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A Man and a Woman [Import]

4.4 out of 5 stars 45 customer reviews

Price: CDN$ 264.30
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Product Details

  • Actors: Anouk Aimée, Jean-Louis Trintignant, Pierre Barouh, Valérie Lagrange, Antoine Sire
  • Directors: Claude Lelouch
  • Writers: Claude Lelouch, Pierre Uytterhoeven
  • Producers: Claude Lelouch
  • Format: Anamorphic, Color, Dubbed, DVD-Video, Subtitled, Widescreen, NTSC, Import
  • Language: English, French
  • Subtitles: English, Spanish, French
  • Dubbed: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • MPAA Rating: UNRATED
  • Studio: Warner Home Video
  • Release Date: March 18 2003
  • Run Time: 102 minutes
  • Average Customer Review: 4.4 out of 5 stars 45 customer reviews
  • ASIN: B00007G1ZH
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Product Description

Product Description

From director CLAUDE LELOUCH (And Now...Ladies and Gentlemen) comes this 1966 classic, a tender, visually exciting film of revitalizing love: a race-car driver (JEAN-LOUIS TRINIGNANT) and a movie script girl (ANOUK AIMEE) share a romance filled with humor and truth, intertwined with the demands of career and parenthood. Winner of OscarsO for Best Foreign Language Film and Best Original Screenplay.

French filmmaker Claude Lelouch continues to take critical heat for this 1966 international hit, which has been labeled "schmaltzy" and dismissed as overly stylized for its simple story line. While it certainly can't be mistaken for a masterpiece of the French New Wave (Lelouch was left in the dust that year by such wonders as Jean-Luc Godard's Masculin Feminin), A Man and a Woman has a jumpy impressionism that engages a viewer precisely because it cuts against conventional expectations of romance. Starring Anouk Aimée as a widowed "script girl" (working in film production) and Jean-Louis Trintignant as a racer who lost his wife to suicide, the film is really an objective sampling--almost a study--of moments between the time the two characters meet and the point at which they begin to read each other intuitively. Generous flashbacks fill in details on the pair's woeful, recent histories, while endless documentary-like glimpses of Aimée's and Trintignant's characters at work in their highly charged professions become a visual engine for the days passing between measured developments in love. Lelouch is more dryly humane than lush in his approach, though the film strains once in a while for a forced naturalism that can actually be more narcissistic than the most obvious romantic contrivance. Still, A Man and a Woman--in the best sense--is also a movie in love with itself, with its own ability to evoke and conjure and construct dozens of different ways of tracking a relationship in progress. If Lelouch doesn't exactly push open the boundaries of cinema as several of his filmmaking peers did at the time, he certainly enjoys what he's doing. --Tom Keogh --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Top Customer Reviews

Format: DVD
I never would have visited France (especially the hilly Parisian town of Montmartre, where Aimee's Woman lives) or taken a second chance on love, on loving a man again, had I not viewed "Un Homme et Une Femme." I first rented the movie in my mid-20s and re-rented it (including the English-dubbed version on VHS, which I do not like) countless times before finally purchasing it.
Monsieur Lelouch's cinematic narrative technique is poignant in his artful use of black-and-white scenes to display the bare-naked truth of humanity and, especially, his use of vividly colorful scenes to capture haunting memories. How affecting are these sunlight-filled and music-laden memories, from the man's and the woman's quotidian moments with their now-dead loves-of-a-lifetime, as well as recollections of those spouses' demise to the couple's idyllic moments with their children in the resort town of Deauville. You might recall the "family's" day trip on "the boat" and the stroll along the shore. The film's contrasts are lovely, including: b&w vs. color; innocence (the pair's children) vs. experience (the pair themselves), etc. The most obvious counterpoint is male and female: Man vs. Woman; Boy vs. Girl {i.e., Antoine vs. Francoise). I also love the pair's stark reserve (think of the lack of emotion after they finish making love at the Normandy Hotel) vs. their effusive emotion (think about the uncontrolled happiness when Trintignant's Man drives many miles from the Montecarlo race, after unexpectedly winning and receiving a telegram from Aimee's Woman ending with, "I love you," to find his femme. When he does find her, with the help of the children's boarding-school teacher, she is playing with les enfants on the beach.
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Format: DVD
Let's be clear about this. I've loved this movie since I first saw it in the late sixties, and when I saw it recently on DVD I was pleasantly surprised to find that it had lost none of its charm; it's every bit as fresh and original as when I first saw it.
So why only three stars?
Because the transfer to DVD has lost one of the movie's trademarks - the tinted black and white sections.
I remember the blue night scenes, and the orangy-red bedroom shots. All gone! Well, not quite gone - it looks like the transfer process did its bit to adjust the color balance but didn't quite make it, so the night scenes are very slightly bluish, and there is a hint of yellow about the interior shots.
It's all the more annoying since one of the unaltered interior shots is used as the background for the main menu.
Come on Warner. How about sorting this out when you ship out the inevitable 'director's cut'
And when you do, I'll give it five stars (or six, if I can get away with it)
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Format: DVD
"A Man and a Woman" is the quintessential French movie from the 60's. It's a love story (of course), it has a soundtrack that you'll recognize immediately, it's got Anouk Aimee.
The plot-if it could even be called that-is simple. A man and a woman meet at their children's boarding school. The man drives the woman back to Paris...and then back and forth to the school again the next Sunday. During these drives, they disclose their tragic, painful pasts: both have recently been widowed. Eventually they become closer and closer until they can almost read each other thoughts. The movie is about many small moments-flashbacks to their respective marriages, their glamourous jobs (she's a movie editor, he's a race car driver), their interactions with their children. The movie jumps from black and white to color, from present to past, from silence to that theme music.
Yes there are some schmaltzy moments...lots of running on the beach with the theme music under it. Still it is beautiful to look at, beautifully acted...and just so romantic!
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By A Customer on April 12 2003
Format: DVD
Claude Lelouch's *A Man and a Woman* is the movie to be condemned for inaugurating what has become one of the worst cliches in movies: the "falling-in-love-while-romantic-music-plays-on-the-score montage". You know it by heart: the couple walking on the beach, laughing at each other over coffee, staring dreamily at each other in bed, ad nauseum, while sappy music tinkles on in the background. Still, that's no reason to despise this groundbreaking and hugely influential 1966 film. As it was the first to use this romantic convention in the movies, *A Man and a Woman* should be cut some slack; and in any case, the thousands of directors who have copied this device have not remotely approached the level of skill, poignancy, and sheer manic intensity to get as many different shots as possible that Lelouch displays here. This film is as clear testimony as any to the enduring influence of the New Wave on cinema. Beyond its historic significance, it's a damn engrossing, romantic picture, featuring a couple we come to like very much. The Man, superbly underplayed by Jean-Louis Trintignant, is a race-car champion and widower with a young son in elementary school. The Woman, a never-lovelier Anouk Aimee, is what they used to call a "script-girl" (i.e., production assistant) in the movie biz: she's a widow with a young daughter of her own who attends the same school that Trintignant's boy attends. Inevitably, the parents become acquainted and fall tentatively in love. As we watch Aimee and Trintignant struggle to balance career, parenting, and a new chance at romance, it becomes clear that we're watching a love story about and for grown-ups.Read more ›
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