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McKettricks of Texas: Tate [Mass Market Paperback]

Linda Lael Miller

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Book Description

Jan 26 2010 Hqn
There are barely enough hours for divorced dad Tate McKettrick to run the Silver Spur ranch, do the suit-and-tie thing for his business and run herd on his beloved six-year-old twin daughters. But time stands still at the sight of Libby Remington. When they were high school sweethearts, the wealthy McKettrick couldn't convince Libby he loved her. But now they're both back in Blue River, Texas. And cattle rustlers, a manipulative ex-wife and a killer stallion can't keep him from trying again.

Libby has her hands full taking care of her mother—and running the Perk Up Coffee Shop. Caffeine, she needs. Tate McKettrick, with his blazing blue eyes and black hair? No. Oh, heck—yes. But can they really hope for a second chance?


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McKettricks of Texas: Tate + McKettricks of Texas: Austin + McKettricks of Texas: Garrett
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Product Details

  • Mass Market Paperback: 368 pages
  • Publisher: HQN Books (Jan 26 2010)
  • Language: English
  • ISBN-10: 0373774362
  • ISBN-13: 978-0373774364
  • Product Dimensions: 16.8 x 11 x 2.4 cm
  • Shipping Weight: 181 g
  • Amazon Bestsellers Rank: #186,722 in Books (See Top 100 in Books)

Product Description

Excerpt. © Reprinted by permission. All rights reserved.

Cheryl's relatively small backyard was festooned with streamers and balloons and crowded with yelling kids. Portable tables sagged under custom-made cakes and piles of brightly wrapped presents, while two clowns and a slightly ratty Cinderella mingled with miniature guests, all of them sugar-jazzed. Austin's childhood pony, Bamboozle, trucked in from the Silver Spur especially for the birthday party, provided rides with saintlike equanimity.

Keeping one eye on the horse and the other on his daughters, six years old as of 7:52 that sunny June morning, Tate counted himself a lucky man, for all the rocky roads he'd traveled. Born almost two months before full term, the babies had weighed less than six pounds put together, and their survival had been by no means a sure thing. Although the twins were fraternal, they looked so much alike that strangers usually thought they were identical. Both had the striking blue eyes that ran in the McKettrick bloodline, and their long glossy hair was nearly black, like Cheryl's and his own. His girls were healthy now, thank God, but Tate still worried plenty about them, on general principle. They seemed so fragile to him, too thin, with their long, skinny legs, and Ava wore glasses and a hearing aid that was all but invisible.

Cheryl startled Tate out of his reflections by jabbing him in the ribs with a clipboard. Today, her waist-length hair was wound into a braided knot at the back of her neck. "Sign this," she ordered, sotto voce.

Tate had promised himself he'd be civil to his ex-wife, for the twins' sake. Looking down into Cheryl's green eyes—she'd been a beauty queen in her day—he wondered what he'd been drinking the night they met.

Gorgeous as Cheryl was, she flat-out wasn't his type, and she never had been.

He glanced at the paper affixed to the clipboard and frowned, then gave all the legalese a second look. It was basically a permission slip, allowing Audrey and Ava to participate in something called the Pixie Pageant, to be held around the time school started, out at the Blue River Country Club. Under the terms of their custody agreement, Cheryl needed his approval for any extracurricular activity the children took part in. It had cost him plenty to get her to sign off on that one.

"No," he said succinctly, tucking the clipboard under one arm, since Cheryl didn't look like she intended to take it back.

The former Mrs. McKettrick, once again using her maiden name, Darbrey, rolled her eyes, patted her sleek and elegant hair. "Oh, for God's sake," she complained, though he had to give her points for keeping her voice down. "It's just a harmless little pageant, to raise money for the new tennis court at the community center—"

Tate's mind flashed on the disturbing film clips he'd seen of kids dolled up in false eyelashes, blusher and lipstick, like Las Vegas showgirls, prancing around some stage. He leaned in, matching his tone to hers. "They're six, Cheryl," he reminded her. "Let them be little girls while they can."

