X -- the Man with the X-Ray Eyes (Widescreen)

"X" - THE MAN WITH THE X-RAY EYES is one of the better movies produced by Roger Corman. The DVD gives the option for his commentary and I was intrigued by his remark from the late Ray Milland, that the two movies of which he was most proud, were LOST WEEKEND (for which he won an Academy Award) and this movie, "X". The other reviews give a pretty good synopsis: Milland plays a doctor who uses experimental drops on his own eyes to give him x-ray vision. Either because of obsession or addiction, he keeps taking the drug and when opposed by a colleague, he accidentally kills him. He becomes a fugitive from the law and one could also argue, from himself. He is warned early on that the drops might also affect the brain. This might explain why he goes into quick rages and makes impulsive decisions. Of course, a doctor experimenting on himself is not too swift either, as Dr. Jekyll could say about his Mr. Hyde.

A warning about scientific hubris is given at the very beginning of the film. Is he challenging the gods? At the film's closure he sees through to the light beyond the vast darkness of space. He sees a cosmic eye that sees all and knows all. This element might be lost on the casual viewer. This distant eye sees Dr. Xavier (Milland) and knows he is watching back. This proves too much for Dr. Xavier. While we might know God by faith, represented by the people in the last scene's revival tent, the Old Testament tells us that no one can see the face of God and live. The temptation from the serpent in the garden is realized, "you will become as gods." It was a lie in the beginning and it is still a lie. We are convicted as weak and sinful men and women.

Dr. Xavier says that he has not come to be saved, but to tell what he sees. He becomes a prophet, so to speak. His vision is condemned as from the devil. It may be the truth, but maybe there are some things we are not meant to know?

Can science go too far? Or, is the problem not science, but a lack of caution and discipline? Can faith and science compliment each other? This is only a movie, but it makes us think about many questions.

>No nudity although bare shoulders and legs demonstrate the ability to see through clothes.

>Plot violence includes a man falling out a window and a car crash.

>Little gore although at the very end he does something to his eyes reminescent of Oedipus. Enough said!

Roger Corman struck gold with this film. Ray Milland plays a dr. who develops special drops which allow him to see the ultra-long spectrum, i.e. x-rays. Using this power, he is able to save a little girl's life, only to be condemned for bucking established procedure.
Needing more money to continue his experiments, he runs the table at Vegas, only to run afoul of the mob. Fleeing from them, he runs afoul of the law.
It's a commentary on how research, for whatever supposed good, must be guided by ethics and morality. Since machines were capable of providing the same info, Milland's desire is pure egotistical, to do something no one else can.
He gives a stellar performance, with good supporting roles. Corman once again demonstrates his social satire skills on a low budget.

Ray Milland's movie career took an interesting turn in the early 1960's...he signed on to do three films for American International Pictures, an outfit far removed from the majors like Paramount and 20th Century Fox. At the time, AIP was well-known for cranking out black and white cheapie fliks for the teenage matinee crowd, stuff like "The Day the World Ended" and "The She Creature." By 1963, when "The Man With the X-Ray Eyes" was released, AIP was enlarging their budgets by adding color, better sets, and employing good writers (Richard Matheson, Charles Beaumont) and actors (Vincent Price, Hazel Court, Peter Lorre, Basil Rathbone, Karloff). Milland's involvement was one more step up the "prestige" ladder for AIP. Mr. Milland had won an Academy Award (Best Actor, "The Lost Weekend" 1945) and was a touch of Hollywood royalty that AIP would not let go unexploited. The first film he did under their banner was "The Premature Burial," directed by Roger Corman. Then came "Man With the X-Ray Eyes," an interesting and philosophical sci-fi thriller. It contains an excellent Milland performance as "Dr. Xavier," who concocts a serum that allows him to see through any object. Eventually, overuse of the drops results in the doctor being able to see into Infinity...and what he finds there is enough to drive anyone insane (or is it? Check out the film!). Production values are good, if a little "TV-like," and director Corman keeps things moving at a quick pace. Mention should be made of Don Rickles (?!) contribution as a sleazy carnival hustler--he's truly obnoxious and completely believable! Not to mention surprisingly skinny! I loved the film's ending, and I, too, heard the legend about the cut line. Corman, in a commentary, remarks on it, giving us the full scoop on whether the scene was ever filmed. Even without this coda, the conclusion is a shocker! I love all of MGM's Midnite Movies--the quality of their presentation is beyond criticism, as far as I'm concerned. Beautiful prints, rich, vibrant colors, with great extras! What more could you ask for, especially at such a bargain price! Snatch "The Man With the X-Ray Eyes," pronto! And I'm keeping my fingers crossed that "Premature Burial" and Milland's third AIP feature--"Panic in Year )"--will soon make it to DVD!