Ma Vie en Rose (Widescreen): Amazon.ca: Georges Du Fresne, Mich�le Laroque, Jean-Philippe �coffey, H�l�ne Vincent, Daniel Hanssens, Laurence Bibot, Jean-Fran�ois Gallotte, Caroline Baehr, Julien Rivi�re, Marie Bunel, Gregory Diallo, Erik Cazals De Fabel, Yves Cape, Alain Berliner, Sandrine Deegen, Carole Scotta, Daniel Delume, Chris Vander Stappen: DVD

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One of the sweetest films to emerge from Europe in the 1990s, Alain Berliner's Ma Vie en Rose is the story of an innocent little boy, Ludovic (played with noncloying directness by Georges Du Fresne), who wants to be a girl. Convinced that he's the product of misplaced chromosomes (he imagines the mix-up in one of many delightful daydream sequences), he sets about righting the mistake by wearing dresses and high heels and experimenting with lipstick and makeup. The otherwise friendly suburban neighborhood becomes horrified by the gender confusion, though tellingly the cruelest blows come not from the teasing classmates but intolerant adults: one scene recalls the torch-and-pitchfork angry villagers from a Frankenstein movie. Ludo tries hard to be butch, but he can't deny his nature, especially when he meets a kindred spirit: a little girl who gladly trades her dress for his pants and shirt. This bittersweet mix of innocent fantasy and childhood cruelty has its moments of sadness and crushing misunderstandings, but the overall tone is loving, filled with tenderness and culminating in acceptance and togetherness. As the family stumbles and struggles to come to terms with Ludo, they find something special within him, an innocent conviction so powerful and pure that it's infectious. Ludo may not grow up to become a girl as he hopes, but his belief is so strong it's hard to deny him the possibility. This films reminds us that, to a child, anything is possible. --Sean Axmaker

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Customer Reviews

35 Reviews

5 star:		(24)
4 star:		(10)
3 star:		(1)
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Average Customer Review

4.7 out of 5 stars (35 customer reviews)

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5.0 out of 5 stars Magnificent, Jun 18 2004

By A Customer

This review is from: Ma Vie en Rose (Widescreen) (DVD)

I have never seen a more beautiful and innocent movie. Everything is realistically displayed through the eyes of a 7 year old boy, Ludovic. He believes himself to be a "girlboy" because god accidentally dropped his X chromosome into the trash which ultimately turned Ludovic into a boy. The movie is heartwrenching, but remains completely innocent. The whole atmosphere is innocense. I cried so hard while watching the movie. As the film progresses, Ludovic becomes less himself, choosing things based on other people's judgements than his own. He begins to become more timid, introverted, and tortured. His spirit is killed by everyone around him, especially his mother who supported him in the beginning. His mom cuts his hair; an asset that made him feel more feminine, making him vulnerable. The most painful scene to watch was when Ludovic went down the stairs to go outside due to the havoc his sister and brothers were causing. His mother sneered at him and asked "Where are you going?" ludovic answers that he is going outside to take a walk because his siblings are too noisy. His mother glares at him and says without any heart "It's not our fault we had to move" referring to the fact that Ludovic's "girlboy" tendencies made the neighborhood turn on the family. Ludovic stares at his mother for a second, then nods gently and leaves. His sadness really resonates. Ludovic is all alone, and no one cares. His brothers allow him to be beat up in his presence by the soccer team. His mother continually bashes him verbally saying that he ruined everyone's lives, and that everything negative was his fault. it's disgusting what society can do to such an innocent, loving boy. But it's real, and that's what is sick about the world.

i recommend this movie to everyone. you'll love it. this is the environment we let people survive in. it's disgusting how much negativity is pushed upon the fragile shoulders of little 7 year old Ludovic.

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5.0 out of 5 stars Ma Vie En Rose, May 12 2004

By

"moejama120" (Binghamton, NY USA) - See all my reviews

This review is from: Ma Vie en Rose (Widescreen) (DVD)

What do you call a girl who would rather play sports than color? What about a girl who prefers shorts to dresses? Some might answer "normal" while others will answer "a tomboy." Nevertheless, tomboys are a common phenomenom who are fortunate enough to have no social stigmas attached to them. Find a boy who prefers to dance and wear dresses, however, and you are dealing with a sick child with homosexual tendencies. The double standard is both apparent and completely unfair. Ma Vie En Rose examines the role of sexual stereotypes in today's culture while showing how certain elements in society encourage conformity and inhibit diversity.

Seven year-old Ludovic is a boy who wants to be a girl. He likes to wear dresses and talks of marrying another young boy by the name of Jerome. Ludovic's family, who have recently moved into a new neighborhood, are embarassed by Ludovic's actions and struggle to suppress his transexual yearnings. Though Ludovic's actions are surprising to viewers, it is still more interesting to examine the panopticon his family is part of. Ludovic's father, Pierre, does not know how to best cope with his son's tendencies. Ludovic's sometimes embarassing displays of femininity threaten to derail his father's career, as Jerome happens to be Pierre's employers son (yikes!).

Those who assume that Ludovic is gay have missed the point of this film entirely. Sexuality isn't even an issue, especially at Ludovic's age. Ma Vie En Rose isn't concerned with Ludovic's eventual sexual orientation. The film is careful to keep its focus within childhood. Ludovic likes to wear dresses and makeup. He associates these things as the traits of women, and for this reason, feels he needs to marry Jerome. In an idealistic world, Ludovic would be able to enjoy these things without giving up on his masculinity. In the real world, however, Ludovic must unconsciously choose sides. He chooses the "feminine" because the restrictions of socialization give him no other option. This film is a bright (so bright in its use of color, it would make Barbie sick) and intelligent film which instead of asking why, asks why not?

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4.0 out of 5 stars Plaintive and dishearteningly honest, May 11 2004

By

Douglas J. Mundy "dmundy1" (Elkins Park, PA USA) - See all my reviews
(REAL NAME)

This review is from: Ma Vie en Rose (Widescreen) (DVD)

The representation of what is fantasy versus "real life" in this film serves to highlight the perception of how the transgendered main character, named Ludovic, comes to clash with the Parisian perception of what it is to be "bent." In doing so, Ludo brings his adoration of the barbie-esque Pam, his family, his friendship with neighbor children to clash with their societal vision of how gendered children should act. Some of his attempts to understand how a boy or girl should act play out as a comedy of errors with tragic results, have a significant negative impact on Ludo's life.

This film orchestrates commentary on the way in which the genders are impressed upon children via the media and cultural indoctrination; the way in which the female is surveyed by the masculine decision makers and how women affect their world through presence and men affect the world through action (surveyors/surveyed).

In summary, this is a difficult picture to watch without internalizing the strife the transgendered child evokes, and is a surefire way to heat up some discussion on the topic.

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Most recent customer reviews

5.0 out of 5 stars Grrrls and Cinema Movie Review
Ma Vie en Rose is a film by Alain Berliner about a 7-year-old boy, Ludovic, living in France who is faced with oppression from his neighborhood, parents, and school because of his... Read more

Published on May 11 2004 by Emily Heinegg

5.0 out of 5 stars gender as performance
Alain Berliner's 1997 debut 'Ma vie en Rose' thematizes heteronormative standards using the example of public responses to a child who is performing a gender identity in... Read more

Published on May 11 2004 by anne jahn