His former wife folded her tanned, gym-toned arms. She looked good in her expensive daffodil-yellow sundress, but the mean glint in her eyes spoiled the effect. " I was in pageants from the time I was five," she pointed out tersely, "and I turned out okay." Realizing too late that she'd opened an emotional pothole and then stepped right into it, she made a slight huffing sound.

"Debatable," Tate drawled, plastering a smile onto his mouth because some of the moms and nannies were looking in their direction, and they'd stirred up enough gossip as it was.

Cheryl flushed, toyed with one tasteful gold earring. "Bastard," she whispered, peevish. "Why do you have to be so damn pigheaded about things like this?"

He laughed. Hooked his thumbs through the belt loops of his jeans. Dug in his heels a little—both literally and figuratively. "If other people want to let their kids play Miss This-That-and-the-Other-Thing, that's their business. It's probably harmless fun, but mine aren't going to—not before they're old enough to make the choice on their own, anyhow. By that time, I hope Audrey and Ava will have more in their heads than makeup tips and the cosmetic uses of duct tape."

Eyes flashing, Cheryl looked as though she wanted to put out both hands and shove him backward into the koi pond— or jerk the clipboard from under his arm and bash him over the head with it. She did neither of those things—she didn't want a scene any more than he did, though her reasons were different. Tate cared about one thing and one thing only: that his daughters had a good time at their birthday party. Cheryl, on the other hand, knew a public dustup would make the rounds of the country club and the Junior League before sundown.

She had her image to consider.

Tate, by contrast, didn't give a rat's ass what anybody thought—except for his daughters, that is, and a few close friends.

So they glared at each other, he and this woman he'd married years ago, squaring off like two gunfighters on a dusty street. And then Ava slipped between them.

"Don't fight, okay?" she pleaded anxiously, the hot Texas sunlight glinting on the smudged lenses of her glasses. "It's our birthday, remember?"

Tate felt his neck pulse with the singular heat of shame. So much for keeping the ongoing hostilities between Mommy and Daddy under wraps.

Cheryl smiled wickedly and rested a manicured hand on Ava's shoulder, left all but bare by the spaghetti strap holding up her dress—a miniature version of her mother's outfit. Audrey's getup was the same, except blue.

"Your daddy," Cheryl told the child sweetly, "doesn't want you and Audrey to compete in the Pixie Pageant. I was trying to change his mind."

Good luck with that, Tate thought, forcibly relaxing the muscles in his jaws. He tried for a smile, for Ava's sake, but the effort was a bust.

"That stuff is dumb anyway," Ava said.

Audrey appeared on the scene, as though magnetized by an opinion at variance with her own. "No, it isn't," she protested, with her customary spirit. "Pageants are good for building self-confidence and making friends, and if you win, you get a banner and a trophy and a tiara."

"I see you've been coaching them to take the party line," Tate told Cheryl.

Cheryl's smile was dazzling. He'd spent a fortune on those pearly whites of hers. Through them, she said, "Shut up, Tate."

Ava, always sensitive to the changing moods of the parental unit, started to cry, making a soft, sniffly sound that tore at Tate's heart. "We're only going to be six once" she said. "And everybody's looking!"

"Thank heaven we're only going to be six once," Audrey interjected sagely, folding her arms Cheryl-style. "I'd rather be forty."

Tate bent his knees, scooped up Ava in the crook of one arm and tugged lightly at Audrey's long braid with his free hand. Ava buried her face in his shoulder, bumping her glasses askew. He felt tears and mucus moisten the fabric of his pale blue shirt.

"Forty?" she said, voice muffled. "Even Daddy isn't that old!"

"You're such a baby," Audrey replied.

"Enough," Tate told both children, but he was looking at Cheryl as he spoke. "When is this shindig supposed to be over?"

They'd opened presents, devoured everything but the cakes and competed for prizes a person would expect to see on a TV game show. What else was there to do?

"Why can't you just stop fighting?" Ava blurted.

"We're not fighting, darling," Cheryl pointed out quietly, before turning to sweep her watchful friends and the nannies up in a benign smile. "And stop carrying on, Ava. It isn't becoming—or ladylike."

