Case in point...this supremely explicit and raw comedy. Her failed sitcom had orientalness (and poking fun at it) which may had unnerved some people, particularly those behind the sponsors...
...I, however, laughed my buns off during this one woman show filmed in Seattle. I laughed because Cho's brashness and complete bluntness is disarmingly hilarious and completely brilliant...one would not expect that rawness from a little Korean lady. Her sendups about her motherdear are roll down on the floor funny. And may be construed as derogatory to some Oriental-Americans: she redeems herself for making a plea for true acceptance and equality for all. Her escapades and misadventures--the fisting, the leather club(John Goodman, not Sharon Stone and unzipping the mouth mask)--garners some of the same type of laughs that Pyror is known for. Cho's routine is the kind that makes you laugh because you are embarrassed that you are laughing at something so bold and taboo. And you know what? Cho, notorious or not, is a great comic. Hey! Anyone who makes me laugh that hard has gotta be one. As one interviewee notes at the end of the show, Cho's Notorious ain't for the weak at heart. I say, So What? If a comedian doesn't provoke you every now and then, then mebbe he/she oughtta find a new job. Find this performance and enjoy!