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The staging--and Demme's filming of it--builds toward an orgasmic release of music, rising from the bare-stage simplicity of Byrne, accompanied only by a boom box on "Psycho Killer," to the ecstatic crescendo of "Burning Down the House," by which time the Heads and additional personnel have all arrived on stage for a performance that seems channeled from heaven for the purpose of universal uplift. (God bless Demme for avoiding shots of the luckiest audience in '80s pop history; its presence is acknowledged, but not at the viewer's expense.) With the deliriously eccentric Byrne as ringleader (pausing mid-concert to emerge in his now-legendary oversized suit), this circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome. --Jeff Shannon
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2 of 2 people found the following review helpful
5.0 out of 5 stars
Upgrade to the Blu-ray for the sound, not the picture,
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This review is from: Talking Heads Stop Making Sens [Blu-ray] (Blu-ray)
Stop Making SenseDirected by Jonathan Demme 88 minutes Video: Video codec: MPEG-4 AVC Video resolution: 1080p Aspect ratio: 1.78:1 Audio: English: DTS-HD Master Audio 5.1 (audience mix) English: DTS-HD Master Audio 5.1 (studio mix) English: LPCM 2.0 I was passionate about music long before I became passionate about film. It began when my neighbor played Hunky Dory to me, and became stronger through school as I discovered the likes of Pink Floyd, Neil Young, Joy Division, The Fall and too many punk bands to mention. We shared albums on cassette and I started listening to the John Peel show on the radio. He broadened my appreciation for obscure music. I mention this because Talking Heads were a big part of my musical education. I remember playing Fear of Music to death when it came out. David Byrne is not a conventional singer. In fact, very few of the bands I love have people who can really sing. It's just not a requirement for me. I prefer vocalists who obviously feel what they are performing, even if their vocal ability is limited. A list of my favorites would include: Ian Curtis - Joy Division Neil Young Stephen Malkmus - Pavement (can't even stay in the same key) Black Francis - Pixies Tom Verlaine - Television David Bowie Kristin Hersh - Throwing Muses Polly Harvey Nick Cave Thurston Moore/Kim Gordon/Lee Ranaldo - Sonic Youth Kurt Cobain - Nirvana Jonathan Richman - The Modern Lovers Mark E. Smith - The Fall Byrne whines, growls, yelps and screams. It works...for me. It may not work for everyone. The same goes for most people on the above list. That's why all those bands, and Talking Heads, don't sound like anyone else. They have their own identity. It amazes me that bands like Television don't get more recognition. Marquee Moon (arguably the best album of the 70s) is an absolute masterpiece of guitar sound, but they were labeled as punk/new wave and never got the recognition they deserve. I'm one of their 17 fans across the world. Talking Heads deserve a special place in music history and the band was inducted into the Rock 'n' Roll Hall of Fame in 2002. Their sound isn't exactly rock, but what is it? There's a huge funk influence as well as world music. The rhythm section was superb with Chris Frantz (drums), Jerry Harrison (guitar, keyboards) and Tina Weymouth (bass) all vital to the mix. For the purposes of this film, the band was joined by Bernie Worrell (keyboards), Steve Scales (percussion), Alex Weir (guitar), Edna Holt (backing vocals) and Lynn Mabry (backing vocals). The result was an intricate fusion of styles with multiple layers of sound. This complicated layering is prevalent among bands I have grown to love over the years. The movie doesn't look like a movie at all; it looks like a live concert. It was filmed over several nights with cameras being positioned in different places each time. As a result, you won't see cameras cluttering the performance. It explains how we were given views of the audience from behind the drums without any other cameras in view. The shooting style is somewhat similar to that used in the dance scenes in Black Swan. You'll find yourself on stage with the band, right among the action. The concert begins with David Byrne walking out carrying a boom box. He wants to play us a tape. It consists of the pounding backing beat of Psycho Killer and he performs it solo with his guitar. Tina Weymouth joins him for a rendition of Heaven, with Chris Frantz entering for Thank You For Sending Me An Angel and Jerry Harrison completing the foursome on Found A Job. The guest performers all add something to the sound and all nine performers are on stage for the start of the seventh song. I have seen Byrne use this formula for solo shows and it works