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Miss Lonelyhearts And The Day Of The Locust
 
 

Miss Lonelyhearts And The Day Of The Locust [Paperback]

Nathanael West
4.4 out of 5 stars  See all reviews (23 customer reviews)
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"Somehow or other I seem to have slipped in between all the 'schools,' " observed Nathanael West the year before his untimely death in 1940. "My books meet no needs except my own, their circulation is practically private and I'm lucky to be published." Yet today, West is widely recognized as a prophetic writer whose dark and comic vision of
a society obsessed with mass-
produced fantasies foretold much
of what was to come in American life.
     Miss Lonelyhearts (1933), which West envisioned as "a novel in the form of a comic strip," tells of an advice-to-the-lovelorn columnist who becomes tragically embroiled in the desperate lives of his readers. The Day of the Locust (1939) is West's great dystopian Hollywood novel based on his experiences at the seedy fringes of the movie industry.
   "The work of Nathanael West, savagely, comically, tragically original, has come into its own," said novelist and screenwriter Budd Schulberg. "A new public [has] discovered in the writings of West a brilliant reflection of its own sense of chaos and helplessness in a world running more to madness than to reason." --This text refers to an out of print or unavailable edition of this title.

Ingram

These two dark stories--the most notable works of the short career of Nathanael West--remain stunningly powerful pieces of fiction. MISS LONELYHEARTS (1933) is the story of an advice columnist who becomes embroiled in the desperate lives of his correspondents. THE DAY OF THE LOCUST (1939) centers around a Hollywood scene designer and the characters he encounters at the fringes of the movie industry. --This text refers to an out of print or unavailable edition of this title.

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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews

23 Reviews
5 star:
 (15)
4 star:
 (6)
3 star:    (0)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (23 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
5.0 out of 5 stars when tragedy becomes hilarity, Jan 18 2004
By 
asphlex "asphlex" (Philadelphia, PA USA) - See all my reviews
Both Miss Lonelyhearts and The Day of the Locust are miserable stories about optimism crushed by the heartlessness of the real world. Miss Lonelyhearts sees a good-hearted man overwhelmed by his required, professional commission over the desperate squawks of the truly hopeless. People write anonymous letters outlining their most unspeakable unhappiness and literally plead with the faceless voice writing an entertainment column for a local tabloid to solve the urgent emptiness of their lives, usually with trite, hopeful cliches. Miss Lonelyhearts himself is hardly better off than his readers, a young guy unwilling to commit to anything and therefore mostly confused and unhappy. Here is a brush with the underside of hopeful reality: those despensing advice are often just as wayward as those most in desperate need of any sort of help. As the cries get louder and human outlook become completely mundane Miss Lonelyhearts finds himself both unwilling and unable to muster even the faintest idea of concern. He even suggests suicide to one reader if only to get himself fired from his hateful job. As with everything else, he is unsuccessful.

The Day of the Locust is a different sort of monster. Here is a story so harsh, so utterly hopeless and bleak that it is easy to overlook how grounded in reality it truly is. Take this story out of its 1930s historical context and the face of the tale would not change. Here is a story of the dreamers flocking to Hollywood usually with unrealistic and terrifyingly desperate hopes of their own future success. These dreams are not even well thought out, based solely on the unreal idea of a 'celebrity culture' entertainment press and studio propaganda build around their handful of stars. But here everyone believes in their own superstardom, everyone imagines their buried talents becoming public property and every ranging idea they have is absorbed into the unreality of their increasingly hopeless dreams. Even the parody of Hollywood cults is contemporary, of these flighty ideas that the desperate flock to when things aren't going their way; these opportunistic religions, translated today into Scientology, Kabbalah and several other currently in vogue practices that ravage the West Coast nightlife in a mingle of true faith and a drug-induced party atomosphere. Is The Day of the Locust an exaggeration, exploiting legitimate weaknesses in character in the name of satire? Perhaps, although I tend to think of it as a much truer picture of those not quite making it, of those growing tired from their ceaseless efforts and daily failures and how they rattle apart under the pressure of their dreams. This book is honestly one of my favorite of all books, all its brutality, misery and cruelty notwithstanding. It paints a very delicate picture of the fragile human soul being consumed with reckless abandon by the self-serving greed of all aspirants who need to somehow make themselves greater than they are. There are all sorts of psychological explanations one could give to explain away this horror, but even this becomes sort of cultish at its extreme, some terrible excuse that ignores individual human motive. West has written a masterpiece undermining all of these futile ideologies while at the same time telling a swift-moving, entertaining story about something given birth to by the American cult of celebrity. A very important and perpetually lasting fable, The Day of the Locust is happening every day.

