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Mean Streets (Widescreen/Full Screen)
 
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Mean Streets (Widescreen/Full Screen)

Robert De Niro , Harvey Keitel , Martin Scorsese    R (Restricted)   DVD
4.1 out of 5 stars  See all reviews (70 customer reviews)

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After Martin Scorsese went to Hollywood in 1972 to direct the low-budget Boxcar Bertha for B-movie mogul Roger Corman, the young director showed the film to maverick director John Cassavetes and got an instant earful of urgent advice. "It's crap," said Cassavetes in no uncertain terms, "now go out and make something that comes from your heart." Scorsese took the advice and focused his energy on Mean Streets, a riveting contemporary film about low-life gangsters in New York's Little Italy that critic Pauline Kael would later call "a true original, and a triumph of personal filmmaking." Starring Robert De Niro and Harvey Keitel in roles that announced their talent to the world, it set the stage for Scorsese's emergence as one of the greatest American filmmakers. Introducing themes and character types that Scorsese would return to in Taxi Driver, GoodFellas, Casino, and other films, the loosely structured story is drawn directly from Scorsese's background in the Italian neighborhoods of New York, and it seethes with the raw vitality of a filmmaker who has found his creative groove. As the irresponsible and reckless Johnny Boy, De Niro offers striking contrast to Keitel's Charlie, who struggles to reconcile gang life with Catholic guilt. More of an episodic portrait than a plot-driven crime story, Mean Streets remains one of Scorsese's most direct and fascinating films--a masterful calling card for a director whose greatness was clearly apparent from that point forward. --Jeff Shannon

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Customer Reviews

70 Reviews
5 star:
 (41)
4 star:
 (16)
3 star:
 (2)
2 star:
 (4)
1 star:
 (7)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (70 customer reviews)
 
 
 
 
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6 of 6 people found the following review helpful
5.0 out of 5 stars Overlooked and underappreciated, July 12 2004
This is a fantastic film, and I'm going to tell you why I think so, and by the time you finish reading this, you just might change your mind about it, or run out and have to see it.

The music is great. Perfectly fits the time period and setting, I dunno how much they had to pay in royalties for the songs in this film, but I love em'.

The camera work is fantastic. There's a scene where the camera gives you charlie's viewpoint, stumbling, wobbling across the bar, lights flashing, people dancing, music blaring, then zooms out to his smiling happy face. Then there's the filming of the street festival and the overall way which New York is captured so perfectly. It feels like you are really in the city, the movie has that gritty feeling to it.

The dialogue is great, many of it is ad libed by Deniro and Keitel. This is the beginning of ad libbed dialogue for deniro, the culmination being his speech in front of the mirror in taxi driver; "You talkin' to me"? There's a scene where Keitel confronts Deniro outside the bar to ask him about his debt, the exchange is perfect, it could never have been written and its executed beautifully.

The acting is also fantastic throughout.

So, great acting, great filmwork and great dialogue all come together to create a wonderfully realistic film.

Now, the end of the movie, maybe you didn't understand it, so I'll explain the film. I'll try not to spoil the ending.

Ok, so Charlie does some bad things, he works for the mob after all, and he wants to repent for his sins, so, after going to church and then later seeing jonny boy in a bar he thinks that God has asked him to repent for his sins on the streets, by helping out Jonny Boy. He doesn't believe that saying a few hail mary's or confessing washes away one's sins. So enter the walking train wreck that is Jonny Boy.

Now, what type of person is Jonny Boy? He has no sense of responsibility, he does not answer to anyone, he does not obey any rules, never does what is expected of him.

Hmm, so what type of person is Charlie? There are several scenes in the film that let you know what type of person charlie is. The statement Charlie loves everybody and everybody loves Charlie almost sums it up. Charlie wants to please everyone. But his life is full of conflict. You can't be in the mob and be religious, it just doesn't work that way. You can't hang out with guys who are racist and date an African American. These are just a few examples, but suffice to stay that Charlie wants everyone to like him, the local mob boss, his friends, his God, but he also wants to be happy and do the things he wants to do. There is conflict in all of this. Some of the other people that charlie wants to please, eg., God and the mob boss, have conflicting agendas. Some of the people that charlie wants to please conflict with what he personally wants to do with his life, eg. he is embarassed to be dating the epileptic because he thinks it shows weakness to his friends, but he loves her and she makes him happy.

You cannot please everyone. The irony of this film, and this is a little spoiler, is that while charlie is trying to save jonny boy, he should take a few lessons from him. Jonny Boy does whatever he wants without thinking about who he might upset, or disappoint. Charlie is the complete opposite. Yeah, Jonny Boy is destructive and his life is falling apart, but the point is that the two of them represent two opposite extremes. This is why the end of the film is tragic, its the lesson that you can't make everyone happy, that life is full of conflict, the conflict may be between different people in your life which you try to please, or between yourself and other people in your life. These basic conflicts and how we deal with them sum up who we are as human beings.

So there are many reasons why this film is great, I highly recommend giving it a second chance. I watch it every once in awhile and it really is one of my favorite films.

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1 of 1 people found the following review helpful
5.0 out of 5 stars Great first work!, April 14 2008
By 
Anyone who says that this film is stupid and that is has no point is themselves stupid. This film has a terrific flair and art-house quality that can only be found in the best independent films. Mean Streets is much less conventional than many of Scorsese's other films which is why there are reviews here condemning it for not conforming to a straight crime film trajectory. The film simply observes life in the slummier parts of New York city with an unflinching, direct cinema perspective. The film is best enjoyed by those familiar with european art cinema. Scorsese draws on conventions propounded by the french new wave, soviet montage and french poetic realism. If you are familiar with these terms and have not seen this film, this should be enough to entice you, or ward you off, depending on your convictions regarding European Art Cinema. This is a great first film and one of the better films in Scorsese's cannon.
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4.0 out of 5 stars Great movie about life on the street, May 31 2004
This review is from: Mean Streets (Widescreen/Full Screen) (DVD)
This movie is great mainly because of the acting of Robert Deniro. He is explosive in his role as Johnny Boy a degenerate who owes bookies and shylocks. His friend Charlie, played by Harvey Keitel tries to save him. Movie shows little Italy in the seventies and has an authentic NY feel.
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