Main Lines, Blood Feasts, and Bad Taste: A Lester Bangs Reader [Paperback]

Lester Bangs, for those of you not familiar with him, was a rock critic who was lovin' life a lot of the time, but he wasn't being supplied with happy, legal drugs from his allergist. When you read his work, you don't have to be told, though he does tell you, that he often wrote under the influence of a myriad of things. Sometimes his reviews don't make a stitch of sense. Other times they are pure genius.

The bottom line is, if you consider yourself music savvy, you should know who Lester Bangs is. If you need an introduction to his work, Mainlines, Blood Feasts, and Bad Taste: A Lester Bangs Reader is a great place to get it. The reader is a collection of Bangs' writing, edited by friend John Morthland. Most of the reviews are written as Bangs must of spoke. In fact, I often found myself reading his work out loud because they sounded better than they read. He would write an accent - not in a Zore Neale Hurtson I-spell-out-dialect sort of way, but in a William Shakespeare rhyme-and-meter-are-everything sort of way. It's magic.

Some of the reviews in Mainlines, Blood Feasts, and Bad Taste: A Lester Bangs Reader are tedious and near impossible to get through. He often refers to music that is most likely inaccessible to you, because, let's be frank, the man was a music snob. Snobbery or no, he knew his stuff and his developed completely original creative ways to write reviews.

Bangs loved life a little too hard and died of an overdose in 1982. He is still remembered in movies like Almost Famous and his mark is left on music / rock criticism everywhere.

The book is divided into the following sections: DRUG PUNK, including previously unpublished writings on Andy Warhol and autobiographical ruminations on Bangs' adolescence; HYPES & HEROICS includes pieces on the MC5, Beatles, Bob Dylan, Grace Jones, Patti Smith's album Horses, Wire and Jello Biafra.

PANTHEON contains pieces on The Rolling Stones, Miles Davis, Captain Beefheart, Nico's Marble Index album, Brian Eno, Jim Morrison and Lester's famous review of Lou Reed's notorious Metal Machine Music album. TRAVELOGUES includes impressions of his trips to Paris, Jamaica, Austin and California.

The last chapter is titled RAVING, RAGING AND REBOPS and contains writings on the roots of punk, The Mekons (Bad Taste Is Timeless) and an excerpt from the previously unpublished All My Friends Are Hermits from 1980.

Lester's adrenalin charged writing has lost none of its appeal. He wrote with an enthusiasm that transcends the decades. I highly recommend this book to all rock fans that are passionate about the music. I also recommend the great biography by Jim DeRogatis, titled Let It Blurt: The Life And Times Of Lester Bangs and The Dark Stuff by Nick Kent.