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Product Details

  • Paperback
  • Language: English
  • ISBN-10: 0099555328
  • ISBN-13: 978-0099555322
  • Product Dimensions: 1.5 x 10.8 x 17.3 cm
  • Shipping Weight: 159 g
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: #825,683 in Books (See Top 100 in Books)

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Format: Paperback Verified Purchase
whi9le enjoyed this story, it did not compare to the previous story haroun and the sea of stories. also, you should read that one before this one or it will not make as much sense
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Format: Hardcover
sadly, this sequel to the magical "Haroun and the Sea of Stories" has neither the latter's depth nor artful imagination. The language is very flat, the characters seem hastily spun together and the tale is quite limply spun around a thin metaphor that considers the question of a father's mortality. If I were Rushdie's second child (this work was apparently written in his honour, as Haroun was written for his first son), I would feel a little shortchanged.
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 73 reviews
16 of 16 people found the following review helpful
Salman Rushdie, YA -- good fable, well told. Nov. 18 2010
By Barb Caffrey - Published on Amazon.com
Format: Hardcover Vine Customer Review of Free Product
Salman Rushdie's fable "Luka and the Fire of Life" is a fun book about Luka, the son of Rashid Khalifa, a storyteller, and Soraya, a woman of scientific bent. Rashid and Soraya were older parents with a son already full grown when they had Luka, so Luka feels vaguely embarrassed, more so than do most adolescents in search of adventure. That his older brother Haroun already had an awesome adventure of his own (told in Rushdie's earlier "Haroun and the Sea of Stories") just put pressure on Luka to find something, anything that he could call his own. That Luka has two interesting pets -- a bear he calls Dog and a dog he calls Bear -- that came from a dying circus only adds to Luka's internal frustration that he hasn't yet had adventures -- and now that he's hitting puberty, he wants his own adventure.

This is a fable and has the conventions of a fable or fairy tale, yet it's a modern one in that Rushdie nods many times toward the audience as if to say, "Guess what? I'm having fun with this, and you should, too." It's mostly a wry commentary on families, life, and how everyone is searching for his own identity in his own way -- but it's done so well, and with so much brio, that it's almost impossible not to like it even though if you've read many fables or fairy tales, you know how this is going to end.

So plot by itself is really not the upthrust of this book; rather, I'd say this is a book to seek out if you enjoy language, social commentary, and a sideways look at our ever-shrinking world. It's enjoyable, witty, fast-paced in its own way (remember, it's fast-paced for a _fable_), and fun.

Four stars. Recommended.

Barb Caffrey
74 of 89 people found the following review helpful
Mixed Feelings Oct. 5 2010
By Phyllis Staff - Published on Amazon.com
Format: Hardcover Vine Customer Review of Free Product
Luka's father is dying, and, without Luka's help he will soon be gone. But what can a 12-year-old boy do to save his father? As it turns out -- quite a lot.

Luka's story was created by Salman Rushdie for his own 12-year-old son, Luka. The novel is filled with contemporary references, clever puns, and wonderful language, so why would I rate it only three stars? Let me explain:

PROS:

This is my first experience reading Salman Rushdie, and it's quite a treat. Mr. Rushdie has wide-ranging classical knowledge which he brings to his narrative. His use of the English language is stunning. For the first 100 pages of this novel, I was charmed by his skills.

CONS:

For me, the problem with this novel is the story. In spite of the wonderful language, I was never able to connect with the story. In fact, after the first 100 pages, I found myself skimming rather than engrossing myself in the reading. Too bad, because Mr. Rushdie is a wonderful writer -- but a not-as-good story creator.

To illustrate: A dog named Bear, and a bear named Dog, were amusing when first introduced, but this name reversal quickly grew stale and, eventually, annoying. Although these two characters contributed to the story, it was not enough to rescue a tale that stretched on far too long.

So, would I buy this novel for my own 12-year-old son? No. I don't find the story strong enough to hold (what I remember of) his interest.

STARS:

For his writing, five stars.

For the story, two stars.

Average: 3.5 stars
21 of 26 people found the following review helpful
Imaginative and Clever Sept. 22 2010
By Julie Merilatt - Published on Amazon.com
Format: Hardcover Vine Customer Review of Free Product
While this book is a follow-up to Haroun and the Sea of Stories, you don't have to have read it to appreciate Luka's story. It is another magical journey into the enchanted world of Luka's father, Rashid's imagination. The poetic analogy of videogames as alternate reality, which was an ongoing theme throughout Luka's adventure, was hilarious. There were great pop-culture and literary references that made me chuckle and an abundance of cameos of mythological creatures from various cultures. Luka's great quest to find the Fire of Life to save Rashid, the allies he acquires along the way, and the final battle against Time were reminiscent of Wonderland, Oz, and a variety of other well-known favorite fantasy worlds. Though I'm afraid my imagination has become less imaginative to appreciate these whimsical expeditions, I still found it charming and clever.
6 of 6 people found the following review helpful
i like it but... Nov. 14 2010
By Konrad Baumeister - Published on Amazon.com
Format: Hardcover Vine Customer Review of Free Product
Salman Rushdie can be an outstanding writer; his language skills are a major strength when well employed (and a major weakness when he allows himself to fall into language trickery and allows the effects to take away from the story). His plotting and story telling are sometimes focused and excellent, sometimes more spotty and episodic, depending on the book involved. In this case, well, I'm not sure.

