Tom Wolfe, as is his trademark style, emanates forth in A Man in Full his caustic wit, biting satire, amazingly diverse characters, superior dialogue, and a highly engrossing writing style. Due to this undeniably rare combination in modern fiction, Wolfe elevates himself above the 2 books/year modern authors who churn out books like a factory and value spineless & flavorless style over certifiable substance. Wolfe, in A Man in Full, gives us a work not lacking in either comprehensiveness or profundity. This, like Bonfire, is a great American novel.
Wolfe's refreshing penchant for amazingly lucid and superlatively amusing dialogue makes this book hard to put down. Wolfe ingeniously satirizes the unwritten, although readily apparent, class structure of the South through such bizarrely eclectic characters as Charlie Croker(good ol' boy establishment), his ex-wife Martha(shallow elitist), Fareek "The Canon" Fanon(flatulent inner-city star athlete), Croker's wife Serena(trophy wife), Roger "too" White II(the Morehouse Man in an identity crisis), Conrad Hensley(blue collar drone turned philosopher), and my favorite character, the entertainingly enigmatic Raymond Peepgass(the East Coast crowd moved South).
A Man in Full comes highly recommended to those who value witty, substantive works over vapidly trite novels of fluff.
It's only fitting to conclude with an excerpt of typical Wolfe dialogue from the jail scene:
"But how do you get to be a...player?" Conrad asked Five-O. "What can you do?"
"No do no mo'notting, brah. Use da mouth. NO make beef wit' da buggahs. Use da mouth."