Matisse and Picasso achieved extraordinary prominence during their lifetimes. They have become cultural icons, standing not only for different kinds of art but also for different ways of living. Matisse, known for his restraint and intense sense of privacy, for his decorum and discretion, created an art that transcended daily life and conveyed a sensuality that inhabited an abstract and ethereal realm of being. In contrast, Picasso became the exemplar of intense emotionality, of theatricality, of art as a kind of autobiographical confession that was often charged with violence and explosive eroticism. In Matisse and Picasso, Jack Flam explores the compelling, competitive, parallel lives of these two artists and their very different attitudes toward the idea of artistic greatness, toward the women they loved, and ultimately toward their confrontations with death.
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From Publishers Weekly
Timed to coincide roughly with the opening of the blockbuster Matisse-Picasso exhibition's third and final stop, at New York's MoMA QNS (February-May), this volume examines the enmity and amity between the 20th century's two greatest painters, mostly as evidenced by their art. Despite the subtitle, Flam, who brilliantly edited Robert Smithson: The Collected Writings, is much less interested in the endlessly chronicled lives of his subjects than in the work; sentences like "When Matisse returned from Morocco that spring, he was full of turbulent emotions, and he created some of his most memorable and original works" simply serve as transitions to the next phase of work-on which Flam is terrific. In one passage, he finds the word "NON" ("a symmetrical word that asserts its negation in both directions") painted into the window grillwork between the husband-and-wife of Matisse's 1912 Conversation-a word that had been showing up in Picasso's work for the previous year. Flam locates similarly productive appropriations and reappropriations between the two painters over the years, so that anyone standing in line for the exhibition in Queens will profit from at least flipping through this direct, jargon-free study.
Copyright 2003 Reed Business Information, Inc.
Copyright 2003 Reed Business Information, Inc.
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"Brilliantly details the strange union of this very odd couple."
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On the fourteenth day of April 1900, the Paris World's Fair opened to an excited public. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Customer Reviews
Most helpful customer reviews
Format:Hardcover
If this be gossip, then it is the best kind. Engaging account of the rivalry/synergy of Matisse and Picasso and the interactions over half a century, with a Gertrude Stein introit at the beginning. This competition is fairly lightweight stuff as far as I can see although throwing rubber suction darts at a Matisse painting gets close to borderline rascalian--Picasso probably loses points on adolescent misdemeanours, but the art of both leaves us unable to judge, save that a third here could not be found.
Format:Hardcover
This is an excellent work for art history enthusiasts. It depicts
many famous works of art by Matisse and Picasso. Classically,
Matisse is known for the artful use of color; whereas, Picasso
is credited with the unique form of Cubism which pervades
his artwork. Flam depicts important works by both artists.
For instance, Matisse's "The Woman With The Hat" is shown in
full color. Picasso's "The Acrobat's Family" is depicted
together with "The Two Nudes". These pictures show the emotional side of Picasso's work in contradistinction to
Matisse's exercise of restraint. This book would make a
perfect gift for a friend, relative or art buff.
many famous works of art by Matisse and Picasso. Classically,
Matisse is known for the artful use of color; whereas, Picasso
is credited with the unique form of Cubism which pervades
his artwork. Flam depicts important works by both artists.
For instance, Matisse's "The Woman With The Hat" is shown in
full color. Picasso's "The Acrobat's Family" is depicted
together with "The Two Nudes". These pictures show the emotional side of Picasso's work in contradistinction to
Matisse's exercise of restraint. This book would make a
perfect gift for a friend, relative or art buff.
By Sergio Remon
Format:Hardcover
Before there was Andy Warhol, the ultimate in art cool, there was Picasso. And before there was Picasso, there was Matisse. Picasso and his cronies used to make fun of Matisse's primitive style and threw fake darts at Matisse's portrait of his daughter, and people laughed in the salons at Matisse's Joy of Life but no artist influenced Picasso more than Matisse, from his works to his introduction to African and Iberian art, Matisse was one of the few constants in Picasso's life, always keeping the paintings that he had of Matisse. These two heavyweights, more than anybody, have influenced the way we make art today. This books does a great job fleshing out the relationship between these two artists and how they affected each other in a well written and highly accesible format. An excellent book worthy of the excellent artists.
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