'Luka' is meant to be a fantasy story, a magic tale suitable for a 12-year old that is also meant to appeal (I think anyway) to adults, and comes from a very personal place in the author's heart (much as the previous, not-quite-prequel 'Haroun' book did). Whereas 'Haroun' dealt in its own way with the author's then-current life crises - it was in the 80s, you could look it up - Rushdie is now a good deal older and as such faces new life crises, ie an older father who may or may not be around to see his young child grow to adulthood. Givem that grim thought, Rushdie has crafted a magic tale that considers that reality but means to do so charmingly and with humor and love.

I followed the story closely for just past half the book, over 100 pages. I didn't hate it. In fact, I thought for the first 50 pages or so that it might be a fun book for my nephews. However, it's no Harry Potter book. After a while it seemed to drag on, not getting any worse, but just not getting anywhere else good, either. I do not wish to damn with faint praise, but faint praise is all I felt ultimately. The book deals touchingly with real issues of importance to both children and adults; the author can certainly write when he applies himself; but the story didn't seem gripping enough to stick with till the end. Not sure exactly why not. Perhaps you will feel differently about it.
5 of 5 people found the following review helpful
Luka and the Mario Brothers Nov. 17 2010
By Roger Brunyate - Published on Amazon.com
Format: Hardcover
What a father Salman Rushdie would make! Imagine being read to from a book that opens with "a boy named Luka who had two pets, a bear named Dog and a dog named Bear." And then to learn that the former "was an expert dancer, able to get up onto his hind legs and perform with subtlety and grace the waltz, the polka, the rhumba, the wah-watusi, and the twist, as well as dances from nearer home, the pounding bhangra, the twirling ghoomar (for which he worse a wide mirror-worked skirt), the warrior dances known as the spaw and the thang-ta, and the peacock dance of the south." For Rushdie is a wizard with words, taking us in a sentence from ordinary to exotic and back again. This is a book for children to hear with wonder and for adults to understand, for Rushdie's range of reference (and fondness for erudite puns) is immense.

Luka Khalifa is the much younger brother of the title character in HAROUN AND THE SEA OF STORIES, Rushdie's earlier fantasy for the child in all of us. His father, the great storyteller, the Shah of Blah, is in a coma and Luka must journey into the Magic World to steal the Fire of Life before his being is sucked away by the spectral Nobodaddy, who becomes more and more visible as he empties the dying man of his substance. The quest involves the assistance of elephant-headed Memory Birds, a shape-changing dragon called Nuthog, and the benevolent but fierce-speaking Insultana of Ott, who provides a magic carpet to take Luka much of the way to his destination. But Luka is no shrinking violet himself. He started the whole chain of events by cursing a cruel circus-owner so effectively that the animals revolted, and he can hold his own in a battle of riddles with a terminator-blasting Old Man of the River, or in a rigged trial presided over by the god Ra, who speaks only in Egyptian hieroglyphics. This is not a book to read in a single sitting; the point is less the journey than the encounters along the way, each chapter having its own atmosphere and treasure-trove of wonders.

I don't know if I was simply in a more receptive mood, or if it actually the better book, but I enjoyed this a great deal more than its predecessor. I remember thinking that HAROUN suffered from being too close to a video game such as MARIO BROTHERS, but here the connection is quite explicit and oddly enough it works even better. Luka is a modern boy, quite at home in the electronic world; he is hardly surprised to find a life-counter in the top left-hand corner of his vision, and he knows which objects to punch to replenish his store. The modernity helps to anchor the book, to bring the vaguely Indian setting closer to home -- as does the fact that Rushdie is no longer confined to his own mythology, but freely references Greek, Norse, Japanese, and other cultures as well. Indeed this is the point: in a modern world, where the old deities no longer wield their power, stories are the only means of giving them life. As Luka explains to the disgruntled deities in their broken-down pan-cultural Olympus: "When your story is well told, people believe in you; not in the way they used to believe, not in a worshipping way, but in the way people believe in stories -- happily, excitedly, wishing they wouldn't end." He might have been describing his own book.

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