From Publishers Weekly
Smith has clearly taken lessons from a few successful writers of chick lit ("Days Without Sex: 0"), but his boy version of Bridget Jones lacks the key ingredient: a sympathetic protagonist. Tom Farrell, 32, lives in Manhattan and works at a publication called Tabloid (a dead ringer for the New York Post), which proudly proclaims itself to be "America's loudest newspaper." Farrell's job is that of "rewrite man," redoing stories by shaping them into salacious shorts and then coming up with eye-catching headlines. As he puts it, however, his "most time-consuming hobby is collecting ex-girlfriends," and the novel-which chronicles five months in Farrell's life-is mostly a jumbled catalogue of his failed love affairs. There's Julia, a co-worker Farrell can't get out of his head; Bran, a platonic friend he might try to get into his bed; Katie, a budding lawyer; and Liesl, an earnest German paralegal. Smith, the book and music review editor at People magazine, writes in glossy and accessible magazine prose (Farrell describes a co-worker as "a girl whose hotitude was... off the charts") and his New York patter can be clever. Searching for its place somewhere between Nick Hornby in subject matter and David Sedaris in its wit, this novel rests uneasily between the two. Publishing and journalism insiders will enjoy Smith's spot-on description of the tabloid life, but women looking for insights into the male psyche, the real potential readership here, may not take kindly to Smith's unflattering dissection of his dates. Still, this is a lively, promising debut.
Copyright 2003 Reed Business Information, Inc.
From Booklist
Tom Farrell--single, 32, smart, caustic, and often drunk--is a "rewrite" wiz at a "real tabloidy tabloid" in New York City and in desperate need of a mate. But so intent is he on acting the part of a witty, laidback, sensitive lover boy that none of the gorgeous, intelligent, and cutthroat women he woos takes him seriously, especially his obsession, the wretchedly manipulative Julia. Basically, this debut novel is a jejune tale of unrequited love sloppily tied to 9/11. But Smith, the book and music review editor at
People, is so devilishly hilarious in his parsing of his narrator-hero's romantic longings and degraded vocation (his sly co-workers are a riot), and so electrifying in his assaults on New York pretension, the inanities of new parents, bad rock and roll, the horrors of dating, and the conflicting desires for casual sex and undying love, he manages to generate a wealth of intriguing psychological and social minutiae. Ultimately, this is an amusing and endearing portrait of a near-loser about to blossom into a truly cool guy.
Donna SeamanCopyright © American Library Association. All rights reserved