"Can we go out to the ranch, Daddy?" Ava asked him plaintively, ignoring her mother's comment. "I like it better there, because nobody fights."

"Me, too," Tate agreed. It was his turn to take the kids, and he'd been looking forward to it since their last visit. Giving them back was always a wrench.

"Nobody fights at the ranch?" Audrey argued, sounding way too bored and way too sophisticated for a six-year-old. Yeah, she was a prime candidate for the Pixie Pageant, all right, Tate thought bitterly—bring on the mascara and enough hairspray to rip a new hole in the ozone layer, and don't forget the feather boas and the fishnet stockings.

Audrey drew a breath and went right on talking. "I guess you don't remember the day Uncle Austin came home from the hospital after that bull hurt him so bad, before he started rehab in Dallas, and how he told Daddy and Uncle Garrett to stay out of his part of the house unless they wanted a belly full of buckshot."

Cheryl arched one eyebrow, triumphant. For all their land, cattle, oil shares and cold, hard cash, the McKettricks were just a bunch of Texas rednecks, as far as she was concerned. She'd grown up in a Park Avenue high-rise, a cherished only child, after all, her mother an heiress to a legendary but rapidly dwindling fortune, her father a famous novelist, of the literary variety.

But, please, nobody mention that dear old Mom snorted coke and would sleep with anything in pants, and Dad ran through the last of his wife's money and then his surprisingly modest earnings as the new Ernest Hemingway.

Cheryl had never gotten over the humiliation of having to wait tables and take out student loans to put herself through college and law school.

"I wonder what my attorney would say," Cheryl intoned, "if I told him the children are exposed to guns, out there on the wild and wooly Silver Spur."

While Tate couldn't argue that there weren't firearms on the ranch—between the snakes and all the other dangers inherent to the land, firepower might well prove to be a necessity at any time—it was a stretch to say the girls were ...


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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.1 out of 5 stars  47 reviews
11 of 11 people found the following review helpful
2.0 out of 5 stars Lukewarm Disappointment Feb 21 2010
By desert_gal - Published on Amazon.com
Format:Mass Market Paperback
************!!!SPOILERS!!!************

I really like Linda Lael Miller's books...well, some of them. As another reviewer did, I too enjoyed the Deadly Gamble books and the Stone Creek books (sometimes those are a little sparse, but great characters and setting). I also really liked her suspense book, Don't Look Now, and I did enjoy the Montana Creed trilogy (Logan, Dylan, Tyler). The sex scenes were definitely wilder in that series than this one so far! ;)

So I was pretty excited about the McKettricks of Texas trilogy. Ah, I've been let down. I too had to force myself through many of the pages. The content issues were legion (what about those cattle rustlers, eh? Pablo's backstory? His widow running off to California so quickly? Yes, I'm sure these things will show up in the next books, but they sure left this story hanging.). One that really bugged me was when Libby and Julie were having a sister telepathy moment (p93), which I read as Julie wondering if Libby had heard about Pablo's death. Then on p95, Libby reveals to Julie that Pablo was dead. Unless I read that very wrongly, I was confused. There were several other instances of this throughout the book, and I lost a great deal of respect for HQN's copyediting department by the end of the novel.

I also found Tate rather one-dimensional and not very sympathetic. Actually, both he and Libby seemed to suffer from personality disorder at times--going from one perspective to another (his and hers), I had totally different viewpoints of who they were. Libby is timid, shy, insecure, and melodramatic. She mostly worries (excessively) about everything, particularly the town's knowledge of her sex life and whether or not Tate thinks she's "wanton." Then, in Tate's POV, Libby does indeed come off as a very self-assured woman who seriously wants some sex with Tate and has no problems showing him her desires. Who the heck is this character, I wondered? She might not know herself--but the author certainly should.