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4.0 out of 5 stars Easy Read with Insight!, July 20 2004
Although I have not read "The Day of the Locust," I did use "Miss Lonelyhearts" for a senior essay. It is very short novel (more of a novella, I suppose), but one that literature lovers are sure to drink up like mad. Best of all, readers will walk away with a deeper appreciation of life.

The book follows Miss Lonelyhearts (but who else?), a male advice columnist who falls into a depression, egged on by the pitiable letters of his followers. Even though his actions may make you question his morals, Miss Lonelyhearts still triumphs in capturing our attention. Through his miserable life--which, in fact, could be any one of ours--we learn what the purpose of exisiting really is.

Try this. If you end up despising "Miss Lonelyhearts," you can always read "Locust." Love it or hate it, this novel will undoubtedly get you thinking, wondering, pondering. Carpe diem!

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4.0 out of 5 stars "Few things are sadder than the truly monstrous", Jan 13 2004
By 
Debbie Lee Wesselmann (the Lehigh Valley, PA) - See all my reviews
(REAL NAME)   
Nathanael West had a brief, barely noticed career before his sudden death in 1940. These two novellas, MISS LONELYHEARTS and THE DAY OF THE LOCUST, stand as his best-known contributions to literature, classics that are now widely taught in American high schools and universities. MISS LONELYHEARTS is the more bitter of the two: a newspaper columnist (a man, but always referred to as Miss Lonelyhearts) suffers a crisis of conscience and spirit under the emotional weight of the mail he receives. His colleagues make fun of the correspondents, who are mostly women, but Miss Lonelyhearts sees the pathetic futility in their seeking help to escape their bleak lives. His editor, Shrike, tries to energize Miss Lonelyhearts with long-winded diatribes satirizing religious beliefs, but their shrillness pushes Miss Lonelyhearts toward the edge. Using Christian imagery as well as irony, West evokes a world of alienation, futility, and human failings.

THE DAY OF THE LOCUST comes across as more satiric than shrill, perhaps because there is no Shrike here, although West's trademark themes of alienation and futility are fully evident. Tod Hackett is new to Hollywood; he is lazy but ambitious, a painter who hopes to earn a living as a set designer. Tod finds himself drawn to the outsiders of Hollywood, the lower classes, those for whom success is always out of reach. The characters are almost surreal in their quirkiness. Aspiring actress Faye Greener lives in the same building as Tod; by introducing Tod to the vapid decadence of Hollywood, she awakens Tod's violent impulses. Iowan Homer Simpson is a listless, repressed man who has come to California not for show business but for health reasons and to forget what little sexuality he has. West is not a writer to grant the wishes of his characters, but, like Harry Greener, many of the characters "seemed to enjoy their suffering [. . .] the sort that was self-inflicted."

West's philosophy in these two novellas seems to fit into a single line in THE DAY OF THE LOCUST, "Few things are sadder than the truly monstrous." These works display a dark, almost desperate humor that exposes the human condition as West saw it. If you don't think you can take an abundance of hopelessness, you should select another book to read. Still, these are important works, especially for those interested in modern American literature.

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