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Moulin Rouge (Two-Disc Collector's Edition)
 
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Moulin Rouge (Two-Disc Collector's Edition)

Nicole Kidman , Ewan McGregor , Baz Luhrmann    PG-13 (Parental Guidance Suggested)   DVD
4.0 out of 5 stars  See all reviews (1,139 customer reviews)

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Additional Features

The "Spectacular, Spectacular" theme of Moulin Rouge continues with the two-DVD set's dazzling array of extras, a must-watch for the Moulin Rouge fanatic. The first disc contains the film along with two commentary tracks--one with Baz Luhrmann, the production designer, and the cinematographer, the second with Luhrmann and Craig Pearce, the writers of the film. Both commentaries contain lots of interesting and fun facts about the making of the film, including back story on the characters that was eventually cut, Courtney Love's long deliberation before allowing the use of Nirvana's "Teen Spirit," and contributions to the story made by the film's stars.

The second disc contains a making-of documentary, amusing footage of McGregor and Kidman goofing around on the set, and interviews with all the major stars. Deleted scenes, extended dance numbers, the MTV music-awards performance of "Lady Marmalade," and many more extras make for a detailed look inside Moulin Rouge that's bursting with as much energy as the nightclub itself. --Mindy Ruehmann

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A dazzling and yet frequently maddening bid to bring the movie musical kicking and screaming into the 21st century, Baz Luhrmann's Moulin Rouge bears no relation to the many previous films set in the famous Parisian nightclub. This may appear to be Paris in the 1890s, with can-can dancers, bohemian denizens like Toulouse-Lautrec (John Leguizamo), and ribaldry at every turn, but it's really Luhrmann's pop-cultural wonderland. Everyone and everything is encouraged to shatter boundaries of time and texture, colliding and careening in a fast-cutting frenzy that thinks nothing of casting Elton John's "Your Song" 80 years before its time. Nothing is original in this kaleidoscopic, absinthe-inspired love tragedy--the words, the music, it's all been heard before. But when filtered through Luhrmann's love for pop songs and timeless showmanship, you're reminded of the cinema's power to renew itself while paying homage to its past.

Luhrmann's overall success with his third "red-curtain" extravaganza (following Strictly Ballroom and William Shakespeare's Romeo & Juliet) is wildly debatable: the scenario is simple to the point of silliness, and how can you appreciate choreography when it's been diced into hash by attention-deficit editing? Still, there's something genuine brewing between costars Ewan McGregor and Nicole Kidman (as, respectively, a poor writer and his unobtainable object of desire), and their vocal talents are impressive enough to match Luhrmann's orgy of extraordinary sets, costumes, and digital wizardry. The movie's novelty may wear thin, along with its shallow indulgence of a marketable soundtrack, but Luhrmann's inventiveness yields moments that border on ecstasy, when sound and vision point the way to a moribund genre's joyously welcomed revival. --Jeff Shannon


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1,139 Reviews
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4.0 out of 5 stars (1,139 customer reviews)
 
 
 
