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Maiden Voyage
 
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Maiden Voyage

Herbie Hancock Audio CD
4.8 out of 5 stars  See all reviews (20 customer reviews)
Price: CDN$ 9.73 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Customers Who Bought This Item Also Bought


Product Details


1. Maiden Voyage
2. The Eye Of The Hurricane
3. Little One
4. Survival Of The Fittest
5. Dolphin Dance

Product Description

From Amazon.co.uk

In the mid-1960s, a distinctive post-bop style evolved among the younger musicians associated with Blue Note, a new synthesis that managed to blend the cool spaciousness of Miles Davis's modal period, some of the fire of Art Blakey's Jazz Messengers, and touches of the avant-garde's group interaction. Maiden Voyage is a masterpiece of the school, with Hancock's enduring compositions such as "Maiden Voyage" and "Dolphin Dance" mingling creative tension and calm repose with strong melodies and airy, suspended harmonies that give form to his evocative sea imagery. Trumpeter Freddie Hubbard was at a creative peak, stretching his extraordinary technique to the limits in search of a Coltrane-like fluency on the heated "Eye of the Storm", while the underrated tenor saxophonist George Coleman adds a developed lyricism to the session. --Stuart Broomer

Amazon.com essential recording

In the mid-'60s, a distinctive postbop style evolved among the younger musicians associated with Blue Note, a new synthesis that managed to blend the cool spaciousness of Miles Davis's modal period, some of the fire of Art Blakey's Jazz Messengers, and touches of the avant-garde's group interaction. Maiden Voyage is a masterpiece of the school, with Hancock's enduring compositions like "Maiden Voyage" and "Dolphin Dance" mingling creative tension and calm repose with strong melodies and airy, suspended harmonies that give form to his evocative sea imagery. Trumpeter Freddie Hubbard was at a creative peak, stretching his extraordinary technique to the limits in search of a Coltrane-like fluency on the heated "Eye of the Storm," while the underrated tenor saxophonist George Coleman adds a developed lyricism to the session. --Stuart Broomer

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Customer Reviews

20 Reviews
5 star:
 (17)
4 star:
 (3)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.8 out of 5 stars (20 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful
5.0 out of 5 stars Maiden Voyage - a classic!, Sep 23 2003
By 
Ville Kyllönen (Suomussalmi, Kainuu Finland) - See all my reviews
This review is from: Maiden Voyage (Audio CD)
I was listening to this disc just a moment ago and I decided to make justice for it and decided to review it. This is what I've got to say.

FIRST THINGS FIRST

About The Rudy Van Gelder Edition
(In these RVG edition CDs all transfers from analog to digital are made at 24-bit resolution). The remastering done by Rudy Van Gelder is excellent! The sound Gelder gives the recording - which he originally engineered - a more life like balanced sound that is more pleasing to the ears. The listener is able to hear nuances of the instruments (f.ex. fingers on trumpet valves very clearly). Sometimes the remastering makes you believe that the recording session was held only recently.
By comparison most of the mid 80's Blue Note releases - that have been precursors to RVG editions - are muddy and have little bass definition and an inappropriate amount of treble.

About the packaging
I find it very nice! RVG edition CDs contain the original liner notes and also liner essay ("a new look at" as it is called) from critic Bob Blumenthal, that provides interesting historical insight that may - or may not - reveal new information to the seasoned jazz fan, but definitely could be helpful to new listeners discovering the legacy of Blue Note through these deluxe RVG editions. Also some session photos by Francis Wolff that fold out to full view in the booklet are very nice, some of them are well known and some are published for the first time.

