Memory in Death
|New from||Used from|
Customers Who Viewed This Item Also Viewed
No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer.
To get the free app, enter your e-mail address or mobile phone number.
From Publishers Weekly
After clashing with clones and killers in last year's Origin in Death, New York City police lieutenant Eve Dallas ("Her eyes were the color of good, aged whiskey and were long like the rest of her. And like the rest of her, they were all cop") settles back into a more conventional mystery. In December 2059, a mysterious woman shows up in Eve's office claiming to be her "mama." It's Trudy Lombard, the cruel foster mom who took nine-year-old Eve in after Eve killed her abusive father. Trudy made Eve take cold baths and locked her in closets, among other torments, and now Trudy wants Eve to pay $2 million to keep her past a secret. Readers of the series will know how Roarke, Eve's rich, deadly husband, handles the situation; he tosses Trudy out on her ear. When Trudy is found murdered the next day, it's up to Eve to catch the killer and prove that neither she nor Roarke was behind the bludgeoning. All the action takes place over Christmas, and Eve, being Eve, complains about the foolishness of the holiday, but Roarke et al. continue to slowly teach Eve the virtues of love, family and friendship. This is number 22 in a series that still manages to feel fresh. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Sheer entertainment. GUARDIAN --This text refers to the Paperback edition.See all Product Description
What Other Items Do Customers Buy After Viewing This Item?
Top Customer Reviews
Actually, all the characterizations were well done. As the 22nd book in the series, the characters could all have become really flat, relying on earlier character traits to justify their actions and relationships, but they weren't. Even the minor characters clearly had their own personalities and backstories, and as a character-driven reader, it made me a happy little page-turner. On occasion, Eve would say something to irritate me, but it was always in character and usually some small detail that would have blown over by the time I flipped the page.
The mystery moved along at a nice pace, fast enough that things seemed to keep happening, but not enough to overwhelm me with details. I did find the whodunnit part predictable, having worked it out for myself fairly early on in the story, although to be fair, Eve had things more or less figured out sooner than I thought she would have, considering the length of the book. Being a police officer, though, she had certain channels she had to go through to get the evidence to back up her conclusions, something the reader doesn't have to do.
The story doesn't end with a "happily ever after;" it's a bittersweet sort of ending, which I simultaneously like and dislike.Read more ›
Seems that there had been a company party with refreshments primarily consisting of liquor and chemical packages. Enough to make Santa try to fly over the chimney tops. While Eve well knew she couldn't pin murder on the drug seller, she thought she could get him for something. He was found at Zero's, which was one step up from a dive with revolving bar and private cubicles. The provider is Zero himself, a pint size package of bravado in a loud suit.
Once Eve and Peabody take him in, it is Peabody who interrogates and gets him to give himself up. Case is almost closed, but Eve isn't there to see about it because she has an unexpected and unwanted visitor in her office - Trudy Lombard, her former foster mother, a woman who enjoyed raining insults and abuse on nine-year-old Eve. At the sight of her Eve crumbles as memories of her desperate childhood surface. She tells Trudy to get out and bolts for the safety of home.
Once there Roarke is as protective as ever, vowing not to let Trudy upset Eve again no matter the cost. "Cost" is the operative word as the next day Trudy appears at his office demanding 2 million or she'll tell the media all about Eve's childhood. Of course, Roarke gives her the boot in no uncertain terms.
A day or two later Eve and Roarke go to the hotel where Trudy is staying. Eve wants to confront the harridan herself just to prove that she can do it and not let the destruction of the past resurface to frighten her.Read more ›
Most Helpful Customer Reviews on Amazon.com (beta)
When Lt. Dallas walks back into her office at Central she finds a middle aged lady that she doesn't at first recognize - she buried the memory of this woman - Trudy Lombard, former foster mother who was anything BUT a nurturing type. Darkness and cold baths flash Eve back and cause her to throw Trudy out as Trudy makes sly insinuations. Eve forewarns Roarke at home and sure enough the next day, Trudy goes to him to try to blackmail him for two million dollars for her to keep quiet about Eve's past. Of course, Roarke will have no part of that and puts the "fear of God" into Trudy who rushes away - still plotting and planning.
Eve and Roarke spend some time together Saturday preparing for a Christmas party that night for over 200 hundred people. Eve even gets into the swing of things helping supervising the decorating of the ballroom and finding she can handle a more "domestic" type of task.
Eve and Roarke decide on Sunday to go visit Trudy at her hotel and explain that they will not give in to her blackmail and so that Eve can confront her with confidence. They find Trudy's son Bobby's wife banging on the hotel door. They have a maid open it and Trudy is found dead!! While Eve and Roarke are not suspects as they were surrounded by people at their party, a host of other possible suspects including other former foster children are soon added to the list. Eve has sentimental feelings for Trudy's son Bobby as he used to sneak her food but she does not let that get in the way of her investigation.
As Eve deals with her memories and finding Trudy's killer, she and Roarke also share happy times at Christmas and she grows closer to Dr. Mira and her family as well. A wonderful story and actually a welcome break from the previously more gory "Origin in Death".
In brief, Trudy Lombard who was once Eve Dallas's foster mother, an abusive and sadistic woman, catches the news about the Icove case which features the primary Eve Dallas, married to the fabulously wealthy Roarke. Resolved to be repaid for having housed Dallas for a few months, Lombard comes to New York City with intent to blackmail Dallas and Roarke so she will be silent about Dallas's traumatic childhood. Though Dallas is badly shaken and spun into the black well of her traumatic childhood memories, she rejects Lombard, as does Roarke whom the woman later approaches. The action of the novel commences when Dallas and Roarke set out to Lombard's hotel to face her down together and discover her murdered with her body showing signs of a severe beating.
