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Gifts for Grads




Product Details

  • Hardcover: 352 pages
  • Publisher: Doubleday; 1 edition (April 30 2002)
  • Language: English
  • ISBN-10: 0385498179
  • ISBN-13: 978-0385498173
  • Product Dimensions: 16.7 x 3 x 24.2 cm
  • Shipping Weight: 612 g
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Bestsellers Rank: #3,352,448 in Books (See Top 100 in Books)

Customer Reviews

3.8 out of 5 stars
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By tahl2 on March 7 2004
Format: Paperback
Most of the previous reviewers have stressed the self-focus that, I agree, is both a strength & the weakness of Me and Shakespeare.
But only one reviewer so far has mentioned how useful the book is in giving a layman's guide to some of the scholarly and popular critical literature on the plays. I enjoyed Gollob's brief descriptions of one old favorite (Goddard) and of many books that were new to me, and that I've now tracked down.
Many of these books are mentioned in Chapter 1, but others pop up throughout the book as Gollob talks about the individual plays. He devotes most thought to the tragedies and the "Roman plays." The English histories -- particularly Henry V -- that I conclude Gollob doesn't find them very interesting. Eh, to each his own.
Gollob also includes interesting tidbits from interviews or meetings he arranged over time with various Shakespeare luminaries: Richard Kuhta (librarian at the Folger), Patrick Spottiswoode (director of education at the new Globe), John Barton (famed Royal Shakespeare Company Director), others.
And speaking of John Barton: I'm grateful to this book for introducing me to Playing Shakespeare, a very expensive ($1000+ !) early-1980s video series with Barton and RSC actors (Ian McKellen, Patrick Stewart, many others) thinking through how to perform roles and solve various acting challenges. There's also a book that transcribes much (all?) of the series: Playing Shakespeare: An Actor's Guide, by John Barton (ISBN 0385720858). Until I win the lottery, I'll have to stick with that.
I've seen elsewhere that a similar-sounding (and similarly pricy) new series, Working Shakespeare, is due out in the U.S. in April 2004, featuring actors like Jeremy Irons and Samuel L. Jackson. Maybe Amazon will someday carry it.
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Format: Paperback
On the whole, I found this book an enjoyable and interesting read. As another reviewer said, you will enjoy it more if you're sixty plus, fond of Shakespeare, and Jewish. I qualify on two out of three. The Jewish references were beyond my ken.
For a person nearing retirement, it's fascinating to see what some people do with their lives after full-time paid employment ends. After I retire, I plan to read all the great works of literature I've missed so far, and Shakespeare is on my list.
Gollob (he must hate it that so many people can't bother to spell his name correctly) took "Shakespeare in Love" far too seriously. After all, it was a romantic comedy. It was supposed to be fun! His criticisms of its historical inaccuracies is like criticizing Shakespeare for his witches and fairies.
Gollob is a little too full of himself at times, but he must have loved writing this book and gently bragging about his achievements and the famous people he's bumped against over the years.
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Format: Hardcover
Herman Gollob is, in his own words, "an old man made mad by a love of Shakespeare." In other words, he is a dedicated amateur: enthusiastic, opinionated, curious, alternatively cocky and unsure, given to name-dropping. To read Me and Shakespeare is to read about Herman Gollob as much as it is to read about Shakespeare.
The memoir, however, does not slide off into the merely autobiographical. No matter how self-involved Mr. Gollob's tangents, he is tenacious in returning to the matter at hand. Throughout the course of the book, the reader investigates with Mr. Gollob, the plays, the sonnets, the new Globe, acting classes, the Folger, various scholary works, Oxford and pubs. The dedicated amateur is not limited by the pressures of thesis or reputation and Mr. Gollob transitions merrily and unrepentantly from topic to topic.
The book is not as disjointed as the style suggests. There is an overriding theme of rejuvenation as one grows older. Mr. Gollob uses his own personal thesis about Shakespeare and Judaism as a binding thread throughout the narrative. There is order and method to his superficially gregarious and haphazard appearance.
The thesis is intensely personal. Mr. Gollob is an amateur and has the amateur's enthusiastic desire to recreate Shakespeare in his own image. This is not a portrait of Shakespeare as an ordinary Elizabethean with a remarkable gift for writing. Yet even scholars have a difficult time accepting this version of Shakespeare (which I do believe to be the most accurate one). We want Shakespeare to be like us, to be as universal as his genius, to be as open to interpretation as his plays. We want his imagination to be based in something more concrete and accessible than the pure imagination of a hard-working writer. In this context, Mr.
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Format: Hardcover
I have one major problem with SHAKESPEARE AND ME by Herman Gollob-there is too much Gollob and not enough Shakespeare. Gollob is probably a very nice man, but he has too much to say about himself, and too little of it was of interest to me. Mr. Gollob apparently was a successful New York book editor before he retired and began teaching Shakespeare to adult classes. He name drops authors all over the place and adds bits of gossip here and there about former clients. When he isn't name dropping he is telling you about his family, his friends, his church, etc. which is fine if he's your neighbor or friend, but I did not pay for this kind of amusement.
I probably would have enjoyed Gollob's book if he had spent more time writing about his lectures on Shakespeare-condensing his material into a reasonably erudite set of essays as other professors have done before him. I am interested in Shakespeare (why I bought the book). Instead, he offers a few tantalizing bits and then rambles on all over the place. Where ever he goes, be it the theater, the classroom, the bookstore, or a hotel in Oxford, he seems to feel compelled to identify and comment on the people present. I almost had the sense that Mary, Bob, Anne and the others were going to be looking for their names in print and he was determined to oblige them.
He also mentions at least 50 times that he is an Aggie fan from Texas, that he did not like his mother, and that he thinks Shakespeare got many of his ideas from the Bible. Okay already, the Bible was a big deal in Shakespeare's England as anyone who has studied the Elizabethan age knows. The Elizabethans were early English Protestants whose whole approach was "back to basics." Elizabeth's successor James had the Bible translated from Latin into English.
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