's Parisian souffle
July 18 2004
Format:DVD
With two of Hollywood's most glamorous stars, and (despite the silly plot) a sharp and witty script, this film is an evergreen, and one I never tire of watching.
Audrey Hepburn is enchanting as the spunky "Thin Girl", a cello student who falls in love with a millionaire playboy bachelor, played with grace and charm (and quite a bit of humor) by Gary Cooper. Hepburn was 28 at the time, and looked younger, Cooper was 56, and looked perhaps older, but despite the age difference, their chemistry together sparkles and sizzles.
Audrey Hepburn is enchanting as the spunky "Thin Girl", a cello student who falls in love with a millionaire playboy bachelor, played with grace and charm (and quite a bit of humor) by Gary Cooper. Hepburn was 28 at the time, and looked younger, Cooper was 56, and looked perhaps older, but despite the age difference, their chemistry together sparkles and sizzles.
The romantic cat and mouse game played by Hepburn to intrigue and win Cooper's heart is all very innocent and sweet, and I always shed a few tears at the magical ending.
Maurice Chevalier as Hepburn's father, a private detective specializing in matters of love and deception is fabulous, and gets most of the funny lines, and John McGiver, as one of Chevalier's jealous husband clients, is also very amusing.
The b & w cinematography by William Mellor is exceptional, and how the camera loves Audrey, looking exquisite in an array of beautiful gowns. There is also a quartet called "The Gypsies", who serenade the lovers throughout the film with some terrific czardas, and the melodic song "Fascination".
Light, frothy, and thoroughly enjoyable, this is one of Billy Wilder's most delightful films, and it's a treasure for Hepburn and Cooper fans.
Total running time is 130 minutes.
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Most recent customer reviews
Cute but superficial romance
"Love in the Afternoon" is a cute but superficial romance. I realize that some elements of the film are intended as a satire on French cinema of the time, but Wilder went too far... Read more
Published on April 22 2004 by L. W. Barnes
Cute but superficial romance
Audrey Hepburn delivers a wonderful performance as a naive young music student who falls hopelessly in love with a much older playboy American tourist. Read more
Published on April 21 2004 by L. W. Barnes
A tragedy disguised as a love story
This movie helps us to understand why the divorce rate is so high amongst this generation. The story line is written to depict a great love founded on lies and deceit. Read more
Published on Feb 26 2004 by Rena Selke
Cooper too old? Ask Ted Kennedy
or Michael Dougless or Bob Packwood
Published on Dec 6 2003 by Naptown
It was facination, you see...
What an innocent film... an older man... a younger girl... sounds more like obsession than facination. However, Billy Wilder tells his little tale with complete tongue in cheek. Read more
Published on Dec 3 2003 by Cinemabon
one of my new favorites
I was seeking a romantic movie this afternoon, and came across this one in my mom's collection. i thought why not? Read more
Published on Nov 6 2003 by Janelle
An innocent girl and the playboy-classic but charming
A very experienced womaniser is rescued from a jealous husband by the innocent daughter of the detective hired by the husband. Read more
Published on Oct 24 2003 by "delila30"
Beautifully Directed
At first I thought the movie was a little slow-paced, but I kept watching because I love Hepburn and Cooper. Read more
Published on July 27 2003 by Emily J. Jensen
What an unbelievably attractive lady
I remember watching this movie years ago and being completely spellbound and captivated by Audrey's appearance. Read more
Published on May 15 2003 by Carl P. Rychlik
DISAPPOINTED CLIMAX FOR LOVE IN THE AFTERNOON
When teenage Arienne (Audrey Hepburn)decides to follow one of her father's clients, a middle-age bachelor with a penchant for seducing married ladies (Gary Cooper), she... Read more
Published on April 29 2003 by Nix Pix
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