Memoirs of Montparnasse is a delicious book about being young, restless, reckless, and without cares. It is also the best and liveliest of the many chronicles of 1920s Paris and the exploits of the lost generation. In 1928, nineteen-year-old John Glassco escaped Montreal and his overbearing father for the wilder shores of Montparnasse. He remained there until his money ran out and his health collapsed, and he enjoyed every minute of his stay. Remarkable for their candor and humor, Glassco’s memoirs have the daft logic of a wild but utterly absorbing adventure, a tale of desire set free that is only faintly shadowed by sadness at the inevitable passage of time.
Memoirs of Montparnasse (New York Review Books Classics)
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"It's wonderful to see John Glassco's charming Memoirs of Montparnasse getting the international recognition it deserves. Like its author -- whom I knew quite well in the 1960s -- the book is a loveable and eccentric rogue, fond of style and up to mischief. It never fails to entertain." -- Margaret Atwood
"Memoirs of Montparnasse is one of the most joyous books on youth -- the thrill and the gall and the adventure of it. It is also one of the best books on being in literary Paris in the 1920s." --Michael Ondaatje
"[Memoirs of Montparnasse] should be read and at last recognized as the most dramatic of the many narratives dealing with Paris in the 1920's." --The New York Times
"The title calls to mind a whole genre of books...But Glassco's book, published from a manuscript nearly forty years old, is fresher and truer to the moment than the others, as well as being more novelistic and, in a sense, legendary."--The New Republic
"A very good book, perhaps a great book." --The Washington Star
"The best book of prose by a Canadian that I've ever read." --Montreal Gazette
"This is a delightful, on-the-spot report of the days when it was still possible to be very young, very hip and very happy all at the same time...this precious, witty document from a long-vanished younger generation has both the freshness and remoteness of some ornate space ship found intact in a forgotten tomb." --The New York Times
"Memoirs of Montparnasse is one of the most joyous books on youth -- the thrill and the gall and the adventure of it. It is also one of the best books on being in literary Paris in the 1920s." --Michael Ondaatje
"[Memoirs of Montparnasse] should be read and at last recognized as the most dramatic of the many narratives dealing with Paris in the 1920's." --The New York Times
"The title calls to mind a whole genre of books...But Glassco's book, published from a manuscript nearly forty years old, is fresher and truer to the moment than the others, as well as being more novelistic and, in a sense, legendary."--The New Republic
"A very good book, perhaps a great book." --The Washington Star
"The best book of prose by a Canadian that I've ever read." --Montreal Gazette
"This is a delightful, on-the-spot report of the days when it was still possible to be very young, very hip and very happy all at the same time...this precious, witty document from a long-vanished younger generation has both the freshness and remoteness of some ornate space ship found intact in a forgotten tomb." --The New York Times
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Customer Reviews
Most helpful customer reviews
2 of 2 people found the following review helpful
By Shadow Woman
Format:Hardcover
John Glassco writes about the Paris arts scene of the 1920s, telling the story of an artist as a young man. It's not always true, but it is always fun, as fiction and autobiography blend to create a good read. Has all the sex, boozing and pathos that was typical of 1920s Paris as its been memorialized in literature, whether that's a good thing or not is for you to decide.
0 of 1 people found the following review helpful
By lilibo
Format:Paperback
Je suis très satisfaite de mon achat qui est arrivé rapidement ,bien emballé .j'aime beaucoup le professionnalisme d'amazon.ca
Merci beaucoup et à une prochaine fois.
Merci beaucoup et à une prochaine fois.
Most Helpful Customer Reviews on Amazon.com (beta)
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5.0 out of 5 stars
9 reviews
30 of 31 people found the following review helpful
5.0 out of 5 stars
Unintentional Masterpiece
July 16 2000
By Chris Yanda
- Published on Amazon.com
Format:Paperback
It was 1927; John Glassco was 17 when he left Montreal to go to Paris with the intention of becoming a famous writer. He kept a journal of his life there for the next five years. He was convinced he was a genius who would one day produce a masterpiece. The irony is that the masterpiece turned out to be these memoirs edited and published when he was 59.
26 of 29 people found the following review helpful
5.0 out of 5 stars
Enjoy yourself (it's later than you think)
Aug 24 2008
By J. W. Reitsma
- Published on Amazon.com
Format:Paperback
It's good to see that John Glassco's hilarious if not always reliable memoir of his youthful exploits in Paris is back in print. From what I gather, this edition includes an introduction that comments on the fictitiousness of some events described in the book and its real date of composition. (I'll give you a clue: it's later than you think.) So I would like to exhort everyone and anyone with an appetite for stories about the good old days in Paris, when James Joyce, Ernest Hemingway and Gertrude Stein roamed freely, to pick up this book and enjoy themselves.
However, you should bear in mind that around 25 per cent of it is fiction. Also, if you really want to know who's who, you are better off with the 1995 OUP edition with notes by Michael Gnarowski. This contains a good introduction and reveals the real identity of many thinly veiled characters in an appendix. (Djuna Barnes' lover Thelma Wood is renamed Emily Pine - you get the idea.) But if you are less detective minded than me, I guess this new edition will do just fine.
For further reading, I warmly recommend Being Geniuses Together by the very outspoken Robert McAlmon, with later material interpolated by Kay Boyle, yet another unreliable narrator. Both of these memoirs are infinitely more entertaining than Stein's The Autobiography of Alice B. Toklas or Hemingway's maudlin A Moveable Feast. The last of these was hailed as a return to form, but I believe it contains much material that was actually written *earlier* than you'd think. Quite the opposite of Glassco in that respect!
However, you should bear in mind that around 25 per cent of it is fiction. Also, if you really want to know who's who, you are better off with the 1995 OUP edition with notes by Michael Gnarowski. This contains a good introduction and reveals the real identity of many thinly veiled characters in an appendix. (Djuna Barnes' lover Thelma Wood is renamed Emily Pine - you get the idea.) But if you are less detective minded than me, I guess this new edition will do just fine.
For further reading, I warmly recommend Being Geniuses Together by the very outspoken Robert McAlmon, with later material interpolated by Kay Boyle, yet another unreliable narrator. Both of these memoirs are infinitely more entertaining than Stein's The Autobiography of Alice B. Toklas or Hemingway's maudlin A Moveable Feast. The last of these was hailed as a return to form, but I believe it contains much material that was actually written *earlier* than you'd think. Quite the opposite of Glassco in that respect!
22 of 24 people found the following review helpful
5.0 out of 5 stars
Memories
July 7 2004
By Shadow Woman
- Published on Amazon.com
Format:Hardcover
John Glassco writes about the Paris arts scene of the 1920s, telling the story of an artist as a young man. It's not always true, but it is always fun, as fiction and autobiography blend to create a good read. Has all the sex, boozing and pathos that was typical of 1920s Paris as its been memorialized in literature, whether that's a good thing or not is for you to decide.
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5.0 out of 5 stars
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