From Publishers Weekly
This is the heartening rags-to-riches story of Li, who achieved prominence on the international ballet stage. Born in 1961, just before the Cultural Revolution, Li was raised in extreme rural poverty and witnessed Communist brutality, yet he imbibed a reverence for Mao and his programs. In a twist of fate worthy of a fairy tale (or a ballet), Li, at age 11, was selected by delegates from Madame Mao's arts programs to join the Beijing Dance Academy. In 1979, through the largesse of choreographer and artistic director Ben Stevenson, he was selected to spend a summer with the Houston Balletthe first official exchange of artists between China and America since 1949. Li's visit, with its taste of freedom, made an enormous impression on his perceptions of both ballet and of politics, and once back in China, Li lobbied persistently and shrewdly to be allowed to return to America. Miraculously, he prevailed in getting permission for a one-year return. In an April 1981 spectacle that received national media attention, Li defected in a showdown at the Chinese consulate in Houston. He married fellow dancer Mary McKendry and gained international renown as a principal dancer with the Houston Ballet and later with the Australian Ballet; eventually, he retired from dance to work in finance. Despite Li's tendency toward the cloying and sentimental, his story will appeal to an audience beyond Sinophiles and ballet aficionadosit provides a fascinating glimpse of the history of Chinese-U.S. relations and the dissolution of the Communist ideal in the life of one fortunate individual. 8 pages of b&w photos not seen by PW.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
Review
'An inspiring true story of courage and determination' - Adeline Yen Mah, author of 'Falling Leaves' 'His vivid descriptions of life at home, surviving on family love and dried yams, and of the harsh regime, make riveting reading' Guardian 'Mao's Last Dancer is a modern fairy-tale. Li Cunxin's story is a breathtaking indictment of brute Communism, told with great honesty' - Kate Adie 'Appalling, brave and funny ... you cannot do better than to read this book' Mail on Sunday
--This text refers to an alternate
Paperback
edition.
About the Author
Li Cunxin (pronounced Lee Schwin Sing) was born in 1961, in the New Village, Li Commune, near the city of Qingdao on the coast of north-east China. The sixth of seven sons in a poor rural family, Li's peasant life in Chairman Mao's communist China changed dramatically when, at the age of eleven, he was chosen by Madame Mao's cultural advisers to become a student at the Beijing Dance Academy. Li went on to become one of the best male dancers in the world. Li's autobiography, Mao's Last Dancer has been published in over twenty countries. A children's version of the book was released in 2005 and a feature-length film was released in 2009. He is now a senior manager in a major stockbroking firm and lives in Melbourne, Australia, with his wife Mary and their three children, Sophie, Tom and Bridie.
--This text refers to the
Audio CD
edition.
From AudioFile
Born in a poverty-stricken Chinese commune, the author rose to worldwide fame as principal dancer of the Houston Ballet. In this fascinating memoir, he recounts his early life within a loving family, dance training in Beijing, perilous defection to the West, marriage to an American girl, and triumphant visit to the village of his birth. He writes with a surprising fluency for someone who began learning English only in his teens. The biographical details unite a riveting picture of China after the Cultural Revolution and the political and artistic demands upon an aspiring artist there. His subsequent adventures in the West would pall were it not for the indefatigable reading by Paul English. He exercises such an intense and masterful concentration on the text that the listener's interest never flags. In addition, he imbues the narrative with ingenuousness and enthusiasm, which endearingly befit the image Li is attempting to present of himself. The result is an example of an audiobook that is superior to its source. Y.R. Winner of AudioFile Earphones Award © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine
--This text refers to the
Audio CD
edition.