Messenger of Truth: A Maisie Dobbs Novel Paperback – Jun 12 2007
|New from||Used from|
Frequently Bought Together
Customers Who Bought This Item Also Bought
No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer.
To get the free app, enter your e-mail address or mobile phone number.
From Publishers Weekly
Starred Review. Broadway and television veteran Cassidy continues the subtle, sharp vocal performance that earned her awards for the audio version of Winspear's last Maisie Dobbs mystery, Pardonable Lies. There's a lovely, old-fashioned lilt to Cassidy's reading, reminding listeners of the period (it's now 1931 in an England haunted at every level by the war that officially ended 14 years before). There's still a class battle going on, one that Maisie has straddled because of her unique background: a child of London's working class, put into service at 14, then rescued by a patroness who recognized her intelligence and sent her to study at Girton, Cambridge University's pioneering college for women. So Maisie can treat her working-class East London assistant with the same ease and understanding as she handles her current client—a woman from a wealthy, eccentric family whose twin brother, an important artist, was killed in a supposed accident. The bonus interview at the end with Winspear makes listeners realize how similar a mindset Maisie and the author possess. Cassidy and Dobbs are a match made in audio heaven.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Class divisions and the trauma of war are compelling themes in Winspear's fourth offering featuring psychologist and investigator Maisie Dobbs (following Pardonable Lies, 2005). Dobbs, who earned a degree from Cambridge and served as a nurse during World War I, employs both meditation and intuition to crack difficult cases. (Her suspicions are often manifested in a "sensation at the nape of her neck, as if a colony of ants were beating a path from one shoulder to the other.") The novel opens in late 1930, as Georgina Bassington-Hope, a well-to-do former wartime journalist, consults Maisie following the death of her twin brother, Nick, a painter commissioned to design war propaganda after sustaining injuries in combat. (Georgina doubts police reports that claim her brother fell from scaffolding while installing a major exhibition at a local gallery.) As Maisie searches for clues among Georgina's relatives, she grows increasingly troubled by the family's shameless extravagance during trying economic times. A cast of vivid characters and plenty of rich period detail boost Winspear's somewhat lethargic plot. Allison Block
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
Inside This Book(Learn More)
What Other Items Do Customers Buy After Viewing This Item?
Top Customer Reviews
Voice performer Orlagh Cassidy narrated the second in the series, Pardonable Lies, and for this she won and AudioFile Earphones Award. She gives another award winning performance with her narration of Messenger of Truth. She has that rare ability to give life to individual characters with a vocal nuance, and perfectly capture the accents of 1930s England. She's a pleasure!
As many will remember Maisie is an investigator and in this, the fourth in the Maisie Dobbs series, she's retained to investigate the death of well known artist Nick Bassington-Hope. Nick died when he fell while hanging one of his works of art for an exhibition relating to the Great War. The question is, was his death an accident or was it planned by someone who pushed him as he worked?
Maisie is hired by Nick's sister who isn't willing to accept Scotland Yard's decision that it was an accident. This investigation takes Maisie, who came from humble beginnings as a housemaid, into a strata of society with which she is not familiar.
The author's portrait of postwar England is well worth the listen; the mystery is frosting on the cake.
- Gail Cooke
Most Helpful Customer Reviews on Amazon.com (beta)
Using straight-forward, workmanlike prose, author Jacqueline Winspear develops the story and a motley cast of characters which offers a broad cross section of the society between world wars--from the wealthy Bassington-Hopes, who can afford to be frivolous in their arty lives, to the family of Billy Beale, a poor man who supports his large family as Maisie's assistant. The exotic world of artists, gallery owners, and buyers, comes alive, as does the world of fishermen on the Kentish coast, where Nick Bassington-Hope has his studio, and the reader quickly develops an awareness of the stratification pervading society and the concern for one's "place" in it.
