From Amazon
The Mammoth Book of Vampire Stories by Women is pretty much what it claims to be. Stephen Jones is one of the better anthologists in the horror business and here he provides a handy selection of the never-before-read and the specially written, as well as an introduction and a story by one of the queens of cinematic vampirism, Ingrid Pitt. Vampirism has always been a productive metaphor for seduction or rape, for being taken out of one's own self and put in a new realm of passionate desire--Anne Rice's "The Master of Rampling Gate", her only published short story, is not so much predictable as classic in its use of the haunted mansion and the woman freed from repression. It has also often stood for the glamour of outsider status and the strange subcultures that go with that--both Christa Faust and Caitlin Kiernan make luscious Gothery out of old standbys. Quite a few of the writers here are ones we do not associate with these themes--Pat Cadigan, Gwyneth Jones, Connie Willis. What is fascinating about this anthology is that vampirism is a myth so many fine writers inhabit so naturally, whether it is a habit with them or not. Few anthologies are essential--this one is definitively so.
--Roz Kaveney
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Got garlic? Silver bullets? A handy stake or a cross? Vampire fans take heart. Despite naysayers who believe the genre has been literally sucked dry of all creativity and originality, British horror maven Jones has assembled an impressive volume packed with period classics and fresh takes before and after the 21st century. This toothsome anthology opens with Anne Rice's only vampire short story, "The Master of Rampling Gate," a traditional romantic piece from 1986; other selections meet, or surpass, this fine beginning. One of the best original tales is "Outfangthief," a stylish debut from Gala Blau, about lost children, a topic also brilliantly explored by Roberta Lannes's "Turkish Delight." Melanie Tem's "Lunch at Charon's" and Nancy Kilpatrick's "La Diente" feature biting social commentary. "Forever Amen," by Elizabeth Massie, provides a magical time-traveling twist. Outstanding reprints include "Jack," by Connie Willis, exploring WWII; "Aftermath," by Janet Berliner, a dark biblical piece; Kathryn Ptacek's "Butternut and Blood," a Civil War horror; and Chelsea Quinn Yarbro's elegant Saint-Germain tale, "A Question of Patronage." But the most exciting reprint has to be Mary Elizabeth Braddon's "Good Lady Ducayne," an 1896 novella published a year before Bram Stoker's Dracula. Apart from a few anemic originals and dubious reprints, this is a robust anthology sure to satisfy even the most jaded blood thirst. (Nov. 1)Forecast: The misleadingly cheesy jacket art may attract Buffy fans, who will discover the rich, literary tradition of which the teenage female vampire-fighters on the small screen form only the latest popular manifestation.
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