well. I think it highlights what each musician adds to the sound and helps you appreciate exactly how much is going on in that rhythm section. Byrne was a ball of energy, running on the spot, doing laps around the stage, leaping up beside the drums and performing a variety of patented moves. When the ensemble plays the Tom Tom Club's Genius of Love, Byrne leaves the stage. When it ends, he returns wearing the big suit. He wanted to make his head look smaller so he decided to make the rest of his body appear bigger. I think Byrne was one of the best front men in music history. Looking like a cross between a manic bird and Norman Bates, he was never still. One of the gripes I have about popular music is that it's too manufactured. The record labels want a product that can be marketed and exploited. As long as those involved look the part, the music is secondary. That's not the case with Talking Heads. This was real. Look at their faces and how much they enjoyed the performance. Look at the effort involved. The music is full of emotion. There are 16 songs included in the 88 minutes: 1. Psycho Killer 2. Heaven 3. Thank You For Sending Me An Angel 4. Found A Job 5. Slippery People 6. Burning Down The House 7. Life During Wartime 8. Making Flippy Floppy 9. Swamp 10. What A Day That Was 11. This Must Be The Place (Naïve Melody) 12. Once In A Lifetime 13. Genius Of Love 14. Girlfriend Is Better 15. Take Me To The River 16. Crosseyed And Painless No weak tracks there. It's not quite the perfect set, but it's close. Don't Worry About the Government would have been a nice addition. The bonus features do include Cities and Big Business/I Zimbra, adding another 11 minutes or so of music. Talking of special features, there's also a 65-minute press conference of the band at a 1999 film festival where the movie was shown for its 15th anniversary. Can I recommend this to everyone? No, definitely not. It depends what kind of music you like. If all you have ever listened to is classic rock and AOR, the jump might be too much for you. If you are familiar with Talking Heads and appreciate what they do, the Blu-ray is an essential purchase. That said, you'll be disappointed by the picture quality. It's marred by frequent dirt, scratches and white specks. Concerts tend to happen in dim settings and you have to remember that it's 27 years old. I would rate the picture quality 3/5. The real difference here is the sound. There are three lossless mixes. The audience mix (DTS-HD Master Audio 5.1), the studio mix (DTS-HD Master Audio 5.1) and a PCM stereo mix. There are occasional sync issues, such as on Life During Wartime, but overall, things match up well. The audience mix gives more of a concert experience while the studio mix is more polished. Both are excellent. I quickly forgot the shortcomings of the picture quality and enjoyed the music. Overall 4.5/5
1 of 1 people found the following review helpful
5.0 out of 5 stars
this is not my beautiful DVD player !!,
By
This review is from: Stop Making Sense (Widescreen) (DVD)
but it is my extremely entertaining, albeit "contrived" concert event. But that is not a bad thing ! as the resulting DVD manages to capture the energy and talent of a truly great American band. If I could go back in time, one of my first destinations would be the CBGB in New York City, 1977, to see the Talking Heads open for the Ramones. Obviously the Talking Heads stole every show, which is probably why the Ramones disliked them so much !And even though the four members of the "Talking Heads proper" kind of get lost in this nine-member stage ensemble, David Byrne is still the clear leader, and the contributions of the other original band members are essential to the energy of the Talking Heads experience. and what an experience it is ! Every song is an artistic presentation, with the visual effects beautifully complementing the funky, up beat, afro-synchronic musical riffs. With absolutely radical versions of Life During Wartime and Once in a Lifetime, this is my second favorite musical DVD (second only to Led Zeppelin - which is really saying something !)
1 of 1 people found the following review helpful
5.0 out of 5 stars
A lifelong journey,
By Scot Waldrop (Atlanta, GA) - See all my reviews
This review is from: Stop Making Sense (Widescreen) (DVD)
First I saw the video on MTV. I bought the record, then the CD. Finally I found the VHS and I thought I had everything. Then they released the anniversary edition CD and finally I bought the DVD. If only I would have been able to actually attend. Need I say more. The music is fantastic, and the presentation is entertaining. This is by far, the best concert video I've ever seen, and if your not already a Talking Heads fan, you will be after you watch and listen.
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