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Madman Across The Water Original recording remastered

Price: CDN$ 13.47 & FREE Shipping on orders over CDN$ 25. Details
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Madman Across The Water + Tumbleweed Connection + Honky Chateau
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Product Details

  • Audio CD (May 8 1996)
  • Number of Discs: 1
  • Format: Original recording remastered
  • Label: Island
  • ASIN: B000001EGC
  • Other Editions: Audio CD  |  Audio Cassette  |  LP Record
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (68 customer reviews)
  • Amazon Bestsellers Rank: #5,822 in Music (See Top 100 in Music)

1. Tiny Dancer
2. Levon
3. Razor Face
4. Madman Across The Water
5. Indian Sunset
6. Holiday Inn
7. Rotten Peaches
8. All The Nasties
9. Goodbye

Product Description

Product Description

With the Hit title track, plus Levon; Tiny Dancer , and more. From 1971.


Named for a cut that originally appeared on his Tumbleweed Connection album, Madman Across the Water yielded some of Elton John's earliest AOR staples. "Tiny Dancer", like the previous "Your Song", was introduced and carried by John's masterful piano composition. The song's sense of longing also employed the falsetto chorus that would become as much of a trademark as his costumes. "Levon", another entry into the John/Taupin "ballad of" category, is one of their finest pieces. The orchestration gives the song not only its sense of foreboding, but also its release of tension as the song ends. "Rotten Peaches" became a favourite, as did "Holiday Inn". There's also a different interpretation of the title track than appeared on Tumbleweed Connection. --Steve Gdula

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Customer Reviews

4.7 out of 5 stars

Most helpful customer reviews

2 of 2 people found the following review helpful By Lawrance Bernabo HALL OF FAMETOP 500 REVIEWER on Nov. 30 2003
Format: Audio CD
I have been going through my 1000+ CDs for the Popular Culture class I teach and I have come to the conclusion that "Madman that was the only place to hear "Levon," which was my favorite song for about half a year (I believe it was replaced by "Knife's Edge" by Emerson, Lake & Palmer). Consequently, the shift in my musical appreciation from Top Forty to more sophisticated musical forms can be traced to this particular song and this special album.
Of course, once I had enough loose change I bought the album and promptly proceeded to play the first side about five times as often as I flipped it over and played side two; having the CD Across the Water" was a seminal album in my life. I seriously started listening to FM radio in the early Seventies because means I tend to listen to the whole thing all the way through. I would argue that "Tiny Dancer," "Levon," "Razor Face," and "Madman Across the Water" equals the best side of any Elton John record. I also used the title track as part of a poetry unit for English class (ah, those liberal days of yore). The movie "Almost Famous" has made "Tiny Dancer" popular again, but anybody who listens to this CD is going to find out there are some other great songs too, from the somber "Indian Sunset" to the catchy "Rotten Peaches."
Ironically, "Levon" made its way onto the third volume of Elton John's greatest hits collection. Just another example of the cherished memories of our youth exploited by the commercial interests of some soulless giant company.
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Format: Audio CD
An anything goes attitude is the defining feature of Elton John's forth studio album, Madman Across the Water. A folk song about a hotel chain. A narrative about an Iroquois warrior. An eight-minute rock epic about who-knows-what. The next track could be anything. Of coarse such an approach means at least a few missteps, (The aforementioned "Indian Sunset," which references tomahawks and Geranimo, is just ridiculous), but ultimately John and lyricist, Bernie Tauplin, create some compelling music. Take "Levon," a character sketch of a cold-hearted business-man and his dreamer son, Jesus (named so because Levon "liked the sound") for example. With its pungent imagery, winding violins and passionate vocals, it's an outstanding rock epic if there ever was one. The album's best track, though, is its most normal, "Tiny Dancer," which was revived in 1999 by Cameron Crowe's outstanding, rock and roll-themed coming-of-age film, Almost Famous. The ballad, about a free-spirited groupie, is the John/Tauplin team at its most charmingly amorous and effortlessly gorgeous. More common, though, are idiosyncratic moments like "All the Nasties," in which an urbanite assets his manhood in front of a towering choir and "Goodbye," in which a poet, who feeds lambs wine that flows from his hands (Yeah, you read that right) throws a fit. Elaborate, individualistic and unpredictable, all to an extreme, there are few albums quite like Madman Across the Water and of them, very few as pleasing.
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By Levi Stofer on March 10 2003
Format: Audio CD
The magical period of 1970-1978 now known as Elton John's "Classic Years" yielded many wonderful albums in a short frame of time. Many people seem to single out "Goodbye Yellow Brick Road" as his best. This may be because of the fact that Sir Elton was at his most popular by that time.
In my opinion, "Madman Across the Water" is his best. Recorded in 1971, it contains some of the most soulful songs Elton John and Bernie Taupin ever created.
Yes, it contains the commercial hits "Tiny Dancer" and "Levon" but unlike some of Elton's late 70s albums, this one goes a bit deeper than that. The title track is a haunting epic that evokes frightening images while leaving a melody in your head that urges to sing along. "All the Nasties" and "Goodbye" also stand out as favorites, but as a whole this album works better than any other EJ recording.
One major reason is the overall sound. On many of the songs, orchestration is used to intensify the emotional anthems to higher levels than a piano will allow. Also, the album gives some room to breathe between the more serious songs like "Indian Sunset" with transitions to more fun songs like "Razorface" and "Rotten Peaches", which are all great tunes in their own right.
This was the album that really got me rolling on my Elton John collection. I would also highly reccommend "Tumbleweed Connection", "Honky Chateau", and "Captain Fantastic and the Brown Dirt Cowboy". But start here. You won't stop.
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Format: Audio CD
Elton John released this 1971 album during his first taste of the big time. The album was recorded during a happy time in his life, but it has so many angst-ridden songs on it. Even if you
take a closer listen to "Tiny Dancer", you can see the angst that
burst out on the rest of the album. "Levon" is a tale of a bitter
man who thinks of Jesus as nothing more than a ballon-selling man
who just wants to go away and leave Levon to die. The song's theme may have been controversial with religios groups, but it
soon became a classic Elton tune. "Razor Face" tells the tale of
a homeless man looking for a lace to lay down. Elton begins to
show his slightly darker side. The darker side really begins to
show on the title track. The guitar solo that kicks off the song
gives us the first hint of danger, and Elton's chilling vocals on
this one give it a really dark feeling. "Indian Sunset" shows the
piano man at his angst-ridden best (or worst depending on how you
look at it), playing an Indian soldier avenging the death of his
chief. "Holiday Inn" is a refreshing change of pace. The album's
only bright song, Elton is in the part of a rock star waiting to
rest in the famed motel in Boston. "Rotten Peaches" takes us back
to the dark side, as Elton plays an escaped convict starting a
life on the run. "All The Nasties" is another good song, with a
nice choir but it still has a rather dark feel to it. The closing
"Goodbye" is chilling. Elton plays a dying man leaving some final
words to his ex-lover. This is a great album.
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