56 of 68 people found the following review helpful
1.0 out of 5 stars
Bait-and-switch at its best, Nov 2 2007
By Tom Dullemond - Published on Amazon.com
This review is from: Mainspring (Hardcover)
I'll start it short: This is a terrible book.
The premise is excellent, as is the cover. The execution, however, is amateurish at best and laughable at worst. There were some 4 star moments, though - the journey, to be fair, proceeded as follows:
3 stars, 4 stars, 3, 4, 2, 2, 1...
The second half of this book is so unsatisfying, and the ending so trite and faux-didactic that I had trouble not throwing it across the room. As a massive sf/fantasy literary snob (China Mieville is my hero), I was actually insulted to have been conned into buying and reading this book.
The premise is classic steampunk/clockpunk - what if the solar system were a giant clockwork mechanism, and the planet was winding down and needed to be rewound? The book, however, is classic bait-and-switch. There is no steampunk here beyond the premise, and after the halfway point the book just becomes tiresome and tedious. The main character is uninteresting, his 'perils' uninspiring, and we are never concerned that he is in any danger of failure on his quest. Actions, scenes, characters and ideas are thrown around, but the author never does us the courtesy of explaining them. The message of the entire book seems to be 'trust in god' which never sits well with me anyway, but this message isn't even delivered in an interesting way. A massive, massive disappointment, and I should probably give the book away to someone I don't like.
Have I mentioned how terrible this book is? Well, let's ignore a pointless sex scene thrown in randomly later in the book to establish a growing bond between the main character and his nominal girlfriend; let's ignore the impossible nature of the equatorial gear crossing (Imagine the worst possible writing mistake about a world where the baseline earth is a giant clockwork mechanism and the concept of gears is fundamental??? Try thinking about the shape of a gear for a second, just one second, a fraction of time less than it would have taken the author to google a picture of a gear, for example...); let's ignore foolish exposition and grade school philosophy and metaphysics that makes the Matrix look like holy revelation by comparison; let's ignore long, tedious travelling scenes followed by condescendingly short and ridiculous action scenes with monsters who appear for no reason and out of nowhere... What's left to ignore?
There was a tiny fraction of potential in this novel, and it was wasted.
I think Jay Lake should go read Polystom: Two Universes in One Reality (Gollancz). That was an excellent take on a similar idea. It even had a point! This, however wasn't and hadn't.
9 of 9 people found the following review helpful
3.0 out of 5 stars
Clever But A Little Thin, Aug 2 2007
By R. Albin - Published on Amazon.com
This review is from: Mainspring (Hardcover)
This is very clever idea. What if the idea of the Universe as a clockwork mechanism was not merely a metaphor but literally true? Lake constructs a clever alternate universe based on this idea. He also inserts a clever religious theme. Unfortunately, characterization and quality of writing are not particularly good and the plot is perhaps too elaborate.
12 of 13 people found the following review helpful
2.0 out of 5 stars
Lake Needs his Clock Cleaned, Mar 4 2008
By Charles Floading - Published on Amazon.com
This review is from: Mainspring (Hardcover)
How do you ruin a great short story? Turn it into a novel. Great premise (though not entirely original) that could have really gone somewhere if it had only gotten there sooner. For an author who made his name writing short stories, he really does yammer on in this novel. And the story's mainspring winds down about halfway through.
Lake should have deleted that third quarter of this book and put his energy into crafting a better ending. It wasn't that I didn't understand the ending, it was that I thought the ending was weak and hastily written. He spent long sections dwelling on pointless environmental detail during the adventure, but at the end, he summarizes major plot points in a single sentence.
Clearly it's a fable, probably an Intelligent Design fable... but I think that's just a stylistic choice to get off the hook for the weak logic. He alternates between reveling in his world building skills and describing things in detail, as if to say, "this could really work!" But when he gets too close to serious engineering questions, he leaves that vague and uses God to explain it. That's not Steampunk as some reviewers have said, that's Faithpunk. (Incidentally, anyone who knows anything about mechanical engineering will tell you that the gear he describes for the Earth's rotation would vibrate so horribly that not only would people near it go deaf, but the whole planet would also be shaken apart.)
Jay Lake comes off as very sharp and insightful in interviews. I wonder why there wasn't more of that in this book.