1 of 1 people found the following review helpful:
5.0 out of 5 stars
Melmoth - The Anti-Quixote, July 11 2000
Maturin's "Melmoth the Wanderer" is a brilliantly constructed work of gothic fiction. One hundred years after Jonathan Swift, Maturin takes up his Irish predecessor's gift for harsh, even malevolent satire against any and all offenders - organized religion, government, lovers, warriors - even making broad, devastating comments on humanity in general. Maturin and his characters are quick to point out that this is not 'Radcliffe-romance' gothic, in the direct style of works like "The Mysteries of Udolpho". They are right. Rather than the seemingly landscape-obsessed, rationalistic Radcliffe, Maturin takes his direct gothic influences from the claustrophobic psychological terrors of Godwin's "Caleb Williams," Lewis' "The Monk," and M.W. Shelley's "Frankenstein."
Unlike "The Monk," however, Maturin's novel does not rely heavily on Lewis' supernatural machinery (ghosts, demons, bleeding nuns, etc.). Instead, he offers several apparently unconnected stories that concentrate on families in desperate straits and individuals in extreme crises, pushing the limits of man's inhumanity to man. The connecting element, the wild card with the wild eyes, that pops up just when the characters most/least need him, is Melmoth the Wanderer.
"Melmoth" also draws heavily from Cervantes' "Don Quixote," which provides a great point of comparison for the main character. Where Don Quixote was a wandering knight, pledged to help the helpless, Melmoth is a wandering agent of evil, whose mission is to prey on the helpless. Melmoth has 150 years to tempt the indigent and desperate into selling their souls for wealth, power, or simple relief, and trading places with him.
Again looking backward to "Quixote" and forward to Stoker's "Dracula," "Melmoth" is also heavily concerned with it's own construction as a text. The various stories are pieced together by eyewitnesses, interviewers, and ancient manuscripts, often at several removes from their originals. There is even one gentleman in the novel who is collecting material to write a book about Melmoth the Wanderer.
This is not a book for everyone. Maturin often provides almost excessively long preludes before any action occurs in his nested narratives. The traumas he inflicts on Melmoth's targets can drive you to the point of insanity yourself. However, if you are a admirer of the psychological thriller without all the show of your standard gothic-terror text, "Melmoth the Wanderer" is sure to keep you busy for days, if not weeks.
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1 of 1 people found the following review helpful:
3.0 out of 5 stars
This book is deep, deep stuff, Dec 31 1998
By A Customer
Only the strongest minds should enter on grounds of this book. Very difficult to read some amazing strong areas, but some very very dull reading to get to them. Peter Tremayne said " I was fourteen years old when I first discovered a copy of Melmoth the Wanderer in my fathers library and tried to read it. 'tried' because I was obviously not sufficiently mature to understand the complexities of that masterpiece of gothic horror. My adult well educated, and well read mind could barely fathom this book.
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5.0 out of 5 stars
"He will certainly be damned-"..., Dec 1 2000
Melmoth was presented with an oppurtunity perhaps a bargain to "...go conquering and to conquer,..." the world ageless and omnipotent for 150 years. However, at the end of this hourglass, like Faust, he must enter the folds of his dealer. Melmoth the wanderer is a cursed man. He hasn't choices yet chooses.
Maturin holds mirrors at the world reflecting vertiginous glimpses of beauty, injustice, greed, malice, and fear somehow marrying them all. Melmoth is a questioner and his actions are the answers. Convolutions are real. Beliefs wed and divorce. Men fear what they consist.
A vast novel well worth the read. Alchemic, Poe, the sea, olive green winds...
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