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Maps For Lost Lovers Paperback – Jul 26 2004

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Product Details

  • Paperback: 384 pages
  • Publisher: Faber And Faber Ltd.; Export ed edition (July 26 2004)
  • Language: English
  • ISBN-10: 0571221815
  • ISBN-13: 978-0571221813
  • Product Dimensions: 15.2 x 2.8 x 23.5 cm
  • Shipping Weight: 499 g
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: #1,777,707 in Books (See Top 100 in Books)

Product Description

From Amazon

Maps for Lost Lovers is a stunningly brave and searingly brutal novel charting a year in the life of a working class community from the subcontinent--a group described by author Nadeem Aslam as "Pakistani, Bangladeshi, Indian and Sri Lankans living in a northern town". The older residents, who have left their homelands for the riches of England, have communally dubbed it Dasht-e-Tanhaii, which roughly translates as "the wilderness of solitude" or "the desert of loneliness". As the seasons change, from the first crystal flakes of snow that melt into "a monsoon raindrop", we slowly learn the fate of Jugnu and Chanda, a couple whose disappearance is rumoured to have been a result of their fatal decision to live in sin in a community where the phrase holds true meaning.

This uncompromisingly honest--and often uncomfortable to read--story is told through the eyes of Jugnu's brother's family who live next door. Shamas is director of the local Community Relations Council; a liberal, educated man he still mourns the passing of communism and yearns for passion in his later years. His wife Kaukub, daughter of a Pakistani cleric, is also in mourning for the passing of her devout Muslim upbringing and is forced to watch her three children turn "native". She tries increasingly desperate measures to turn them back to Islam. Pakistani-born Nadeem Aslam skilfully intertwines myths and legends with a harsh, modern reality. Tragic sub-plots of Romeo-and-Juliet proportions abound. And while some of the extended descriptive passages sit uneasily on the page and, towards the end, several rants against Islam forced through the mouths of characters become thinly-veiled lectures, nevertheless Maps for Lost Lovers is an epic work and an important milestone in British literature that deserves to be widely read by all multicultural societies seeking mutual tolerance and understanding. --Carey Green

From Publishers Weekly

In this poignant, lushly written novel, Aslam (Season of the Rainbirds) explores the interwoven lives of Pakistani immigrants in an English town they have rechristened Dasht-e-Tanhaii, "the Wilderness of Solitude" or "the Desert of Loneliness." The disappearance of Jugnu and Chanda, lovers who broke Islamic law to live in sin, throws the small community into upheaval. The police arrest Chanda's brothers, whom they believe murdered the couple to avenge their family's shame. Meanwhile, Jugnu's brother, Shamas, contemplates the loss, occasionally clashing with his wife, Kaukab, a devout Muslim who overtly disapproved of the relationship. Aslam depicts an insular ex-pat Pakistani community fighting to preserve its cultural heritage and losing the battle to its Western-born children—often quite violently. At the heart of the turmoil is sexual freedom, and Aslam illustrates the many ways women's lives are restricted and romantic love is denied in the name of religion. At times, Aslam's critique grows didactic, as when he saddles his characters with long stretches of wooden, philosophical dialogue. But in Kaukab, the lonely, sympathetic believer who inadvertently alienated her own children, Aslam personifies the conflicts of acculturation, crafting a truthful story that resists easy conclusions. (May 8)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

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4 of 5 people found the following review helpful By swanlust on Oct. 22 2006
Format: Paperback
A book review of Nadeem Aslam's `Maps for Lost Lovers'

Reading this book for me was like eating a bowl of 'gulaab jaamans'* after a two day fast; sinfully pleasurable, drowning in sheera, oozing forth warmth and sticky sweetness, intensely gratifying in its every mouthful; but at the same time exhausting and devastating in its after effects.

Seriously speaking, from what I understand, it took Nadeem Aslam more than eleven years to bring this story to life; and it shows. Every sentence, every word in this novel bears witness to the painstaking effort that he has put into writing this literal work of art. I can't recall of any emerging modern day English author of Pakistani origin who has produced a work of fiction of this quality before.

