From Amazon.co.uk
The first part of a loosely affiliated trilogy (
Heroes and
Lodger were to follow),
Low is in part a synthesis of 1970's disco, funk and New Wave as well as a brave foray in to wordless electronic ambience. The opening salvo of songs and up-tempo instrumentals contains the single "Sound and Vision", which shudders under the archness of Bowie deadpan vocals. Elsewhere, Bowie inhabits the brilliantly starchy European funk of "Breaking Glass" and "Always Crashing in the Same Car". That Bowie found a like mind in the eternally innovative
Brian Eno is no surprise; the success of the four instrumental pieces that close
Low can be attributed in no small way to the production contributions of the ex-
Roxy Music keyboard player turned ambient pioneer. Bowie and Eno's experiments in a Berlin recording studio would have a massive influence on the music of subsequent decades. For this reason alone,
Low is an essential David Bowie album.
--James Littlewood
Chronique amazon.fr
Premier volet de que l'on appelle la trilogie berlinoise,
Low annonce la new (cold?) wave de groupes comme Joy Division. Co-réalisé avec Brian Eno dans la veine des "stratégies obliques" de
Taking Tiger Mountain et
Here Come The Warm Jets,
Low reprend les choses où l'électronique robotique de Kraftwerk les avait laissées. Sur le vinyle original, une face chantée compilait des morceaux ultra- courts ("Speed Of Life", "Sound And Vision") alors que l'autre était presqu'essentiellement instrumentale. On parle alors de musique environnementale et "Warszawa" exprime la désolation. De la pop à l'indus via l'ambient, Bowie s'impose comme un révolutionnaire défricheur de contrées encore vierges.
--Philippe Robert