- Format: Anamorphic, Black & White, Color, DVD-Video, Subtitled, Widescreen, NTSC
- Language: English, Spanish
- Subtitles: Spanish, French
- Region: (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
- Aspect Ratio: 1.85:1
- Number of discs: 1
- MPAA Rating:
- Studio: Fox Video
- Release Date: April 1 2003
- Run Time: 96 minutes
- Average Customer Review: 4.8 out of 5 stars See all reviews (76 customer reviews)
- ASIN: 0792846109
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Amazon Bestsellers Rank:
#12,807 in DVD (See Top 100 in DVD)
- #13 in DVD > Comedy > Comedy Stars > Diane Keaton
- #20 in DVD > Comedy > Comedy Directors > Woody Allen
- #20 in DVD > Comedy > Comedy Stars > Woody Allen
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Product Description
From Amazon.co.uk
Manhattan, Woody Allen's follow-up to Oscar-winning Annie Hall, is a film of many distinctions: its glorious all-Gershwin score, its breathtakingly elegant black-and-white, widescreen cinematography by Gordon Willis (best-known for shooting the Godfather movies); its deeply shaded performances; its witty screenplay that marked a new level in Allen's artistic maturity; and its catalogue of Things that Make Life Worth Living. But Manhattan is also distinguished in the realm of home video as the first motion picture to be released only in a letterboxed version. You wouldn't want to see it any other way. Allen's "Rhapsody in Gray" concerns, as his own character puts it, "people in Manhattan who are constantly creating these real, unnecessary, neurotic problems for themselves, because it keeps them from dealing with more unsolvable, terrifying problems about the universe." It's a romantic comedy about infidelity and betrayal, the rules of love and friendship, young girls (a radiant and sweet Mariel Hemingway) and older men (Allen), innocence, and sophistication. (a favourite phrase is used to describe a piece of sculpture at the Guggenheim: "It has a marvelous kind of negative capability.") The movie's themes can be summed up in two key lines: "I can't believe you met somebody you like better than me," and "It's very important to have some kind of personal integrity." OK, so they may not sound like such sparkling snatches of brilliant dialogue, but Manhattan puts those ideas across with such emotion that you feel an ache in your heart. --Jim Emerson
Amazon.com essential video
Manhattan, Woody Allen's follow-up to Oscar-winning Annie Hall, is a film of many distinctions: its glorious all-Gershwin score, its breathtakingly elegant black-and-white, widescreen cinematography by Gordon Willis (best-known for shooting the Godfather movies); its deeply shaded performances; its witty screenplay that marked a new level in Allen's artistic maturity; and its catalog of Things that Make Life Worth Living. But Manhattan is also distinguished in the realm of home video as the first motion picture to be released only in a letterboxed version. You wouldn't want to see it any other way. Allen's "Rhapsody in Gray" concerns, as his own character puts it, "people in Manhattan who are constantly creating these real, unnecessary, neurotic problems for themselves, because it keeps them from dealing with more unsolvable, terrifying problems about the universe." It's a romantic comedy about infidelity and betrayal, the rules of love and friendship, young girls (a radiant and sweet Mariel Hemingway) and older men (Allen), innocence, and sophistication. (a favorite phrase is used to describe a piece of sculpture at the Guggenheim: "It has a marvelous kind of negative capability.") The movie's themes can be summed up in two key lines: "I can't believe you met somebody you like better than me," and "It's very important to have some kind of personal integrity." OK, so they may not sound like such sparkling snatches of brilliant dialogue, but Manhattan puts those ideas across with such emotion that you feel an ache in your heart. --Jim Emerson
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Most helpful customer reviews
1 of 1 people found the following review helpful
5.0 out of 5 stars
Physically beautiful, wise, if (for me) slightly more emotionally distanced than 'Annie Hall'. Finally available on blu-ray!,
By
This review is from: Manhattan (DVD)
One of the most stunningly beautiful to look at films of the last 50 years, made with great wit, and full of strongobservations about loss, aging, and how we lie to ourselves. But, personally, It doesn't quite rise to the level of `Annie Hall' for me in terms of timelessness or emotional impact. It's a film I deeply admire, respect, see why others have it on their '10 best of all time' lists, etc. but feel guilty that I can't unreservedly love. Somehow all the adult characters' self-obsessed narcissism keeps me at arms length. I identify with moments, but -- unlike 'Annie Hall' - not the whole. That said, it's strengths are so strong, and it has affected so many so deeply that its any film lover owes themselves the chance to see. Among other things, Gordon Willis' photography will leave you with images you'll never forget. And as nice as the DVD transfer was, the beautiful new blu-ray goes it one better. This film has a depth and immediacy on blu-ray that rivaled my memories of seeing it for the first time on the big screen. Of course, as always with Woody, there are still no real extras, but these images are so great, that you owe yourself the blu-ray version.
5.0 out of 5 stars
Better Than Annie Hall,
By
This review is from: Manhattan (DVD)
This is how a black and white should be filmed. And in the perfect location. I'm not a Woody Allen fan but this is just simply an excellent film. Funny, smart, insightful and emminently watchable.
5.0 out of 5 stars
A timeless christmas gift for New York!,
By
This review is from: Manhattan (DVD)
Woody Allen made a pictoric statement ; an artistic gift of countless carats ; an etarnal portrait for the next generations who will watch this picture with the same devotion we have in front a masterpiece in the Metropolitan , Louvre or any other prestigious museum in the world.The story turns as a leit motive in many films of this clever film maker , about the disturbing relationship between two lovers , the loneliness , the no sense living who seems work out for many people in a city as NY that owns the sublime virtue of being capable of renovating to itself from time to time . This is the clue why we love so much this unique city . The opening shots shows Allen who is left by his wife (Meryl Streep) for another woman ; this bitter sight is linked with the fact Woody falls in love with a teenager that it might be well his own daughter (Mariel Hemingway) ; notice this relationship is built for the Pygmalion effect. She admires him and eventually falls in love with him when she compares his rich gaze about the world with the routiny of her friends ; flat and deepless. In the middle of this emotional chaos the rendezvous to NYC emerges from time to time with unforgettable images . Gordon Willis stole the show with this arresting landscapes. He caught the mythical essence of this caleidoscopic city: irreverent , creative , seductive , challenging but fascinating . However Allen knew show the viewer the underestimated wonderful treasures that by one or several reasons some proportion of the people who lives there it doesn't seem to realize . Once more the sight of an artist is to make open the eyes and alterate the usual perspectives of the reality , creating a new one. And Allen made it . Bravo!
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