Reading the reviews of "Mishima - A Life in Four Chapters" on this site got me interested enough to finally rent the movie, despite its goofy-looking cover and a general sense that it might prove to be dull.
As it turns out, this is one of the most powerful films I've ever seen.
Mishima was a famous Japanese writer who tried to live his beliefs. In the end, he became a character from his own novels, merging art with life.
The film is told by inter-cutting scenes from his life (filmed in black and white, like an old Japanese film), scenes from three of his novels (brightly colored, very theatrically performed) and the final day of his life. The transitions from scene to scene are thematically and cinematically chosen, so that you see how the events of his life were reflected in his stories, and how the ideas in his stories later found expression in his life.
The only movie I can compare this to is Fellini's 8 1/2, although it's quite different from that, of course. But both films are about the thin line separating one's art from one's actual life and both films utilize thematic transitions from the past, fantasy, and "reality."
When you're done watching this movie, be sure to watch it a second time with the director's commentary. His stories about the making of the film and why it was never shown in Japan are fascinating. In the end, as he says, it was a film financed by nobody, made to be seen by nobody.
Damn good flick!