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Morning in the Burned House [Paperback]

Margaret Atwood
5.0 out of 5 stars  See all reviews (3 customer reviews)
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Book Description

Sep 8 2009
These beautifully crafted poems–by turns dark, playful, intensely moving, tender and intimate–come together as Atwood's most accomplished and versatile gathering of poems to date, “setting foot on the middle ground/between body and word.” Some draw on history, and on myth, both classical and popular. Other, more personal poems concern themselves with love, with the fragility of the natural world, and with death–especially in the elegiac series of meditations on the death of a parent–as they inhabit a contemporary landscape haunted by images of the past.

Generous, compassionate, disturbing, this is poetry that emanates from the heart of human experience and seeks balance between the luminous realm of memory and the realities of everyday, between darkness and light, the capacity to perpetrate and the strength to forgive.

Morning in the Burned House is infused with breathtaking insight, technical virtuosity, and a clarity of vision that has the force to change the way we look at our lives.


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From Publishers Weekly

In her first poetry collection since 1987's Selected Poems II, Atwood brings a swift, powerful energy to meditative poems that often begin in domestic settings and then broaden into numinous dialogues. In "In the Secular Night," the speaker, who has wandered through her house talking to herself of the "sensed absences of God," realizes "Several hundred years ago/this could have been mysticism/ or heresy. It isn't now." In five roughly thematic sections, Atwood often displays incisive humor ("Ava Gardner Reincarnated as a Magnolia"). The most vivid poems forge an apprehensible human aspect from scholarly fields of science, history and religion: in "Half-hanged Mary" a woman who was being hanged for witchery, survives and tolls each hour until she is cut down. The final grouping seems compiled from the charred remains of a deeply examined life, where only "the power of what is not there" may transcend. Atwood's lean, free-verse style renders these apocryphal poems intimate and immediate.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

This is Atwood's first poetry collection in a decade, and its publication (her 12th overall) is a reminder that she is as prolific a poet as she is a novelist. As in her fiction, these poems are written with an arched eyebrow toward the foibles of the sexes, but she is at her most barbed when mocking the constraints society imposes on women. In an acerbic series of poems on famous femmes fatales, she empowers her women by lampooning "men and their mournful romanticisms/that can't get the dishes done." Atwood's satiric side is balanced by a darker, almost melancholy lyricism, shadowed by loss and a growing awareness of mortality. One section of the book is devoted to a group of moving poems on the death of her father and how the dead?"especially those we have loved the most"?return "from where we have shoved them/from under the ground, from under the water/they clutch at us,/we won't let go." Recommended for contemporary poetry collections and libraries with a strong Atwood following.?Christine Stenstrom, Brooklyn P.L., N.Y.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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3 of 3 people found the following review helpful
5.0 out of 5 stars Profound. Simple. Human. Nov 3 1998
Format:Paperback
This book is very aptly titled. The poems feel like waking up in a pile of cinders that used to be a house. Not sad really. Just sort of empty. As if everything has been reduced to stark facts with a few flowers sprouting here and there out of the ashes. There is something profoundly touching about these poems. They do an amazing job of conveying the spent feeling after the huge emotional turmoil of losing a parent. One line from the book that runs through my head sometimes: "After a pause, she says--he hears her say--'I love you like salt.'"
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1 of 2 people found the following review helpful
Format:Hardcover
Atwood's work 'Half-Hanged Mary' in this book of a poetry, A Morning in the Burned House, is such a wonderful examination of gender, informal power, and transcendence. It is one of my favourite poems. Her beautiful but disturbing examination of the hanging, and eventual survival, of Mary Webster during a Puritan witch hunt for her failure to fit within acceptable gender norms is so powerfully rendered. When placed within the larger anthropological study of gendered witchcraft accusations as an 'alternative-modernity' it takes on a whole new level of significance.
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1 of 2 people found the following review helpful
5.0 out of 5 stars A Dazzling Journey into Metaphor and Myth April 3 2000
Format:Paperback
An avid poetry reader and writer, I was introduced to the sparklingly new and innovative metaphors found in Atwood's book, MORNING IN A BURNED HOUSE, by a teacher. The poems certainly illuminate the ancient hidden core of individuals that yearns to beleive in something greater and more powerful...the human spirit. A great addition to a poetry library. Profoundly clear and imaginative.
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