From Publishers Weekly
Max Greengrass, the hero of this engaging mystery by Blaine (
The Desperate Season), has much in common with David Liss's hero Benjamin Weaver. Both are Jews in a world of gentiles: for Weaver, it's 18th-century London, for Greengrass, the sidewalks and saloons of lower Manhattan in 1893. Both are ex-prize fighters, as well as amateur detectives, whose murder investigations take place against a background of real and imagined events and uncover plots surprisingly sinister and far-reaching. Max is a young freelance reporter ("a space-rater") at the
New York Herald, and his future hangs on getting a good story. When he finds four dead cats arranged in a row on a Greenwich Village sidewalk, and soon learns of more murdered felines, he's got a good scoop. After the
Herald publishes his catricide story, Greengrass continues to nose around. When his most promising lead turns up dead, as does a witness to that murder, Greengrass's widening investigations introduce the reporter—and the reader—to a colorful mix of real and fictional politicians, religious figures, reformers, journalists and power brokers. Blaine's portrait of Manhattan in 1893 is striking both for what doesn't exist yet (sanitation, most graphically) and what does: Pete's Tavern on Irving Place, expensive dinners at the Waldorf, the Staten Island Ferry, Bellevue Hospital. The 19th-century local color makes a good mystery even more enjoyable.
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From Booklist
Max Greengrass is a scrappy freelance reporter in New York City in the year 1893. Continually on the lookout for promising material, he lucks out when he trips over four dead cats laid out in a row. This strange clue leads him to an investigation that turns up scandalous material on the Catholic Church. Not only is the church a slum landlord but it also seems to be involved in a shady insurance scam that preys upon poor mothers and their sickly infants. Max also experiences a tumultuous personal life when he is simultaneously smitten with two women--one a beautiful photographer, the other a nurse who works in the slums--both of whom room at the boarding house where he lives. Although certain aspects of the novel's convoluted plot remain murky, the atmosphere of 1890s New York is made vivid through finely rendered detail, including song snippets and articles of clothing as well as the skillful use of arcane dialect. In particular, Blaine's re-creation of a city newsroom, complete with an all-powerful, always crabby metro editor, is a delight.
Joanne WilkinsonCopyright © American Library Association. All rights reserved