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The consequences of media saturation are the basis for an urban nightmare in Lullaby, Chuck Palahniuk's darkly comic and often dazzling thriller. Assigned to write a series of feature articles investigating SIDS, troubled newspaper reporter Carl Streator begins to notice a pattern among the cases he encounters: each child was read the same poem prior to his or her death. His research and a tip from a necrophilic paramedic lead him to Helen Hoover Boyle, a real estate agent who sells "distressed" (demonized) homes, assured of their instant turnover. Boyle and Streator have both lost children to "crib death," and she confirms Streator's suspicions: the poem is an ancient lullaby or "culling song" that is lethal if spoken--or even thought--in a victim's direction. The misanthropic Streator, now armed with a deadly and uncontrollably catchy tune, goes on a minor killing spree until he recognizes his crimes and the song's devastating potential. Lullaby then turns into something of a road trip narrative, with Streator, Boyle, her empty-headed Wiccan secretary Mona, and Mona's vigilante boyfriend Oyster setting out across the U.S. to track down and destroy all copies of the poem.
In his previous works, including the cult favorite Fight Club, Palahniuk has demonstrated a fondness for making statements about the condition of humanity, and he uses Lullaby like a blunt object to repeatedly overstate his generally dim view. Such dogmatic venom undermines the persuasiveness of his thesis about mass communication and free will, but thankfully, Palahniuk offers some respite here by allowing for sympathy and love, as well as through his razor-sharp humor, such as his mock listings for Helen's possessed properties: "six bedrooms, four baths, pine-paneled entryway, and blood running down the kitchen walls...." At such moments, Lullaby casts a powerful spell. --Ross Doll --This text refers to an out of print or unavailable edition of this title.
"I need to rebel against myself. It's the opposite of following your bliss. I need to do what I most fear." Beleaguered reporter Carl Streator is stuck writing about SIDS and grieving for his dead wife and child; he copes by building perfect model homes and smashing them with a bare foot. But things only get worse: Carl accidentally memorizes an ancient African "culling song" that kills anyone he focuses on while mentally reciting it, until killing "gets to be a bad habit." His only friend, Nash, a creepy necrophiliac coroner, amuses himself with Carl's victims. Salvation of a sort comes in the form of Helen Hoover Boyle, a witch making a tidy living as a real estate broker selling-and quickly reselling-haunted houses. She, too, knows the culling song and finances her diamond addiction by freelancing as a telepathic assassin. Carl and Helen hit the road with Helen's Wiccan assistant, Mona, and her blackmailing boyfriend, Oyster, on a search-and-destroy mission for all outstanding copies of the culling song, as well as an all-powerful master tome of spells, a grimoire. Hilarious satire, both supernatural and scatological, ensues, the subtext of which seems to be Palahniuk's conviction that information has become a weapon ("Imagine a plague you catch through your ears"), and the bizarre love affair between Helen and Carl offers the lone linear thread in a field of narrative flak bursts. But the chief significance of this novel is Palahniuk's decision to commit himself to a genre, and this horror tale of both magic and mundane modernity plants him firmly in a category where previously he existed as a genre of one.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Great book, except it's unreadable because I ordered the german version by mistake.Published 11 months ago by Max Sullivan
Amazing book. I need not say more, Chuck P. never ceases to captivate me. This book starts out leading you to believe it will remain a tragic story about a family and the hardships... Read morePublished 15 months ago by Justin Ward
Probably the most overrated author ever. He's only ever developed two characters, and he throws them all over the place. His style is predictable and pseudo-clever. Read morePublished on Dec 14 2007 by Benjamin Anderson
Who would have thought that Palahniuk's LULLABY would be such a knock-out book? The power of words has no equal. They can inform, inspire, motivate, pacify and entertain. Read morePublished on March 23 2007 by Bammo Sambuco
I bought this on a whim since i had read most of Fight Club and loved that book. I have to say I was pretty disappointed with this book. Read morePublished on June 9 2004 by Amanda
Few authors will tackle the subjects that Palahniuk does, and even fewer would be able to carry them off as a novel once undertaken, but with a master storyteller like Mr. Read morePublished on June 2 2004
It's an excellent book, but
It's not as
hilarious as Choke
big as Survivor
outrageous as Invisible Monsters
or fun as Fight Club
With that said, it is... Read more
Being a fan of Chuck Palahniuk's previous works I was looking forward to reading this. The problem with this novel is that it is way too farfetched. Read morePublished on May 19 2004
In very much the classic Chuck Palahniuk style, Lullaby focuses on many human frailties. Carl Streaton, an investigative reporter, is assigned to write a five-part series on Sudden... Read morePublished on May 19 2004