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Mistress of Justice Mass Market Paperback – Apr 30 2002


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Product Details

  • Mass Market Paperback: 368 pages
  • Publisher: Bantam; Reissue edition (April 30 2002)
  • Language: English
  • ISBN-10: 0553584456
  • ISBN-13: 978-0553584455
  • Product Dimensions: 10.7 x 2 x 17.4 cm
  • Shipping Weight: 181 g
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Bestsellers Rank: #223,899 in Books (See Top 100 in Books)

Product Description

From Publishers Weekly

A plethora of generally interesting asides make this lethargically paced mystery an easy, yet ultimately a somewhat frustrating read. As we follow the paralegal days and jazz-piano-playing nights of Ms. Taylor Lockwood, we glimpse the truth behind the dark-wood panels of the venerable law firm Hubbard, White & Willis. Taylor's initial assignment is to retrieve a stolen document that could cost the firm a case and an attractive young litigator his job. The theft proves to be merely a subtext as one ferocious partner pushes for a merger, two older partners firmly oppose it and the rest of the principal players scramble for position while sides are drawn up. Taylor finds coked-up associates with grievances, partners with financial problems, and granddaughters to raise, not to mention call girls. Offices (including her own lowly hole in the wall) are soon bugged, and after an interminable wait, murder makes its entrance. Edgar-nominated Deaver ( Manhattan Is My Beat ) whips up enough atmosphere for a whole series here: late-night music, copious jazz lore, performance-art interludes, man troubles aplenty--the plucky Taylor partakes of them all. She's a likely guide to both the legal and the late-night, but this expansive mystery doesn't have enough narrative gears to shift through. Author tour.
Copyright 1992 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Kirkus Reviews

When a promissory note for $25 million due to a client bank is stolen from hotshot lawyer Mitchell Reece's office in Hubbard, White & Willis, he turns to an unlikely source for detective help--aspiring jazz pianist/paralegal Taylor Lockwood. Taylor is supposed to recover the note in time to prevent the debtor firm from wriggling out of the debt by declaring bankruptcy--and that client bank from pulling its business from the firm. As Taylor gets down to her investigation-- which consists mainly of fighting off the partners' propositions by day and pawing through their offices by night--upstart partner Wendall Clayton plots a merger of Hubbard, White & Willis with a new-money firm--a merger that will throw patrician senior partner Donald Burdick and his supporters to the wolves. The detective plot (torpid theft and, eventually, homicide) and the (far more engrossing) merger plot finally do come together, though not in time for Deaver (Hard News, etc.) to do either one justice. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition.

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Customer Reviews

3.8 out of 5 stars
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Most helpful customer reviews

By A Customer on Jan. 5 2003
Format: Mass Market Paperback
This book seems to have been written by Jeffrey Deaver just prior to his full acquisition of the unique style, creativity, pace and humor that marked his later works. The Lincoln Rhyme novels, for example. All of them employ Jeffrey's formidable writing skills, and are tremendously entertaining on many levels. Mistress of Justice falls short of these expectations, however. I got only halfway through it, skimmed the rest, then went right to the ending - which was predictable. Never thought I'd do that with one of Jeffrey's books, and I have read nearly all of them. The problems with this book are many. The pace is very slow. The plot - not very strong. Too many characters are introduced, too quickly. Too much writing space devoted to non-essential details. But there also seems to be a snooty, snobbish tone to the entire book - almost as if Jeffrey had written it to impress his cronies in the lawyering arena of NYC. While I was reading - I failed to find anyone in the story to admire, to cheer for, and more importantly, to identify with. Although some may be fascinated by that particular class-based New York / New England culture of old money, politics and snobbishness, I am not. Yet Jeffrey revelled in laying this all out in a manner that suggested the reader should love and embrace this culture. Fortunately, Jeffrey moved away from this style in his later novels - all of which are marked by rich characters, from life's many diverse walkways. Mistress of Justice reinforced my belief that you cannot hit a home run every time up - and that's fine. And, I am grateful that the mistakes made in this novel are not found in any of Jeffrey's later works. If you are as big a Jeffrey Deaver fan as I am - and you have not yet read Mistress of Justice - steel yourself for possible disappointment.
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By RachelWalker on Sept. 26 2002
Format: Mass Market Paperback
these early Deaver re-issues are turning out as real gems among his back-catalogue. I can say with complete confidence that Jeffery Deaver has not once written a bad, unenjoyable book.
Deaver's writing style is concise and addictive. It's clever, quirky and enjoyable. His plots are well devised and well structured. They run smoothly and without a hitch.
This is a very good, very hig-class legal thriller, better than almost anything by John Grisham. the plot is complex and intriguing, and the lead character is very human and very likeable, with some very distinctive quirks which make her a pleasure to read about.
The book moves at great pace, and is a true page-turner. There are a couple of nice twists along the way, and, as is usual with Deaver, one final wallop right at the end.
Another very good book from Deaver...not quite his best, but i still reccomend that you read it. As i do with all his books.
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By Lara Kramer on July 28 2000
Format: Hardcover
I started out with Deaver's Lincoln Rhyme series and have gone back to read his earlier books. Not all of his early books are as enjoyable as his recent offerings. But I was surprised with this one. It sat on my shelf for awhile before I finally got around to reading it. I shouldn't have waited so long. Taylor Lockwood has to find a stolen $25 million promisssary note of Mitchell Reece loses his case and is out of a job. She is a great strong female character, whose amateurish sleuthing is amusing. Finally, just when you think you've figured out who stole the note, you're in for one surprise and then another. This book hints at the great things to come from Jeff Deaver.
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Format: Mass Market Paperback
I found this, on the whole, an enjoyable read. After a suspenseful opening, it took a while for the plot to grab me again--perhaps because the issues at stake didn't seem to be of life-or-death importance. The excitement level picked up, however, as the story progressed. The writing is excellent, the main protagonist a well-drawn character.
But none of the intended surprises caught me off guard, not even what was meant to be the biggest. Is this the fault of the book (a plot conceived some dozen years ago, however the author has sought to improve it), or of my having read too much Deaver lately? I honestly can't say.
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Format: Mass Market Paperback
This is my first Deaver book I have read. Good thing, I borrowed the book from the library. First half of the book was slow and not real interesting until the plot gets more interesting from second half of the book till the end. I didn't figure out the correct suspect until I almost reached the end. The suspense is great, but the story and wordings could have been better. I guess that's understandable since this one was one of author's earlier books. I hope his later books are better as other people say.
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