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Moonlight & Vines
 
 

Moonlight & Vines [Paperback]

Charles de Lint
4.0 out of 5 stars  See all reviews (21 customer reviews)
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Product Description

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Imagine a city--cold, hard, concrete jungle on the surface, but, down that dark alley or disused cemetery, magic has begun to unravel the gray fabric of realism. Charles de Lint succumbs to his fascination with the outsider in all of us, and writes of lonesome goth kids, newbie lesbians, strippers, Gypsies, angels of death and mercy, and even vampires and ghosts in a style that is remarkably refreshing after so much sword-and-bodice formula fantasy. Moonlight and Vines is a medley of fairy tales for the alternative crowd, with most of his city grrrls and boys sporting combat boots and wounded souls. De Lint crafts his stories with soft edges but indelible images:
I can feel a foreign vibe in my apartment, a quivering in the air from Teresa having been there.... My furniture, the posters and prints on my walls, my knickknacks, all seemed subtly changed, a little stiff from the awareness of her looking at them. It takes a while for the room to settle down into its familiar habits. The fridge muttering to itself in the kitchen. The pictures in their frames letting out their stomachs and hanging slightly askew once more.
Hardcore horror/fantasy enthusiasts might find the author's habit of imbuing each protagonist with a sense of wonder and self-discovery slightly saccharine and hackneyed after the umpteenth happy ending, but longtime de Lint fans will be delighted. --Jhana Bach --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

With this collection of 22 stories?including three new tales and four that previously appeared only as limited-edition chapbooks?de Lint returns to the magic-steeped streets of Newford, the setting for his acclaimed novels Memory & Dream, Trader and Someplace to Be Flying. Although Newford seems a typical North American city, it houses an unusual array of artists, from painters and musicians to writers and tarot-card readers: the creative forces behind de Lint's stories. Each entry follows characters changed irrevocably by the touch of magic. The collection's bookend tales, "Saskia" and "The Fields Beyond the Fields," are linked stories about a writer whose relationship with a mysterious woman renews his creative fires. In "The Big Sky," a dead man stubbornly trying to hang on to the living world discovers the consequences of stagnation. "Heartfires" reverberates with the earthy voices of ancient spirits, proving that "a thing is just a thing until you have the story that goes with it." Other magical beings inhabit "The Invisibles," "Crow Girls" and the wry tale "Passing." As always, de Lint's writing is smooth and captivating, though the frequency of recurring themes (death, lost love) make the book best read in short spurts. Even at their darkest, the author's stories, like the best fantasy, will remind readers that "no matter how grey and bland and pointless the world might seem...there really is more to everything than what we can see."
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

21 Reviews
5 star:
 (8)
4 star:
 (8)
3 star:
 (2)
2 star:
 (2)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (21 customer reviews)
 
 
 
 
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5.0 out of 5 stars Magic is alive, and that is not always pretty, Feb 24 2003
By 
J. Angus Macdonald "bibliovore" (Concord, CA United States) - See all my reviews
(REAL NAME)   
Charles de Lint has an amazing way of writing; I can only compare his style to Guy Gavriel Key, which makes me think that there is something truly magical in the waters up in Canada. When de Lint writes, you feel a strong tug at your deepest core; you know he is writing about a truth, even if you have yourself never seen balloon people -- they are true on a level beyond something seen on the news.

Many writers currently seem determined to make faeries and other magical creatures very nice, very sweet, and altogether sappy. In these short stories we find nice creatures. We also find not quite so nice ones. We also find quite horrid ones, ones that would make our nightmares sit up and take notice. We find here the wellspring for artistic inspiration and the black void that leads to drug overdoses, the spirit of freedom and the freedom that goes too far and leads to madness. Here is hope, despair, and every other emotion, sometimes whispering, sometimes crying defiantly, but always with a sense that there is a truth here, no matter how much it may seem like a "mere fairy tale".

This is an important point -- de Lint is writing about reality, about real lives, about real feelings, about real emotions. There is a touch of magic to this, from the woman who doesn't want to admit that she sees things others do not, to the man who falls too in love with a photograph. What de Lint is writing about is what makes us ourselves, whether that is very good or very not good; he writes about fears, lusts, emotional expression, distrust, scams, and dozens of other human activities with a passion and an honesty that few can match or manage. In the end these works may be seen as parables, as internal explanations, or almost anything else, but ultimately they are beautiful works, very poignant, and full of sadnss, beauty, joy, and fear. They are raw expressions of all that happens in our world, coloured slightly by a dusting of the fey and the careful tread of a coyote in his moccasins.

Read, love, cry, and feel.

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4.0 out of 5 stars Newford; A more somber collection, Nov 1 2002
By 
Rachel Watkins "Rachel Watkins" (Joshua, Texas) - See all my reviews
(REAL NAME)   
I was glad to find a third collection of Newford tales, but still a bit dissapointed. The stories hit some deep emotional tones, and I even found tears streaming down my face at more than one part of this book. However, this didn't have the light-hearted flow of his previous Newford collections of short stories. It seems almost like DeLint set out to come up with a moral tone and it wasn't as enjoyable as the lighter, beat-of-the-town which I was expecting.

Some of the ideas were a bit far-fetched as well. Even though I didn't care as much for it as the two previous Newford Collections, it's still good. His prose is well writen in a realistic, conversational way. His charachters put me back in a time of my wild, young, living-on-the edge days and remind me of people I used to know. I've moved to a more stable(ok, I'll admit, boring and full of responsibilities) lifestyle now and it's nice to remember my young, living on ramen noodles lifestyle with a romantic and magical edge that DeLint can infuse into his stories and charachters.

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4.0 out of 5 stars The search for magic continues, Feb 7 2002
By 
Kelly (Fantasy Literature) (Columbia, MO United States) - See all my reviews
_Moonlight and Vines_ is a well-written collection of stories, set in a modern city, intended to give the reader a sense of wonder, and make us believe that there is magic afoot, even in our most run-down urban slums.

Charles de Lint is wonderful at treading that line between fantasy and realism, where we wonder right along with the characters, "what is real?" That is his biggest talent; his biggest flaw is trying too hard to insert a moral into each of these stories. They all seem to be making a point. Sometimes this is annoying; sometimes the story is so good I don't mind at all. Still, I would have given the book three stars, since the moralizing tends to place an artificial distance between the reader and the story.

Then I read "Birds". My favorite story in the anthology, it deals with two young women's search for peace of mind, and the rituals they use to find it. De Lint has captured the very essence of magic and of personal ritual. I'm a pagan/witchy type, and I've read so many formulaic lists of "spell ingredients" I could puke; de Lint's description of the women's search for certain objects of personal value is right on the money. I want to copy the whole darn story into my BOS.

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