Tate's ex-wife, Cheryl, was also a big pack o' confusion. Her very convenient acquiescence at the end, in which she seems to favor her life and career outside of Blue River over spending time with her daughters, came off as one of those magical deus ex machina desperate authors employ when the deadline is approaching and the original ideas are not. She bopped from cruel and vindictive to sorrowful and worthy of compassionate response from readers--all of which just made me write her off as a hastily thrown-together character used to drive a wedge between the hero and heroine. Bleh.

The mother, Marva, was also too unreal to be believed. Libby's passive reaction to her also drove me up the wall, all in all making it a situation that screamed "Interesting Character Here! Bizarre Traits Included to Make You Think I Created Someone Cool!" I too wondered how Marva took her furniture with her back to Costa Rica, lol.

For me, the big things missing from this book that it miss the mark were

-unrealistic & lightly-sketched characters
-too many details scattered around
-unnecessary information, such as yes, how often Hildie the dog's bowls were filled
-no true heart-to-heart apology/explanation/offloading of guilt session between Tate and Libby
-too many "clues" that probably will show up in the next books; they just confused me and took me out of this story
-heroine was too passive for my personal tastes

I hope the next books in this series are stronger. I too have found that LLM sometimes writes the most excellent books ever...and sometimes not. I definitely ascribe some of the responsibility to today's instant gratification phenomenon, inherent in instant downloads, short cultural attention spans, publishers hounding authors for the next bestseller, etc. Yet...the author could also choose to slow down and favor quality over quantity.
10 of 12 people found the following review helpful
3.0 out of 5 stars Totally agree with the other three-star review Jan 30 2010
By Elena - Published on Amazon.com
Format:Mass Market Paperback
I've discovered that LLM is either hitting it out of the ballpark or the story just limps along. There doesn't seem to be any in between with her. And while "Tate" is certainly better than the Creed trilogy, it never won me over and fell a little flat.

The reader is told that Tate and Libby have a long history together of being madly, passionately in love, however, I didn't feel a strong connection here other than sex. I felt there was much that should have been said between the two. Had I been the author, I would have written a conversation that included why Tate did what he did all those years ago. I can't see how there can be forgiveness without that conversation. Also, given Tate's and Libby's ages (early 30's) and the length of time they'd been apart (almost seven years) and how long they'd dated on and off (since high school), I just felt if they had been truly committed to one another before the breakup, they would have been together already. Heck, it had been five years since his divorce -- surely, enough time to work something out instead of deliberately avoiding each other in their small town.

Libby's mother was a fascinating character, that's for sure, but I felt Libby should have been more straightforward with her as well.

A pet peeve of mine with LLM is that she tends to drone on about daily minutiae. Her books tend to include the characters' everyday chores ... repeatedly. Often, it feels like a "to do" list. By the third time I read how Libby had washed and refilled her dog's bowls, I was rolling my eyes. Enough!

On the positive, the kids were adorable (although I question whether a four-year-old really would talk like that). Libby's sisters and Tate's brothers also seemed interesting (actually more interesting than the main ones here). I suspect their stories will have more heat. Oh, I'll probably read them, but I'll check them out from the library before I buy next time.

Overall, not bad, just not as good as some of her other work (original McKettrick series, Deadly Gamble series).
6 of 7 people found the following review helpful
5.0 out of 5 stars A book worth waiting for! Feb 2 2010
By Ana Thierry - Published on Amazon.com
Format:Mass Market Paperback
When I loaded this book on my Kindle, I deliberately refrained from reading it immediately. Instead, I let it breathe like a fine wine or age like Stilton cheese. For weeks this book kept calling to me but I wouldn't let myself read it until New Years Day. Why? Because Linda Lael Miller's books are worth waiting for.

Miller is one of the only contemporary (or historical) writers who digs deep into the psyche of her characters and exposes the flaws and truimphs that are a part of the human condition. By the time I finished this book I felt like I knew Tate and Libby inside and out. So many authors pay lip service to the darker side of life but Miller wades in without hesitation, merging every aspect into a seamless and deeply satisfying read.

Readers will laugh, cry and rejoice as they turn each page. Romance lovers, you do not want to miss this book! ~ Ana, IReadRomance dot com

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