Mon Amour [Import]

Tinto Brass' latest US release, 'Monamour', is actually from 2005 (why does it take so long for us to get our sexploitation kicks stateside?), starring Anna Jimskaia, and is a sexual homage to the female form, like many of his films, this time even more so, and Anna is an even greater exhibitionist than any of his other actresses, bless her heart.

The story concerns itself with a newly married couple, Marta and Dario, whose love life seems to have stagnated since they got married only six months ago. Marta chronicles the sordid details in her diary, and Dario is too busy with his work to notice her sexual drifting. While away at a publisher's convention in the beautiful city of Mantua with her husband, Marta meets a Frenchman while looking at ancient frescos in a museum, and he pursues her aggressively and sexually right there. Soon, her adultery, born out of neglect, boredom and frustration, is in full swing, and she's encouraged by a female friend of hers who's also at the convention with her younger lover.

The two women attend a day spa and trade tales of their escapades while being pampered by two Eurovixens employed at the spa, conjuring up all kinds of fantasies for us to ponder over as the women are oiled-up and erotically massaged as though being devoured by their masseuses. Marta is now having sexual dreams and fantasies in addition to her carnal activities, engaging in a variety of increasingly perverse pleasures with Leon, the French lover, and naturally, hubbie Dario finds the diary she explicitly details her affairs in. Now things go from steaming hot to boiling over...it's one of those times when being a perv is a truly wonderful thing.

These are women, not girls, and they flaunt their sexuality proudly, libidinous creatures who have not just been around the block a few times, but have frequented the sewers as well. They are lewd, sometimes vulgar, their appetites voracious and lusts almost limitless. Looking slutty, talking dirty, behaving salaciously - what's not to love? Hang on a second, I'm getting weepy... OK, I'm back.

There's nary a 30 second frame within the film when we don't have our heads thrust into the breasts, asses, legs, back or nether regions of some delectable Eurovixen's form - this is a voyeur's pastry buffet table, a Lazy Susan of rotating sexual smorgasbords that's guaranteed to delight the demented appetites of undying degenerates everywhere. Tinto Brass knows how to let the camera linger over a woman's form the way Salvador Dali knew surrealism, the way Einstein knew equations, the way Monet knew waterlillies. Uncensored, unflinching, uncut, unyielding, this flick is mandatory viewing for all men who appreciate the female anatomy more than a night of ESPN. Do your self a flavor and savor the juices of 'MonAmour'.

Tinto Brass' latest US release, 'Monamour', is actually from 2005 (why does it take so long for us to get our sexploitation kicks stateside?), starring Anna Jimskaia, and is a sexual homage to the female form, like many of his films, this time even more so, and Anna is an even greater exhibitionist than any of his other actresses, bless her heart.

The story concerns itself with a newly married couple, Marta and Dario, whose love life seems to have stagnated since they got married only six months ago. Marta chronicles the sordid details in her diary, and Dario is too busy with his work to notice her sexual drifting. While away at a publisher's convention in the beautiful city of Mantua with her husband, Marta meets a Frenchman while looking at ancient frescos in a museum, and he pursues her aggressively and sexually right there. Soon, her adultery, born out of neglect, boredom and frustration, is in full swing, and she's encouraged by a female friend of hers who's also at the convention with her younger lover.

The two women attend a day spa and trade tales of their escapades while being pampered by two Eurovixens employed at the spa, conjuring up all kinds of fantasies for us to ponder over as the women are oiled-up and erotically massaged as though being devoured by their masseuses. Marta is now having sexual dreams and fantasies in addition to her carnal activities, engaging in a variety of increasingly perverse pleasures with Leon, the French lover, and naturally, hubbie Dario finds the diary she explicitly details her affairs in. Now things go from steaming hot to boiling over...it's one of those times when being a perv is a truly wonderful thing.

These are women, not girls, and they flaunt their sexuality proudly, libidinous creatures who have not just been around the block a few times, but have frequented the sewers as well. They are lewd, sometimes vulgar, their appetites voracious and lusts almost limitless. Looking slutty, talking dirty, behaving salaciously - what's not to love? Hang on a second, I'm getting weepy... OK, I'm back.

There's nary a 30 second frame within the film when we don't have our heads thrust into the breasts, asses, legs, back or nether regions of some delectable Eurovixen's form - this is a voyeur's pastry buffet table, a Lazy Susan of rotating sexual smorgasbords that's guaranteed to delight the demented appetites of undying degenerates everywhere. Tinto Brass knows how to let the camera linger over a woman's form the way Salvador Dali knew surrealism, the way Einstein knew equations, the way Monet knew waterlillies. Uncensored, unflinching, uncut, unyielding, this flick is mandatory viewing for all men who appreciate the female anatomy more than a night of ESPN. Do your self a flavor and savor the juices of 'MonAmour'.

The second disc contains the short film 'Kick the Cock' starring Angelita Franco from 2008 (hence the re-release) - it's short, but a keeper, and so is she. The 'Spanish Dance' sequence is for viral voyeurs worldwide, and made me want to visit Spain before I die - actually, waaay before then. There are two 'making of' featurettes worth a watch also, plus trailers for his other Cult Epic films, but the second disc is the dessert, the real meal here is 'Monamour', IMHO, which truthfully, isn't that humble. Deserving a permanent place in your arthouse exploitation collection for certain. Thank Tinto for having the Brass balls to make these flicks...

Tinto Brass (who, I think, has two too many letters in his last name), as he does in all of his films, really just made a feature-length fetish picture here. And there are positives and negatives to that. Here are the only things that keep this from being a five-star production:

1. Body hair. The staggeringly-hot Anna Jimskaia (seriously, one of the hottest women I've ever seen on screen...and I've seen A LOT of them) shaves her legs. Why the heck doesn't she shave under her arms?

2. Way too many scenes on toilets. Actually, one is too many if you asked me, and we get no fewer than six in this movie. Again, obviously a Brass fetish.

3. There's a VERY well-endowed chick in one scene in a restaurant and we never get to see any more of her. Highly disappointing because she's a scene-stealer.

Jimskaia obviously is the big seller here, and she NEVER is fully-clothed in this movie...seriously, not a single time. She's not always fully-nude but she never is fully-clothed either. WOW what a fantastic all-natural body, and she shakes and bounces and gyrates through the entire duration. Now if she'll just groom a little more and stay off of the toilet...