`Maps for Lost Lovers' attempts to take a close look at the lives, beliefs and ideas etched in the minds of the Pakistani immigrant community in the UK. It brings together a cast of powerful, thought provoking, but ultimately doomed characters, who, through their well intentioned but misguided beliefs and actions end up destroying not only their own lives, but also the lives of those nearest and dearest to them. From the ultra orthodox Kaukab to the gentle Shamas to the damned Suraya, Nadeem Aslam has gone to great lengths to develop and capture the nuances and subtleties of his creations, whose lonely souls, trapped in internal conflict, seem to drift in eternal exile through the ruthless Dasht-e-Tanhai, The Desert of Loneliness (physically an immigrant town situated somewhere in the bleak English midlands). While the main theme of the story revolves around an honour killing, the book attempts to explore several other complex issues including racism, religion, fidelity, sex and of course isolation.
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Most Helpful Customer Reviews on (beta) 32 reviews
51 of 54 people found the following review helpful
A Flag of a Deeper Colour May 18 2005
By Eric Anderson - Published on
Format: Hardcover
Maps for Lost Lovers takes place in 1997 and is set over the course of a year in an unnamed community in England with a large Muslim population. It's primary focus is a married couple, Shamas, a non-believer and Kaukab, his pious wife. There are many mysteries threaded throughout this beautifully written novel, but the central one focuses on the disappearance of Shamas' brother Jugnu and the woman he was living with, Chanda. The two were not married and therefore were perceived to be living in a state of sin according to Muslim belief. Chanda's two brothers have been accused of murdering the couple. Over the course of the year, the trial over their suspected murder unfolds and many hidden secrets of the community are brought to light. It's a story of great suspense, giving precious insight into a very closed community that is struggling to maintain the beliefs of the country they left and the religion which is in many ways antithetical to modern English life.

It took Aslam over ten years to write this novel, working largely in solitude and subsisting on a very humble income. The beautifully wrought passages attest to the concentrated labour used to create them and the vast amount of time he spent with these characters shows in the penetrating insight he gives to their individual minds and hearts. The lyrical style of the novel which uses metaphor upon metaphor might at first be a distraction to the reader. However, this persistent way of likening one thing to another reflects the attitudes of people in this community who persistently compare things in England to their home country. It's a device by the author to show how they are in some ways unable to see things in England as they really are. One of the most remarkable things about this novel is the shocking, extremely violent reactions by the Muslim community used to condemn some of the characters' actions. Aslam based all these events on real reported incidents. He also depicts the extremely intolerant and racist attitudes of non-Muslims to this community of immigrants. However, at the same time the author shows how deeply compassionate members of the community are to each other and the difficult struggle they experience trying to maintain their beliefs in opposition to the more extreme Muslim behaviour some of them disapprove of. Aslam has spoken about how moderate Muslim's need to speak up in today's world and dispel the popular Western view that all people of this religion are dangerous extremists. This rich, entertaining and poignant novel is a testament to that struggle.
19 of 21 people found the following review helpful
Beautiful, timely, insightful, intense Aug. 6 2005
By Leslie Newman - Published on
Format: Hardcover
The poetry of this book required that I read it slowly. The metaphor-rich first chapter introduces us to Shamas, a Pakistani immigrant, in his soul a poet, living in England. We meet his wife Kaukab, a devout Muslim, with more direct language, with the smells of food preparation and the beauty of fabrics immersing the reader in her everyday life.

The compelling murder mystery that drives the story provides a context for the central motif: how traditional religion both serves and disserves its community, how literal interpretation of religious texts competes with reason, how love and marriage which so often defy control are strictly governed, leading to much unhappiness for both men and women, with women suffering most harshly.

The novel presents assimilation as a tremendous threat to this immigrant community, the systematic discrimination and daily indignities reinforcing its isolation, and also as the only avenue, at least some measure of assimilation, to a less constrained, less superstitious, less oppressive and potentially less oppressed life.

The story takes place pre-9/11 and of course, pre the London bombings this year. Having come this far with Shamas, Kaukab and their children, I am saddened to think about how their burdens have increased, and I thank the novel for allowing me to make this connection.
13 of 14 people found the following review helpful
This is a masterpiece of imagery and emotion! June 24 2006
By NaughtiLiterati - Published on
Format: Paperback
I have never read a more exquisitely written and detailed novel in my life and am reluctant to finish it! It is a story that can be read over and over and I know that I will because THIS is top-notch writing! Though the descriptions CAN be lengthy, they don't interrupt the flow of the story but rather add to them because you are being painted a picture and can take a second to imagine and have your senses thrilled. It's quite erotic!

I'm not going into the details of the story because that's what the jacket copy is for and other reviewers have already done for me, but what I loved best was the unflinching portrayal of the Muslim community - and the way he wrote his characters; so vivid, flawed and HUMAN that if they were appear right next to you, you wouldn't bat an eye.