 
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5.0 out of 5 stars Hey Mikey, I liked it!, April 15 2004
By 
This review is from: Moulin Rouge (Two-Disc Collector's Edition) (DVD)
Nicole Kidman and Ewan McGregor embark upon a dangerous love story in "Moulin Rouge." A courtizan and penniless writer, the two must battle for their love, defying men at the nightclub, a jealous duke, and a fatal illness. Their love story is enveloped within extraordinary musical performances and tantalizing dance scenes, and the lovers' songs live on long after the movie has ended. I think the work as a whole is phenomenal!
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2.0 out of 5 stars Moulin Rouge is....., Feb 23 2003
By 
Mark Borchers (The Woodlands, TX USA) - See all my reviews
(REAL NAME)   
This review is from: Moulin Rouge (Two-Disc Collector's Edition) (DVD)
....a chick flick in the most negative sense of the term. It uses a shallow plot (that's baby-pool-shallow, folks) as the infrastructure to carry out the murder of an array of classic rock and roll songs, songs which clash jarringly with the prewar-Paris setting of this musical. The film appears to be intended as a sensory feast, both visually and aurally. For me, the musical aspect simply does not work, although I know many people who really enjoyed the soundtrack. The visual bombardment is technically well-done, and if you like frenetic and gawdy light and color superimposed on a Paris cabaret movie set which NEVER attempts to convince you that it is anything more real than a set on a sound stage, then you may well find the movie an exciting and stimulating experience. Fans of maudlin filmmaking will enjoy the climactic tragedy of the affair between the poor young musical poet and the courtesan whose armored heart is finally breached by love, an affair that is doomed to end amidst a flood of tears gushing out from beneath the pancake makeup of the cabaret cast of the Moulin Rouge. Heck, I don't know, maybe this movie is really somewhat faithful to the Bohemian pseudo-life of Paris nightclubs back in the day. I sure did not like it much, though.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars A breathtakingly beautiful and unique love story, Jun 20 2006
By 
Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)   
I absolutely love Moulin Rouge. I have never seen anything at all like this movie; it is nothing short of indescribable. Previews and descriptions offer only the smallest glimpse into the epic world of intense human emotion, amazing sets, and incredible music that is Moulin Rouge. The setting is Paris in 1900, where the Moulin Rouge is the place to be, a spectacularly unreal world wherein inhibitions are left at the door and beauty, truth, freedom, and love are pursued on an epic scale. Ewan McGregor plays Christian, a young, idealistic, penniless poet who has come to Paris to embrace the bohemian spirit flourishing there. He soon finds himself writing songs for a lavish production alongside a truly unforgettable cast of characters led by Toulouse Lautrec (John Leguizamo). His new friends are awestruck by the lines and lyrics he comes up with, all of which are drawn from the pop culture of our own modern day. A shot of absinthe and a vision of the Green Fairy (played by the lovely Kylie Minogue) later, he finds himself inside Moulin Rouge. Harold Zidler (Jim Broadbent) leads the way for one of the most lavish musical production numbers ever created on film, topped off by the appearance of Satine (Nicole Kidman) on a huge swing above the amazingly enthusiastic audience. Despite the odds, Christian and Satine fall in love, but they must keep their love hidden because the club's wealthy patron, The Duke (Richard Roxburgh), wants Satine for himself and is willing to make her the real actress she longs to be in return for her affections. I was rather surprised to discover such a deeply emotional tale at the heart of this movie; it is a beautiful but tragic love story that outshines even the incredibly lavish production numbers for which this film is most famous.

I love musicals, but I had come to doubt the ability of modern moviemakers to make one worth seeing. What director Baz Luhrmann has done is to actually reinvent the musical as audiences know it. It sounds strange to say that the music for a movie set in 1900 consists of modern pop, opera, hip-hop, and other songs of the late twentieth century, but it really works beautifully and draws the modern viewer more deeply into the world of "real artificiality" Luhrmann succeeded in creating. If you had asked my thoughts on having two guys who look like David Spade and Rip Taylor singing Madonna's Like a Virgin in a movie, I would have laughed you out the door, yet it actually works in Moulin Rouge. Each of the terrific songs included here does serve rather than detract from the story itself. Ewan McGregor and Nicole Kidman do actually sing their own songs, it is important to note, and I was amazed to discover that Kidman's singing voice is as beautiful as she is herself. Dialogue alone could never manufacture the power unleashed by the music of Moulin Rouge, and the great tragedy of the story is made even more poignant by songs such as the haunting Come What May. Don't think this movie uses its garish production numbers as a means of hiding a weak story because the love story of Christian and Satine is nothing short of breathtaking, heartbreaking, and somehow wondrously beautiful all at the same time.

A terrific movie deserves a terrific DVD release, and Moulin Rouge features more extras than I could even watch all at once. When you watch the movie, you will marvel at the sets and costumes and wonder how on earth this movie was made. There are features on just about every aspect of the making of Moulin Rouge included on Disc Two. I love the commentaries and interviews, but what I really love are the uncut dance sequences. The dance numbers in this movie are just beautiful and beyond amazing, but they cannot be shown uncut in the film itself because things are happening story-wise at the same time and those scenes take precedence over the dances. Here, not only can you watch each of these musical production numbers in its completeness, you can even watch each one from multiple camera angles.

I know there are some people who dismiss this movie out of hand because it is a musical or because the hedonistic themes revealed in the movie previews give the impression of gaudiness over substance. This is not a musical in the traditional sense of the word, and the sets, while opulently lavish, are actually less stunning than the plot itself. This is a love story for the ages, sprinkled with comedy but dominated by the deepest of human emotions. Even though I was interested in this movie from the time it was released, I myself did not expect story itself to be as powerful and moving as it is. Moulin Rouge is, in almost every conceivable way, one of the best motion pictures I have ever seen.
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