The Andy and Vinnie Show Continues Into the New Millennium with a Return to Retro Form with Flood Back at the Helm Once Again. In Case You Haven't Been Listening to the Last Few Albums, the Boys have Been Writing Some of the Best Songs of their Careerand this One Already Has the Critics Abuzz Ready to Welcome them Back to the Mainstage.
Along with the Pet Shop Boys, Erasure long-ago cornered the market in pure synth pop. While credited as early exponents of house, techno and club culture, both duos have at their core an unashamed love of the catchy hooks and anthemic choruses of pop, but their latter day releases have featured an added component: subtly. For Erasure--considering the hands in the air exuberance of hits "Stop!," "A Little Respect," and the sequins and glitter of their Abba tribute EP Abba-esque
's seductive tunes and sensitive words are almost excessively subtle. Despite the pounding beats of "Perchance To Dream," the sci-fi electronica of "Here In My Heart," and the album's title, their ninth studio album isn't about the joy of love, but the pain that goes with it and indulges in melancholic melodies and a sense of longing that takes the pair straight back to those early bitter sweet hits "Oh L'Amour," "Sometimes," and "Victim Of Love." Sequin-free and relatively sedate, Loveboat
, for all its subtleties, still has its share of addictive tunes--"Aliens" and "Freedom" prove that they've lost none of their penchant for pop and can still write a catchy classic when they put their minds to it. --Dan Gennoe