I also recommend Bodies in Motion by Mary Anne Mohanraj and That Summer In Paris (but especially Babyji) by Abha Dawesar for more delicious and provocative tales of South Asians.
10 of 12 people found the following review helpful
Clash of cultures as seen through second generation Anglo-Asian eyes Nov. 3 2005
By Reader from Singapore - Published on
Format: Paperback
As Asian literature, Aslam Nadeem's "Maps For Lost Lovers" is a vastly superior piece of fiction and far more engaging and enjoyable than Monica Ali's overpraised "Brick Lane". The story of Kaukab, her husband Shamas, their three British-born children and extended family of relatives is simply heartbreaking in its exposition of the trauma of immigration and how failure of assimilation into a culturally alien environment can tear even the closest family apart. Other than her physical person, Kaukab never left Pakistan. Her stubborn refusal to accept even the tiniest aspect of her host society's mores and steadfast attachment to her own religious way of life only finds her increasing stranded from the rest of her family who - must needs - move on. Even Shamas, her husband, is driven into the arms of a divorced Muslim woman who, trapped by the dictates of her religion, has her own agenda and axe to grind. Her children flees from her clutches in desperation to find their own place in a new society.

The murder mystery surrounding Jugnu's & Chanda's disappearance and various other subplots are nothing more than plot devices to show the wickedness of an old society out of step with the rest of the modern world. Here, Nadeem's demonisation of his ancestors' old world values unsettles the nice balance he could have achieved with a more even handed approach. He even, subconciously perhaps, forgets to paint in a personality for the white daughter-in-law Stella who remains a curiously unwritten minor character in the family saga. And I'm not sure he doesn't condone the monstrous behaviour of the westernised younger son. I certainly don't.

Nadeem's prose is both beautifully lyrical and overwrought, depending on one's own taste. His sentences are often suffused with images and metaphors that convey the smell and taste of the natural world (eg, butterflies, exotic flowers, fruits and trees, etc), they lose their value when they keep interrupting the development and flow of his ideas and when this happens, become an unnecessary distraction. The novel would in my view have profited from a little less heavyhanded stylistic approach.

Despite these flaws, "Maps For Lost Lovers" is a wonderfully impressive piece of work that deserves as wide a readership as the inferior "Brick Lane" got. Highly recommended.
2 of 2 people found the following review helpful
Exquisite imagery & metaphorical prose Oct. 3 2012
By Papyrus Reviews - Published on
Format: Paperback
Maps for Lost Lovers is deeply sad tale of Pakistani immigrants in England. Of people who come from a culture with deep rooted beliefs that are diametrically opposite to what the west holds. Of immigrants coming to an alien land with hope, only to lose everything they ever held dear, including things they would not have lost even in the poverty-stricken homeland they had left behind.

It is a book that has been carefully crafted in exquisite detail, and written in highly metaphorical prose that pauses ever so often to take the reader deep into a frozen moment in time. One has but to read the first few pages to realise why the author took eleven years to write the book. One can almost imagine him writing and re-writing repeatedly till he was happy with every single word. The book must be read slowly, one chapter at a time, lest you lose the detail of the complex canvas.

The prime features of the writing are the remarkably vivid imagery and the extensive use of metaphors to paint a multi-layered picture. The full extent of the portrayal will appreciated by those who have an understanding of both cultures - western and Islamic. Readers with only one may not fully relate to some of the situations Aslam creates.

For instance, there is a scene where wine is surreptitiously served in the darkness caused by a power outage. The mere intellectual knowledge that wine is considered haraam (a sin) in Islam is not sufficient to feel the depth of outrage a character feels when she realises that alcohol is defiling her - a devout Muslim's - dining table. One must have lived in a culture where wine is haraam to relate to her. That she had thanked her God for the unexpected darkness in just the previous page makes the betrayal - both by the hand that pours the wine, as well as by her God - all the more profound.

The clash of cultures and beliefs is deafening in the still, silent immigrant community in Britain that remains nameless. A community of immigrants that lives in mute fear of what the host country will do to them, and of how their God will judge them. But the tale, moving as it is, was still incidental to me and subordinate to the prose. There is so much imagery in the pages that it challenges the reader's ability to absorb - and appreciate - the finely crafted mosaic the author creates.

Not only does the book capture the suffering of first generation immigrants in an alien land with incompatible beliefs, it also brings out the insensitivity of the next generation. My take away from the book was that one must be prepared to reconsider all beliefs and values when one moves to an alien land. At least to the extent of developing some tolerance.

The book's theme is hugely topical in India, where "honour killings" seem to have become a routine thing. But unfortunately, the message of the book will not reach those who practice it, as they are very unlikely to ever read such a book. Yet I hope that Maps for Lost Lovers does not remain another intellectual's lament destined to grace chic bookshelves.

And finally, a word of caution. If you don't like metaphorical prose, or are unwilling to pause and savour imagery, or are simply impatient for the story to move on, do not pick up this book. You will be disappointed. The story moves slowly.

But if you do like this kind of writing, you will find it a delight.