From Amazon.com
Microserfs is not about Microsoft--it's about programmers who are searching for lives. A hilarious but frighteningly real look at geek life in the '90's, Coupland's book manifests a peculiar sense of how technology affects the human race and how it will continue to affect all of us.
Microserfs is the hilarious journal of Dan, an ex-Microsoft programmer who, with his coder comrades, is on a quest to find purpose in life. This isn't just fodder for techies. The thoughts and fears of the not-so-stereotypical characters are easy for any of us to relate to, and their witty conversations and quirky view of the world make this a surprisingly thought-provoking book.
" ... just think about the way high-tech cultures purposefully protract out the adolescence of their employees well into their late 20s, if not their early 30s," muses one programmer. "I mean, all those Nerf toys and free beverages! And the way tech firms won't even call work 'the office,' but instead, 'the campus.' It's sick and evil."
This text refers to an alternate
Paperback
edition.
From Publishers Weekly
With his nose to the zeitgeist, the author of Generation X again examines the angst of the white-collar, under-30 set in this entertaining tale of computer techies who escape the serfdom of Bill Gates's Microsoft to found their own multimedia company. The story is told through the online journal of Danielu@microsoft.com, an affable, insomniac, 26-year-old aspiring code writer. Together with his girlfriend Karla, a mousy shiatsu expert with a penchant for Star Trekky aphorisms, and a tight clique of maladjusted, nose-to-the-grindstone housemates, he relocates to a Lego-adorned office in Palo Alto, Calif., to develop a product called Object Oriented Programming (Oop!), a form of virtual Lego. Much of the story concerns the the Oop! staff's efforts to raise capital and "have a life" amid 18-hour work days. Dan's journal, like much prose on the Internet, abounds in typos, encrypted text, emoticons-:) for happy and :( for sad-and random snippets of information, a format that suits Copland's disjointed, soundbite-heavy fiction. Yet the randomness and nonlinearity of cyberspace hobble narrative. Amid endless digital chitchat and pop-philosophy, this novel's more serious ruminations about the physical and social alienation of life on the Information Superhighway never achieve any real complexity.
Copyright 1995 Reed Business Information, Inc.
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
