I don't know if the entire music-listening world is completely uneducated, utterly oblivious, or simply that much dumber than me, but how can anyone give this record less than a perfect score? For those fans of Brian Wilson and the lost (and now found) Beach Boys' masterpiece "SMiLE," you should be salivating over "MMM Part 2," which has harmonies obviously rivaling the Brian/Carl ones, as well as a bass line that could kick Mike Love's behind any day.
For fans of jam-based rock outfits like the Grateful Dead, Phish, or the String Cheese Incident, check out "MMM Part 4." For all the noodling Trey Anastasio does, he never quite gets to the point like Uncle Lou does, and the crescendo is phenomenal. Besides that, "MMMP4" makes Tweedle Dumb and Tweedle Dumber from the Dave Matthews Band sound like a Barbara Streisand/Kathy Lee Gifford duet.
Anyone who digs punk rock a la the Ramones or the Sex Pistols (or possibly even the Damned) should check out "MMM Part 3." It's got that catchy riff, one that Iggy Pop would've died for back in the early '70s, and even throws a bit of Bowie-esque glam in for good measure.
Finally, "MMM Part 1," perhaps the most ambitious piece on the whole record, is also quite easily the best. Uncle Lou draws on some of the great soul singers of the '60s and '70s--Otis Redding, Marvin Gaye, Aretha Franklin--but creates a sound all his own. Pete Townshend would've given his little whirlybird thing that he does up just to be able to put this much soul into ANY of his songs (remember, Pete's the one who coined the phrase "Maximum R&B."
What's the matter? Can't hear the stuff I'm talking about? Oh, I understand. See, you need to turn the volume up. Louder. Louder! Now sit back and enjoy.