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Don DeLillo's follow-up to Libra, his brilliant fictionalization of the Kennedy assassination, Mao II is a series of elusive set-pieces built around the themes of mass psychology, individualism vs. the mob, the power of imagery and the search for meaning in a blasted, post-modern world. Bill Gray, the world's most famous reclusive novelist, has been working for many years on a stalled masterpiece when he gets the chance to aid a hostage trapped in a basement in war-torn Beirut. Gray sets out on a doomed, quixotic journey, and his disappearance disrupts the cloistered lives of his obsessed assistant and the assistant's companion, a former Moonie who has also become Bill's lover. This haunting, masterful novel won the PEN/Faulkner Award in 1992.
This tale of a reclusive novelist drawn back into the world by acts of terrorism reconfirms DeLillo's status as a modern master and literary provocateur.
Copyright 1992 Reed Business Information, Inc.
a salinger-esqu writer, an ex-cult member, and the most talented assistant of all time are the residents of a house in the middle of no where. Read morePublished on Dec 9 2003 by Charlie Mcintosh
I can tell my friends I've read DeLillo, both White Noise and Mao II. I liked this a little more than White Noise, but since I wasn't too crazy about White Noise, that isn't... Read morePublished on Aug. 29 2003 by Derrick Peterman
DeLillo has done much better than this. It is difficult to care about characters that sound identical to each other, with no redeeming qualities or unique identities of their own. Read morePublished on March 9 2003 by MJN76
DeLillo takes advantage of his brilliant style of writing by with explaining a numerous of faults in our society and others, while still expressing his personal views on writers... Read morePublished on Dec 5 2002
DeLillo's opening scene of Mao II starts us out with a mass marriage of Korean men to American Women all under the random whim of Reverend Moon. Read morePublished on Oct. 15 2002 by M. Swinney
The felt power of DeLillo's prose, the bass of the storm, the intensely concentrated recognition-scenes in the corridors of Third World terror, the null domains of Manhattan and... Read morePublished on Sept. 4 2001 by Alexander
Delillo focuses on perception - how we view the world, how a writer having his picture taken is completely profound, and how the promulgation of images is a powerful phenomena of... Read morePublished on July 16 2001 by N. Kushner
This's the third and supposedly not the last delillo 4 me to read, it's somewhat molded impression (seem to be conducted intentionally) leaves me depraved of the bulkness I've... Read morePublished on June 10 2001