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Machers And Rockers
 
 

Machers And Rockers (Hardcover)

by Rich Cohen (Author) "Marshall Chess was laughing it up ..." (more)
1.0 out of 5 stars  See all reviews (1 customer review)
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From Publishers Weekly

In a postscript to his dynamic history of Chess Records, Cohen (Tough Jews) confesses that its tale is one he's been telling since adolescence, "using whatever was at hand to make the case: not only does this song rock, it also has something big to tell us." Cohen's book has something big to say too—about how the unlikely marriage of the shtetl and the plantation produced Chicago blues and rock and roll. The music that exploded into the living rooms of America and the world might have remained in the juke joints of the South if not for "record men" like Leonard Chess, whose label is rivaled only by Atlantic for its influence. Sensing an audience where the big labels didn't, Chess carted unvarnished recordings of artists like Muddy Waters, Bo Diddley and Chuck Berry in the trunk of his Cadillac, getting them in stores and on the air by any means necessary. Cohen weaves the story of the mercurial, lovable but not always entirely ethical Chess with the stories of the artists he recorded and well-judged glimpses of social history. Though written with the energy of his teenage bull sessions, Cohen's history avoids the rhetorical excess nearly endemic to rock and roll books, offering instead a punchy and driven but also sturdy and careful narrative.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


From Booklist

More acclaim is rendered to Chess Records and Leonard Chess, in particular, in Cohen's engaging book based on the proposition that "Leonard Chess, along with a handful of the musicians he signed and promoted and coddled and fucked over and enriched, invented the very idea of Rock & Roll." The musicians Leonard and his brother, Phil, signed and so forth included Muddy Waters, Howlin' Wolf, Little Walter, and the rest of the Chicago blues elite, and this is inevitably the story of black musicians and Jewish businessmen coming together to almost inadvertently create timeless rhythm and blues and inspire the development of rock. Cohen blends the artists' stories with the upward progress of Leonard Chess' family, notably including son and eventual rock mogul Marshall, who called Muddy Waters grandfather. The Chess story hasn't languished untold, but Cohen's version of it, centered on the savvy businessman who moved to "an old money town" as his business grew but kept commuting to the south side to make it work right, is utterly fresh. Mike Tribby
Copyright © American Library Association. All rights reserved

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1.0 out of 5 stars What A Mess, Mar 26 2005
By F. W. Young (Toronto, Ontario) - See all my reviews
(REAL NAME)   
I've read a couple of Cohen's books and enjoyed his tough prose style...

In "Machers and Rockers", he lets the style get away from him. Reading like an out of control Nick Tosches or a less violent James Elroy, Cohen uses his tough guy style loose on a number of unrelated tangents that immediately doom this book.

Even worse for a book about Chess Records, Cohen commits a number of horrific blunders about the artists and their music. This suggests either a lack of familiarity with his subject matter, a lack of editing and/or fact checking at the publishers, or a lack of caring.

When the lyrics to Muddy Waters' seminal "Hoochie Coochie Man" are badly mangled near the start of the book, it sets a dagerous precedent. (Note - Cohen badly messes up the third line of the song) If he can't even get a simple lyric right, why should we believe anything else that he wants to tell us?

To use a yiddishism to describe this book - "feh"...

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