|1. Political Scientist|
|2. Afraid Not Scared|
|3. This House Is Not For Sale|
|4. Anybody Wanna Take Me Home|
|5. Love Is Hell|
|7. The Shadowlands|
|8. World War 24|
|10. My Blue Manhattan|
|11. Please Do Not Let Me Go|
|12. City Rain, City Streets|
|13. I See Monsters|
|14. English Girls Approximately|
|15. Thank You Louise|
|16. Hotel Chelsea Nights|
"Love Is Hell" (16 tracks, 65 min.) is of course the true follow-up album to 2001's "Gold" and a great collection of Ryan Adams whining and pining at his best. Standout tracks include "This House is Not For Sale", the haunting Oasis-cover "Wonderwall", "The Shadowlands", "I See Monsters" and "Hotel Chelsea Nights".
Nothing wrong with the music here. Why the label rejected this album is a mystery (probably the same suits that rejected Wilco's "Yankee Hotel Foxtrot"). To now issue "Love is Hell" as a true album, mere months after issuing this same collection of songs on separate EPs, is outrageous. I used to think Lost Highway Records was a cool label, not like the "major" labels. Guess I've been proven wrong...
Adams starts off with a sweet piano solo that blossoms into the thoughtful "Political Scientist." Then he sets off on a slightly uneven path of downbeat ballads ("Afraid Not Scared," the piano-led "Avalanche") and meditative rockers (the slow "City Rain City Streets," the bland title song), before rounding off on the melancholy "Hotel Chelsea Nights."
The story of "Love is Hell" is a little strange. Adams created the "Love is Hell" album, only to have it rejected, split in half and released separately, then mashed back together as a single disc. Music execs -- who knows what they think? But the single-disc "Love is Hell" is in some ways better than its separate halves. It feels more cohesive and smooth.
Adams eschews the usual rock instrumentals for a sleeker sound, full of piano solos and spare guitar riffs. His singing is sad, but shows signs of optimism; he wears his heart on his sleeve, and uses it as a guitar pick. And the songwriting is at worst good, at best excellent. "I am going to push them away/falling through the leaves of the winter trees/drowning slowly..." he tells us. And he sounds like he means it.
Now one album (as it was meant to be), Ryan Adams' "Love is Hell" is a dark, chilly, whisky-soaked collection of outstanding rock'n'roll. Love may be hell, but it's a well-crafted hell.
What can I say about Love Is Hell that hasn't already been said? I could say it's brilliant, but we know that. I could talk about the standout tracks, but each track slips easily and sadly into the next one and the next one. Adams hits us in this delectable offering, with lyrics that are downright, dirty depressing. These are not happy songs. They talk about drug-addicted parents, good people's children succumbing to a cruel world, lost loves, being alone, and all of them denote a feeling of utter hopelessness. The album's title track is oddly humorous, but to the point where it's even sadder. But regardless of this inherent depression, this album is like nothing else ever heard by human ears. It is immensely complicated in its delivery, and completely emotional. If one can argue that it is a concept album, it would be easy to say that Adams' character in this utter work of art is a genius (judging by the clever lyrics and the lyrics of the opening track, 'Political Scientist') who has just lost everything, and is on the road to ruin. At the end of the album, he is alone in a room at the Hotel Chelsea, reflecting on his life and losses, and discusses how tired he is of the room and 23rd Street. He's high and lonely. And this is where it leaves us. We can only assume the outcome.
Love Is Hell is a document that proves Adams' talent, legitimacy and introspective nature.Read more ›
I loved his first three cds...Heartbreaker, Gold, and Demolition....these CDs are where the bread and butter are. Read more