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Mercy Among the Children
 
 

Mercy Among the Children [Paperback]

David Adams Richards
3.9 out of 5 stars  See all reviews (20 customer reviews)
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Transpose Thomas Hardy's Jude the Obscure to New Brunswick's rugged Miramichi River. Surround Job with loose fists, malicious boots, and cold, gallon wine. Invite the Macbeths over for drinks. Add a lame dog named Scupper Pit and you've got the raw ingredients of David Adams Richards's Mercy Among the Children. Set in an isolated, wind-besieged house with bullet holes in the tarpaper walls, Richards's novel wonders-- pointedly, beautifully--whether goodness is merely a luxury.

At the age of 12, having borne more suffering in his child's body than any adult should endure, Sydney Henderson vows never to harm another human soul. Turning his back on the violent alcoholism of his upbringing, self-educated Sydney wins the honest respect of the beautiful Elly and the children they bear. Honest respect, however, is rarely a match for fear and base human opportunism. Manipulated, attacked, and abused by a small community eager for a scapegoat, Sydney loses his job, the health of his wife, and, most importantly, the respect of his son Lyle. "There is no worse flaw in man's character," Richards knows, "than that of wanting to belong."

The superb, controlled, and unapologetic Mercy Among the Children is nothing less than an inquiry into human strength. Richards uses the crack of ribs on a frigid night to remind us of the opportunistic populism of much so-called morality. Mercy, which shared Canada's premier fiction award, the Giller Prize, with Michael Ondaatje's Anil's Ghost, combines the hound dog's attention to locale of fellow Maritimer Alistair MacLeod with the quotidian insight of countryman Timothy Findley's The Wars, especially its reminder that the emotions behind war also drive fights over who should scrub the dinner dishes. --Darryl Whetter

From Publishers Weekly

Unrecognized yet in the States, Canadian author Richards should win new readers here with this stark and affecting novel. A working man living in a shack in the "Stumps," an area of New Brunswick dependent on timber and tourism, Sydney Henderson has the unfortunate knack of arousing hostility among his neighbors by the unconscious display of his virtues. As a child, he was beaten by his father, sexually abused by his priest and once nearly killed a playmate. Out of such experiences he has forged a Tolstoyan moral credo, educating himself in literature and art and refusing to meet violence with violence. When Sydney marries Elly Brown, who is judged too beautiful to be matched with the town's poverty-stricken outcast, the scapegoating gets worse. Rebuffed by Elly when he attempts to rape her, a vindictive Stumps resident joins a scheme that eventually causes Sydney to be blamed for crimes he hasn't committed, including manslaughter and child abuse. The novel is narrated by Sydney's son, Lyle, who, in opposition to his father's stoic pacifism, craves revenge. In trying to exact it, he becomes feared, but is inwardly polluted. Worse, he injures those he loves most. The dogged narration takes some time to acquire dramatic tension, but eventually its unflagging rhythm becomes addictive. Though some readers may recoil from the book's frank depiction of pervasive poverty, Richards shows how powerfully the novel can operate as a mode of moral exploration a fact sometimes forgotten in the age of postmodern irony. (Oct.)Forecast: Richards's novel won Canada's 2000 Giller Award (shared with Ondaatje's Anil's Ghost), and critical attention should give it a boost here, too. Arcade is ordering a 35,000-copy first printing and sending Richards on a four-city author tour.

Copyright 2001 Cahners Business Information, Inc.

--This text refers to the Hardcover edition.

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20 Reviews
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 (5)
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Average Customer Review
3.9 out of 5 stars (20 customer reviews)
 
 
 
 
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12 of 12 people found the following review helpful
5.0 out of 5 stars the truth DOES matter!, Feb 11 2002
This is among the very best fiction I have read in a long long while. And yet, it was given to me by a friend who could not endure reading any further than the first few chapters. I think it is the kind of story you either love or hate, it is dark and frustrating and definitely not a "feel-good". I can see how some could feel smothered and weary with the relentless pessimistic Hardyesque fatalism that Richards marinates this thing in... it's like Jude The Obsure meets the biblical Book of Job! But I like Hardy. And Job for that matter! So I did not mind the constant question that revolves in "Mercy" which is, "How is the Henderson family going to survive the terrible injustice, shame and misfortune that is hurled against them?" Does truth matter?