About the music
To put its simply - it is beautiful. Other adjectives that I would use to appraise this disc: reserved, complex, elegant, sophisticated, cerebral, refined/mannered...
It is modal jazz that has some post-bop influences. Maiden Voyage is less overtly adventurous than its predecessor, Empyrean Isles, but it is nevertheless full of creativity of these musicians, notably Herbie Hancock who is at the peak of his entire career. It could easily be the finest recording of the '60s, reaching a perfect balance between accessible, lyrical jazz and chance-taking hard bop.
Each member is on top of his game for this session, and the result is a very enjoyable recording. Rhythm section is exceptional; Ron Carter on bass and Tony Williams on drums. Carter and Williams ceate an ideal backround (along with Herbie) where Coleman and Hubbard can do their soloing. Freddie Hubbard plays trumpet with nice phrasing but George Coleman won't stay far behind him as he shines with some of the best saxophone playing ever.
The quintet plays five Hancock originals. They are all simply superb showcases for the group's provocative, unpredictable solos, tonal textures, and harmonies. The quintet does take risks, but the music is lovely and accessible, thanks to Hancock's understated, melodic compositions and the tasteful group interplay. All the elemenst blend together and make Maiden Voyage a shimmering, beautiful album that captures Hancock at his finest as a leader, soloist and composer.
This is an excellent recording, which I unhesitatingly recommend as a great addition to any serious jazz library, and possibly as good a way as any to have Hancock represented as the essential musician he is. This is an excellent CD to begin exploring jazz - it is an ideal introduction for newcomers but also a must have for veterans.
It will immediately let you know that you're listening to a classic and with every listen it gets better.

When I listen to this CD I feel like I'm in one of those tropical isles surrounded by blue-green sea. Sun shines and the sand on the beach just shines pure white. Sky is blue and a few white clouds are scattered here and there. I walk in to the sea and dive to the direction of the bottom of the sea. I see many different coloured fish species swimming around me. A green turtle flows over my head. So much life... But suddenly it all disappears. I see couple of sharks swimming and passing by. And it all just calms down. Life returns. Turtles, fishes, octopussies... Everything shines and colours are bright and warm. It is so beautiful...And when the music begins to fade away I rise from the sea, get back to the beach and just watch as it all gets wrapped around the calmenss of nigth... Beautiful.

This is Essential jazz. Essential Hancock and essential modal jazz. It definitely deserves a five star rating. I have had this CD for a long time. I keep enjoying it time after time. You will do yourself a big favor if you buy this. If you don't believe me, just read what other reviewers have to say.

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5.0 out of 5 stars One of the best jazz albums ever, Dec 25 2003
By 
"walkinup" (Nashville, TN United States) - See all my reviews
This review is from: Maiden Voyage (Audio CD)
Wow...this album blew me away. I'm a kid of the 21st century in a world of new exciting forms of music...the fact that this thing still gets to me shows that "Maiden Voyage" is a timeless jazz album....a classic. Herbie's masterful use of harmony is definitely evident in this recording. The beginning D Suspension and F Suspension chords are so classic...every jazz pianist should know his chord voicings in this song. It is incredible that Herbie is able to create beautiful musical textures in songs such as Dolphin Dance and Maiden Voyage. This recording is an essential item for every jazz listener. Yep, buying this is an option.
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5.0 out of 5 stars A classic from the early 60's, April 10 2003
By 
R. J. Marsella (California) - See all my reviews
(REAL NAME)   
This review is from: Maiden Voyage (Audio CD)
This collection with Herbie Hancock fronting a group consisting of the rhythm section of Miles Davis' second quintet; the always amazing Tony Williams and Ron Carter; is an absolute classic from the period. Freddie Hubbard is at times astonishing in his soloing. George Coleman who also did a brief stint with Davis rounds out the group on tenor. While not one of my favorite tenor players overall he does some of his best recorded work on this. Hancock established himself as a composer of jazz standards with Maiden Voyage. His playing on this is comparable to another classic of the period Miles Smiles. Maiden Voyage ,Miles Smiles and Wayne Shorter's Speak No Evil are the epitome of where modal jazz was headed in the 60's under the influence of Miles Davis. These fabulous musicians were making history again and again.
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