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Mercy Original recording remastered
|Price:||CDN$ 9.97 & FREE Shipping on orders over CDN$ 25. Details|
Frequently Bought Together
Customers Who Bought This Item Also Bought
|1. Political World|
|2. Where Teardrops Fall|
|3. Everything Is Broken|
|4. Ring Them Bells|
|5. Man In The Long Black Coat|
|6. Most Of The Time|
|7. What Good Am I?|
|8. Disease Of Conceit|
|9. What Was It You Wanted|
|10. Shooting Star|
Daniel Lanois brought as much imagination to the production on this 1989 LP as Dylan did to the images and poems within these striking songs. Lots of gems to be discovered here: Everything Is Broken; Ring Them Bells; Disease of Conceit; Shooting Star; Most of the Time; Political World , and more!
The '80s was a particularly shifting, uncertain decade for Bob Dylan's creative voice. But he capped it off with his first album of all-original material in several years and his best since Infidels. A lot of the credit for Oh Mercy's distinctive appeal has been given to producer-musician Daniel Lanois (who backs Dylan on all but one cut), and there's no denying the effect of his magnetic, fog-thick sound sculpturing here. Overlays of lap steel, dobro, and mercy keys along with a slithering subterranean bass evoke a complete sonic climate, and the synergy between Lanois and Dylan would have a huge payoff with 1997's devastating Time Out of Mind. But however tightly produced, Oh Mercy also displays Dylan at the peak of his songwriting craft, fracturing words and phrases for the things-fall-apart jeremiads of "Political World" and "Everything Is Broken" and stringing images together for the noirish ballad "Man in the Long Black Coat." There's the usual dichotomy between Dylan's slashing accusatory mode ("What Was It You Wanted") and the self-effacement of "What Good Am I?" Aside from the miscalculated, sappy "Where Teardrops Fall" (the disc's sore thumb), this album has the classic staying power of Dylan's finest efforts. --Thomas May --This text refers to an out of print or unavailable edition of this title.
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Top Customer Reviews
Since this album was released in 1989, the song Everything Is Broken now seems to be prophetic and truer than ever. The arrangement stands out, as well as the impressive instrumental textures. With its appealing organ touches, the slow song Ring Them Bells has an anthemic quality and gospel undertones.
The atmospheric story-song Man In The Long Black Coat is followed by the introspective Most Of The Time, a reflection upon lost love and lingering memories. What Good Am I is similarly sad and reflective with thought-provoking lyrics, and the same goes for Disease Of Conceit.
I love the appearance of the harmonica on some of the songs like Shooting Star; it reminds me of his legendary 1960s work. With its heavenly melodies, evocative imagery and inspired production by Lanois, Oh Mercy is Dylan at his very best.
This is a man finding his form even as the eighties tried to steal the soul of the songs. It starts off with Political World a decent song that is a little repetitious. The When Tear Drops Fall which is a ballad. It really hits it's stride on track four Ring Them Bells. This song features just a piano and it soars. It has great honesty and smart lyrics and a great melody. Then Man In The Long Black Coat follows it. A great sing songy, almost spoken melody that hits deep. And then the greatest song he recorded in the eighties Most Of The Time. Produced by Daniel Lanois, this track almost feels like it should have been done by U2. It's melody is carried by a tasteful synth that adds rather than overloads the track. There is a great amount of subtlety to song and it makes me listen over and over.
What Was It You Wanted and Shooting Star are also fantastic.
By 1989, when OH MERCY was released, a lot of people had given up on Dylan. Ever since 1983 with Infidels, a decent enough record but one marred by deleting the best tracks recorded at the sessions, Dylan floundered in a wasteland of rather bizarre, very dated production techniques and some just atrocious records. The overall critical consensus (one that I disagree with), finds the 1985 EMPIRE BURLESQUE a poor release. Personally, I think EB is a great record. KNOCKED OUT LOAD, DOWN IN THE GROOVE, and the live DYLAN & THE DEAD were all panned, and for good reason. The Dylan/Dead tour of 1987 was also lambasted by critics and fans alike. The shows where so shambling and Dylan and the Dead so out of it that they were barely listenable. Dylan was at his all time lowest professionally.
In steps Daniel Lanios of U2 fame. He is known for atmospheric, moody music, and, like Phil Spector, has a very definitive "sound" that he brings to all his projects, regardless of the artist. While Dylan would later on express dissatisfaction with Lanois's sound on their second collaboration, TIME OUT OF MIND, Lanois made Dylan's music sound artier and more sharply produced than it had been in decades.Read more ›
Anyway, much of the credit goes to Lanois of U2 fame. For once, Dylan's lyrics sound focused and forceful, singing wiht conviction about politics, Israel (with the Man in a Black coat being a rabbi), two relationship songs and one questioning the narrator's self-worth. The rest of the material stands out as well, proving Dylan's inspiration could still ring true. One thing I'd disagree with, which is the disc's sore thumb being "Where Teardrops Fall", which I personally like.
My complaints are three. I personally think the placement of "Disease of Conceit" ruins the running order of this, with songs 7, 8, and 9 being, at least to me, being of the same type and something of a song cycle with the mood they create. It should have been placed before "Most of the Time", which stands as one of Dylan's best "painful" songs.Read more ›
Most recent customer reviews
I love this album. I don't think any of the tracks are "weak" as stated in one of the other reviews. Read morePublished on Nov. 11 2011 by purringmorris
First of all I am a Bob Dylan fan. I have heard every album and some I hate and some I loved and now I hate. Read morePublished on Nov. 4 2011 by Hohenbalken
This CD was Bob Dylan's comeback in the late 80's (1989 was the year it first came out). It was the first time Dylan worked with Canadian producer Daniel Lanois (Who also produces... Read morePublished on Feb. 13 2007 by Stephen Bieth
I was scanning more recent Dylan tunes for a birthday gift of a long time Dylan fan - who only had the early days on disc. Read morePublished on June 29 2004
I was scanning more recent Dylan tunes for a birthday gift of a long time Dylan fan - who only had the early days on disc. Read morePublished on June 29 2004 by Seadancer
This is the first of two Dylan albums produced by Daniel Lanois. Lanois definitely puts his stamp on everything he produces: Peter Gabriel's SO, Robbie Robertson's first album,... Read morePublished on June 26 2004