Macon County Line

Max Baer's friendly fascist is one reason, but not the only one, to catch this disturbing 1974 film. In fact, Baer's smiling, upright sheriff seems a blood brother in some twisted sense to Mayberry's Andy Griffith. Based on fact, the movie portrays the misadventures of real-life brothers Alan and Jesse Vint, as they frolic through the 1950's South on their way to a date with the Army. Bad luck and Sheriff Baer however turn their joyride into a nightmare that finally ends in tragedy. The last scenes are a suspense-filled stunner. This is Baer's production and he uses it to observe the effects of gun culture, brutality, and race prejudice in fairly subtle fashion. Except for Geoffrey Lewis's overdone station attendant, the acting is first rate, with Joan Blackman a long way from her frothy Elvis movies. Special recognition should go to the casting of the two southern lowlifes who are the most convincing and sinister drifters I've seen, and are guaranteed to put chills up the spine. At times the script seems too deliberate, as though there are explanations for everything. Still, this is a first-rate thriller that deserves its cult status, and is ultimately a long, long way from the bucholic ideal of Sheriff Andy's Mayberry.

An intense adult drama, with a common plot element of an "innocent" female traveller (Ally Sheedy) who gets jailed in a southern jail on trumped-up charges, raped and beaten and otherwise abused by her captors, until another inmate (David Carradine) steps in (through the cell bars), grabs the bad cop, (who ends up dead) and the escape is on. The Sheriff is the usual dirty cop, who pursues the escapees ruthlessly, with Ally Sheedy's character resorting to more & more crime in her desperation to get away from the hell she's experienced, all the while being helped by, but not quite trusting, Carradine's ex-con. The violent subject matter makes it understandable why no one under 18 is allowed to buy this movie here, but all in all, it's a decent flick of its genre, with good performances by the leads.

If you're a fan of low budget film making, the story behind the making of "Macon County Line" is as fascinating as the film itself, perhaps moreso. You'll learn about that in a short featurette that's included on the DVD that features interviews with Director Richard Compton, Actor-Producer-Writer Max Baer, Jr., star Jesse Vint and others. What I really enjoyed is the film commentary offered by Richard Compton during the film. It's actually more of a conversation with Anchor Bay producer Bill Lustig, a pretty good low budget film maker, himself (Maniac, Vigilante, Maniac Cop), about how the film came to be. Listening to the two directors talking about how to get the most out of a small budget (just over $200,000 for the film) is a real education. Lustig is a very good interviewer/commentator and has shown up on other Anchor Bay releases (his own "Vigilante" comes to mind).

The film, itself, is a much better-than-average story about mistaken identities and the tragic consequences that result. The cast is generally good and the acting is a lot better than what one might typically expect from drive-in fare. Max Baer, Jr., in particular, gives depth to a character that could have been played as "Sheriff Jethro Bodine." Baer wanted to break away from his "Beverly Hillbillies" image and, for the most part, he succeeds. Anchor Bay's widescreen edition looks great. I can't vouch for the sound since I don't have an elaborate audio system, but Anchor Bay generally has a reputation for doing good things with the available source material.

Fans of 70's era drive-in movies will really enjoy "Macon County Line."