As Maisie begins her investigation of Nick's death, Winspear juggles several overlapping plot threads simultaneously. Nick's exhibition was to feature his "masterpiece," thought to be a triptych about his experiences in the war, a work of art so secret no one has ever seen it--and no one has found it since his death. The relationships of Nick Bassington-Hope with his family and friends; the problems of Billy Beale's family in an overcrowded and unhealthy tenement; Maisie's new suitor and romance; the centuries-long history of smuggling on the Kentish coast; and the search for Nick's missing masterpiece keep the action lively from beginning to end, with plenty of tugs at the heartstrings as sorrowful events, some associated with the war, unfold.
Maisie, as proper and chaste as the heroines of novels actually written in the 1930s, is imaginative and independent, always polite and "lady-like." Genuinely fond of Billy Beale's family, she nevertheless maintains a professional distance as his employer, not wanting to insult his pride. The novel feels "cozy," in its intimacy and family orientation, with care paid to characters' feelings and domestic conflicts. Though the novel has moments of excitement, the reader is left, at the end, with as much appreciation for its old-fashioned charm as for its mystery. n Mary Whipple
But Winspear's sense of period seldom lets her down, and there are still many interesting things here: her view of the vibrant art scene between the wars or the heady night world of jazz clubs and cocktails, contrasted with the effect of the Depression on the out-of-work poor and the lamentable state of public health. And those parts of the story which have to do with the rags-to-riches rise of the heroine (housemaid, war nurse, Cambridge graduate, private investigator) are mercifully shorter -- though Maisie's emotional problems would mean very little to those who had not read the earlier books. But Winspear seems caught on a difficult watershed: on the one hand, continuing to write about the legacy of the First War, which no longer has the resonance that it had in her first books; on the other, exploring the life of a nation moving inexorably towards the Second. There are aspects of both here, but they do not blend easily. If she is to continue, the author needs to move forward rather than back -- and also develop the inner life of her heroine so as to make her interesting for who she is now, rather than as the product of previous books in the series.
Readers who want to read more about the role of artists in the first War -- an important element in this book -- might be interested in REGENERATION by Pat Barker. Although Barker's novel deals with poets (Sassoon and Owen among them) rather than painters, it tackles head-on the conflict between war's brutality and artistic sensitivity, which has been a persistent theme in Winspear's books, and a moving one.
When her twin brother, Nicholas, falls to his death while mounting his latest work for an upcoming exhibition, journalist Georgina Bassington-Hope refuses to believe that Nicholas' death is an accident. Instead, she's certain that Nicholas was murdered. Talented and single-minded, Nicholas was well known for upsetting and angering people with his opinions and his art. The police, however, are quite satisfied that Nicholas' death was an accident; and because she cannot get them to reopen the case, Georgina seeks out Maisie's help in discovering who murdered Nicholas and why. Soon, Maisie is delving into the unfamiliar world of artists and night clubs in an attempt to understand Nicholas, his work and what happened the last few hours before he met his death. Was Nicholas murdered because of his art, or because he was involved in something nefarious and dangerous...
While I can see why the previous reviewer was disappointed with this latest Maisie Dobbs installment, I rather enjoyed "Messenger of Truth" myself. Not only was the mystery subplot a very intriguing and tantalising one, but a wonderful bonus here for me, I thought that Jacqueline Winspear did a fantastic job of capturing the darkness and excesses of the period. "Messenger of Truth" takes place in the early 1930s, when fascism was on the rise, but while Winspear touches on this lightly, she focuses more on the grim realities of that the poor faced -- lack of jobs, disease and poverty -- and the obliviousness of the moneyed and powerful and their pursuit of pleasure and divertment. This social commentary makes a nice counterpoint to the mystery at hand of who killed Nick Bassington-Hope and why. Unlike the previous reviewer, however, I did not think that Maisie has become a money chasing social climber. The very fact that she faces and questions her sudden enjoyment of luxuries and pleasurable divertments points to the fact that Maisie's character isn't about to undergo a fundamental change. I rather wished, though, that the unfolding of the mystery subplot had been a little more even, more clear-cut, more developed, and more energetic. Winspear's brilliant use of vivid imagery, period detail, atmosphere and introspection, however, made up quite a bit for this lack. All in all, "Messenger of Truth" was an enjoyable and fairly absorbing read that fans and newcomers are sure to enjoy.