- Audio CD (Oct 10 2000)
- Number of Discs: 1
- Format: Limited Edition
- Label: Buddha
- ASIN: B00004VXF2
- Average Customer Review: 3.4 out of 5 stars See all reviews (86 customer reviews)
- Amazon Bestsellers Rank: #29,687 in Music (See Top 100 in Music)
Product Details
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| 1. "Metal Machine Music, Part I" |
| 2. "Metal Machine Music, Part II" |
| 3. "Metal Machine Music, Part III" |
| 4. "Metal Machine Music, Part IV" |
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Most helpful customer reviews
3 of 3 people found the following review helpful
5.0 out of 5 stars
Ambient for Rock Fans,
By owlberg (Seattle, WA USA) - See all my reviews
This review is from: Metal Machine Music (Audio CD)
You'll read many reviews here dismissing MMM as an elaborate joke Lou pulled on pretentious posers salivating over the implicate 'art' value of the atonal noise that encompasses the recording's 60+ minutes. Hell, if it's 'difficult', it's gotta be 'art', right? Haw haw haw... what a character, that Lou. Kudos for ripping off a bunch of morons by releasing the first coffee table record: an unlistenable conversation piece for decadent trendies. Right? RIGHT? Um... WRONG. If it were only that simple, to live in such a simpleton world. But anyone with a clue can easily figure out why MMM matters. If your aesthetic already included things such as Hendrix, the Velvet Underground, The Stooges, Black Sabbath, King Crimson, and so on, this made perfect sense in context, as ambient music for people with noise-attuned ears (much like Eno's ambient does the same for those with pop-attuned ears). Sometimes you feel like a nut, sometimes you don't. Sometimes you want to hear something inspired by a malfunctioning record player set at a near-inaudible level in a hospital room (Eno) and sometimes you need a sound inspired by something a bit more substantial (Reed). Of course, to those who don't share the above aesthetic, MMM simply means that you paid X amount of dollars to own and listen to what sounds like a bunch of guitars and amps being thrown down a very long flight of stairs, or (as someone said back when this was first issued), 'the soundtrack of someone being administered electro-shock therapy for an hour'. Perhaps... but those reviewers mincing and squealing about how this is such a 'rip-off' probably don't see much in Pollock but a bunch of splattered paint, or get a headache from trying to read "Finnegan's Wake". Try to be charitable to them, even if they ARE clue-impaired to the point that they are obviously resentful of what they just can't understand. Truth is, we still ended up with Throbbing Gristle (who toned down the foreground treble and added somewhat of a beat and 'lyrical content' to the concept), Einsturzende Neubauten and Test Department (who added everyday appliances to the mix, amped up the rhythmic aspects considerably, and re-incorporated a semblance of song structure) and Boyd Rice/Frank Tovey's EASY LISTENING FOR THE HARD OF HEARING (which dispenses with anything involving traditional instruments, and employs record player cartridges, tape snippets, and found sounds to create what are truly metal machine instrumental pop songs), just to name a few that emerged thereafter MMM hit the fans. Would these things have happened without MMM being released? Is MMM truly valid as a retail item from an established singer/songwriter recording for the fine RCA label, or could any speed freak with enough time and equipment put this together? Does the fact that Lou already did it make that last point somewhat irrelevant? Is MMM the 'root' of 'industrial' music? Does Lou owe props to Ussachevsky and Luening, who were making similar noises in the early 50's? If so, is MMM Lou's 'musique concrete' album? Whatever. Opinions are like the nether aperture: everyone's got one, and they all stink if you get right down to it. So I'll take MMM as Lou's attempt at noise-friendly ambient music, ideal shifting audio wallpaper that hangs around while I do everyday chores around the house. It's useful, it's utilitarian. It serves a purpose. And I, for one, am glad that it happened.
5.0 out of 5 stars
Great Album! ... not for everyone,
By
This review is from: Metal Machine Music (Audio CD)
Let me just say that I love this album. One of my favorites. It takes music, not just rock'n'roll, to a noisy limit. If you like experimentation and loud music, you got to have this one. But let me just say, it's not for everyone. You must be ready for something weird. I think the people that know hard techno or contemporary classical are going to understand that album. For those who liked "Transformer" and want another Lou Reed album, this might not be the one.
3.0 out of 5 stars
Everybody who has had their say here is right well sorta,
By filterite "filterite" (Dublin, Ireland) - See all my reviews
This review is from: Metal Machine Music (Audio CD)
This album is going to attract many people as it will repel. You're not going to find anything that will have people praising highly or those spitting venomous bile.Whether or not you can call this art, I don't know but at least and those who call it a joke are not too far off the mark. It's Lou Reed's idea of fun. And fun it may be for him but it takes a masochist to enjoy this. Listen to whatever side you want or even the full album if needs must. But surprisingly this album actually has proved an inspiration for a generation of artists. You listen to Throbbing Gristle, SPK, Einsturzende Neubauten in their early years and you'll find pieces of MMM in their music ( or noise if you prefer to call it that way ). If you listen to Sonic Youth's Bad Moon Rising there's a part in the album where they play a 5 second snippet forwards and backwards. And of course there is the prima Japanese artists such as Merzbow who is much more harsher than this. If you Metal Machine Music is noise, just listen to Merzbow - THAT'S NOISE. I can only stomach one CD of Merzbow and that's similar in style to this one Oh and by the way - if you've listened to the samples on Amazon it's pretty much like that all the way. Like it and want the album? Go ahead and buy it if you want. Feel the urge to kill Lou after hearing those samples? Try Coney Island Girl, that'll be more normal I reckon
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