First of all, it is not an album but two EPs joined together.
Maybe it is not exactly what you might have come to expect from this enviably talented young American artist.
The first half features a Mexican funeral band and delivers oompah-ish brass and a strong dose of mariachi horns (featuring real Mexicans!).
"It's a charmingly woozy picturesque postcard Mexico: full of inconsolably grieving mothers, carnivalesque town squares, bitter wives and death by bayonet"... like Jason Schwartzman in the "Darjeeling Limited", traveling across India, but seemingly locked within the world of "Where Do You To My Lovely?", the fixed-point at the heart of it all remains Condon's richly romantic, melancholy croon". - Uncut
The second EP, "Holland", recorded by Condon under the moniker Realpeople (an early pre-Beirut alias) was recorded at home but seems like a great, reveals his more sombre Seventies synth side, featuring entirely unrelated, gently synthesized beats and keyboards and is significantly more successful.
Two of the tracks from Holland have surfaced prior to this release - "My Night With The Prostitute From Marseille" appeared on a digitally released charity affair while "Venice" featured on a compilation given away by uber-hip US monthly "The Believer".
"Venice" has a ghostly beauty, which makes you wish that Condon had fleshed out this group of songs into a whole album.
And then there is the oddly uninspired, bizarre, inconsequential Euro-pop of "No Dice", upon which this collection unfortunately closes, which disappoints.
This is a little weird, but it certainly shows a different aspect of Zach's musical personality and talent.
It's happy, sad, intriguing and different.
After repeated listenings, it will grow on you.
And you will come to like it.
The Flying Club Cup