Set in rural New Brunswick, Lyle Henderson, now nineteen years old, narrates the history of his family... the misfortune and ostracism that began with his grandfather and was passed on down to Lyle's father Sydney. At the age of twelve, an accident happens and Sydney, mistaking his friend for dead and believing himself responsible, makes a rash vow to God. If the boy lives, Sydney will never harm another living soul. The boy gets up and walks away. Lyle's recollections chronicle the result of Sydney's radical superhuman commitment to an unlimited "turn-the-other-cheek" pacifism. Sydney subjects himself, and in turn, subjects his family to a life of utter poverty and ridicule in the face of escalating accusations and abuse that come from a community that is only too willing to take advantage of his non-resistance. As Lyle says at one point "My mother and father's dreams were always dispensable to certain people, who for some reason believed that they themselves and their dreams were indispensable."
Sydney's life-philosophy is this: "No one can do an injury to you without doing an injury to themselves." And secondly, "In man's heart is the only truth that matters."
For the bulk of the book Richards does a tremendous job of showing us the frustration that comes from trying to actually live out the implications of Sydney's philosophy. Because here, as in real life, love and power are diametrically opposed. He who loves the most has the least power, and we find ourselves at times siding with Lyle... who is terribly sick of being trampled. But what's the alternative? To become a villain? It's not until the story comes full circle that we nod in agreement with Constable Delano, when he concludes about the Henderson family "The truth does matter!" You will be surprised at how much it matters.

What a profound and deeply moving, beautifully crafted book. You will love the victims, and you will loathe the villains. But, even some of the villains you will learn to love (or at least pity), because in the end, there is mercy among the children.

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7 of 7 people found the following review helpful
5.0 out of 5 stars Remarkable!, Jun 10 2002
By 
Charlotte Vale-Allen (CT USA) - See all my reviews
(REAL NAME)   
Here is a book about poverty, both of the spirit and of the pocket. Written in spare, tidy prose with exceptional characterizations, it is a dark tale periodically shot through with veins of pure gold; moments of such exquisite sweetness (in the character of little Percy, or the aging but quietly heroic Jay Beard) that they are painful. There is nothing stock about the narrative or about the characters who are among the most fully realized I've ever read. The good people (the Hendersons) are all forgivably flawed in some small way. And the bad people are understandable in their angry manipulations, in their negative strengths and human weaknesses. This is not light reading but it is potent and powerful, an evocation of the lengths to which the very poor can be driven. Lyle Henderson, son of the Job-like Sydney, narrator of the family history is a most believably tortured and loving soul. One hopes, throughout this book, for affirming moments that never materialize. Yet there is such truth here that I found it impossible not to keep reading.

I am dismayed that I didn't know of the award-winning David Adams Richards before reading this book, but I will certainly be reading his other books at the first possible opportunity. The author's talent is rare and wonderful; his eye is clear and he wastes no time on frilly adjectives. This is prose (and truth) at its purest--a truly remarkable achievement.

My highest recommendation.

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6 of 6 people found the following review helpful
5.0 out of 5 stars Not just for laughs., Feb 13 2003
This review is from: Mercy Among the Children (Paperback)
There is a quote, that I must have picked up somewhere, that says that you can tell art is good when it stays with you. When those scenes from a certain film, that line of poetry, or that section of a novel comes back into your head time and time again - it's a sure sign that the work is great.

For me this is one of those books. The number of times it has come into my life and my thoughts I cannot count.

I think it might have broken my heart.

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