Fans of J.D. Robb are doomed to disappointment if they come to Memory in Death expecting the tension and bloody trails that are the hallmark of previous novels or even the philosophical musings that are the subtext of Origin in Death. Instead, Memory in Death mirrors the slowing down of business activity-even cop business-that occurs as Christmas nears; thus, it pays homage to the Christmas season in spite of its unorthodox opening with the death of a party Santa.
Though restraining the central characters to the investigation of one murder, Robb retains the sense of the diurnal occurrence of murder by having other investigative officers report in to Dallas on the progress of their cases. This is something that she has seldom done even though readers sometimes hear about the case-load of a regular like Baxter. Thus, Robb slows down the pace, reduces the frantic urgency, and so sets the stage for what Christmas is about: loved ones, family, and friends.
In a sense, the novel is a Christmas home-coming for the regulars, almost all of whom are present at the party, and who are like family to Eve Dallas and Roarke. The party itself, like Dallas's later conversation with Peabody when she calls from Scotland, is given too short shrift, and this undercuts in some slight way to holiday celebration.
One of the benefits of the slow pace of Memory in Death is that it allows for the development of relationships, such as that between Dallas and Charlotte Mira. The Miras are shown, through Charlotte's conversation with Eve, to be a warts and all less than perfect couple. The result is that Dallas, who struggles periodically with roles and the interpersonal aspect of marriage, is reassured that perfection is unlikely. Mira continues to teach Dallas about marriage, family, and friendship.
If Feeney is Dallas's surrogate father, Charlotte Mira is her surrogate mother and friend who cares enough to plead for them to remain friends. Dallas's lack of ease with personal relationships outside of her marriage and the work situation, even her hardness, is highlighted by Mira's plea. In the mushy grounds of disagreement, love, anger, and exchange that is friendship, Dallas is often lost. Happily for her sake, Charlotte Mira helps her find her way back. Dallas's discomfort is also shown in the abrupt way she dismisses Peabody who calls from her Scotland visit with McNab's relatives. Moreover, some of the sticks-in-the-craw dirt comes out in a fight between Eve and Roarke which makes them an even more realistic couple because Dallas vents her envy that Roarke's family situation turned out so well for him. The dust up between the two and its resolution reminds that envy and anger can bubble up against even those we love.
At the heart of the novel is the rich irony that Trudy Lombard, who, in life, had psychologically abused her female foster charges, in death is the subject of an equally psychological murder investigation. Call it a consequence of the Christmas slow down or what you will, it is undeniable that Memory in Death is not action-driven but more focused on the detailing of the deductive reasoning process that is so crucial to the resolution of criminal cases.
The characters of Bobby Lombard and his wife Zana make the novel work on several different levels. For one, Bobby is the vehicle through whom Dallas realizes that not all of her childhood memories are horrific. Though Bobby Lombard did nothing openly to stem his mother's abuse of her foster girls, he compensated by sneaking Eve food when Trudy punished her by withholding food. In looking backwards, Dallas's experience with the neighbor's boy's airskate foreshadows the tough-minded woman who is unafraid of taking physical shots in the performance of her duties. In remembering him, Eve recalls that what prompted her flight from Trudy Lombard's house was her failure to stand up for the boy, who had been kind to her, when Trudy Lombard falsely accused him of vandalism. For another, Bobby is also cause of Dallas's realizing that true love is not blind to the faults of the beloved. The ability to see the strengths and weaknesses, even the pettiness of the beloved is critical to the formation of a strong bond between a couple. Through Zana come some of the detours that add some measure of suspense, even drama, to this slow paced novel. The philosophical issue at the core of the novel is raised through the Lombard family; through them Robb forces her readers to question whether it is ever possible to say that one knows a person. Certainly, Bobby knows neither his mother nor his wife. This then raises the concomitant issue, if we cannot and do not know whom we love, then can we really love them?
Though there are head feints to prevent the resolution of the crime, none is strong enough to counteract what Dallas's gut tells her about the identity of the murderer. Nevertheless, she cannot go on gut alone but must still build the case so that it leads to a sustainable arrest, must still has to follow the evidentiary trail and employ deductive reasoning to close the case.
Through Dallas's insistence on standing for Trudy Lombard who abused the young Eve Dallas, Robb reveals the strength of character of both the protagonist and her husband Roarke. Even though Dallas despises Trudy and has no real enthusiasm for the case, she still pursues the investigation to its conclusion. This integrity in the face of provocation-the memories of abuse which would argue against Dallas pursuing Lombard's killer or rejoicing in her death-is reflected in Roarke who, though he would kill those who have harmed/would harm his wife, will not engage in action that would destroy Dallas and their relationship. This, integrity of character, then, points to their suitability for one another.
Nevertheless, in the end, Dallas is almost despairing, which mood Robb builds through a judicious depiction of character, use of language and context. Other in Death novels have ended on a cheerier note; this one forces it. In the end, though, Robb has the wisdom to let her readers breathe, to relax a little after the high strung tension and ethical horror she depicts in Origin in Death.
Great reading. Make sure and buy it.
What I considered interesting was the revelation of Eve's past as a foster child and how CPS failed to help a child in trouble and placed the child with Trudy, who was more of a professional money-collector than professional-mom for foster children.
However, fitting to Christmas spirit, everything turns out well for Eve and Roarke, for Peabody and McNabb and all the other important and less important characters in this book. Also, it shows that even if you have had a horrible childhood and have bad memories, you can still turn out to be a good citizen and have a great life when you're grown up.