Product Details
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| 1. Radio Nowhere |
| 2. You'll Be Comin' Down |
| 3. Livin' In The Future |
| 4. Your Own Worst Enemy |
| 5. Gypsy Biker |
| 6. Girls In Their Summer Clothes |
| 7. I'll Work For Your Love |
| 8. Magic |
| 9. Last To Die |
| 10. Long Walk Home |
| 11. Devil's Arcade |
| 12. Terry's Song |
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Most helpful customer reviews
4.0 out of 5 stars
Must have to complete the collection,
By
This review is from: Magic (Vinyl) (LP Record)
Good presentation of the vinyl version of this album. It does contain a printed inner sleeve with lyrics and info, and it is a gate-fold single disc edition. This album has a high gloss finish on the paper, which is rather nice. While it is pressed on heavy weight vinyl, the master could have used a little more attention to detail in the high end. It may have even benefited from a two disc version because of the album's length, and this may be why the album sounds the way it does. Nevertheless, it is a rather inexpensive way to get the last couple Springsteen albums on vinyl if you need them to complete your collection. It would be nice to have a download included with it.
6 of 7 people found the following review helpful
4.0 out of 5 stars
Springsteen's most complex, textured work in years.,
By Karl (London, England) - See all my reviews
This review is from: Magic (Audio CD)
This is an album to stir the loins of Bruce Springsteen fans, resurrecting the desperate, fist-waving bravura of much-loved classics "Born to Run" and "Born in the USA" in a life-affirming surge of rock and roll, soul, blues and gospel, all merged together in a Spector-esque wall of sound.The drums go boom-cha-boom on "You'll Be Comin' Down", Clarence Clemons's sax punches a hole through "Living in the Future", and a church bell can even be heard ringing out on "Your Own Worst Enemy". But, as on Springsteen's earlier masterpieces, the underlying sentiment is much darker and more subtle than the swaggering music implies. As everyone knows, your own worst enemy is yourself, and Springsteen turns a mordant eye on the changes in his own country since 9/11. This is his most intensely produced album in years, this also sounds like the most fun Springsteen has had in a studio since the Seventies. "I just want to feel some rhythm," he insists on "Radio Nowhere", a typically defiant finger flip to corporate communications, still strangely believable coming from an artist of huge wealth himself. It's Springsteen's most complex, textured work in years, as rich as any in his catalogue, with songs that both challenge, inform and entertain. He once observed, in his lyrics anthology "Songs", that a song's emotional centre is dependent on the fellowship the writer feels with his subject, that when a lyric falls perfectly into place, "your voice disappears into the voices of those you've chosen to write about". On "Magic" this happens time and time again, as he proves himself a master of the empathy required to bring his characters to life in all their contradictory, multiple selves. With the E Street Band back at his shoulder, Bruce reverts to the romantic idealism of their youth on "Girls In Their Summer Clothes", and to simple symbolism on the title track.
5 of 6 people found the following review helpful
4.0 out of 5 stars
A solid return to form for the Boss,
By
This review is from: Magic (Audio CD)
After surviving more musical trends than most rock artists combined together, Bruce Springsteen has nothing left to prove. You know where you stand with Bruce: his music is pure rock and roll, with touches of country and pop sensibilities here and there. Although he has sometimes ventured in different avenues in recent years on albums such as "The ghost of Tom Joad", "Devils and dust" and "We shall overcome", his musical identity is as instantly recognizable as his powerful voice."Magic" is an album that deserves its title. It's a solid return to form for the Boss, who delivers twelve new songs (there's a gut-wrenching hidden track called "Terry's song") with no filler. The opening song (and debut single) "Radio nowhere" is a well-deserved kick at today's radio stations and demonstrates how out of touch they have become with people. The rest is just as strong; "Girls in their summer clothes", "Living in the future", "You'll be coming down", "I'll work for your love" and "Terry's song" are all amazing songs, while the title track and "Devil's arcade" provide an arresting change of pace. "Your own worst enemy" is arguably the highlight of the album, with its Spector-esque production and an inspired vocal performance from Bruce. And while the album might hardly be considered original or ground-breaking, Springsteen himself is an original and does what he does best on this thoroughly enjoyable album. It's ironical that Bruce is living up to the prophecy of "Radio nowhere"; the album is a number one smash in America, but the single is getting very little airplay south of the border. Maybe it's time radio programmers get back in touch with the tastes of their audiences...
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